Pattern's Chemo-Electric Trading Journal

.









-- What I'm trying to do, is discover some kind of order to (dis)integration of price randomness,
with, for example, significant patterns going from centered to maximally off-centered between major price changes.

Well, anyway, the ellipse completed the half-circle and then dropped a lot.
The big box before the jump to the diameter is wild:

A revisit to the half-circle's beginning:

I lost big disbelieving/forgetting the bigger picture, what with all that balance in the box allowing price to visit the diameter only once,
and got most of it back once I realized price is down now. The box turned into a divergence.

For perhaps a coincidence, both of the last two pictures shown -- which show the last and first of the half-circle -- have a balance plus shape for a trend-angle fold....

{last chart in series}
Price dropped in several halting horizontal levels, after undecided at the big box's (see price's line, a few charts more):











-----------------------






.

This web page, and which I was fortunate enough to find (again, perhaps, from years ago) a couple of days ago
and which someone took down from the Internet today,
has been the only thing that has kept me going while dealing with irascible forces in my life:


"Effective Communication: Barriers and Strategies

Click this icon to listen to the audio version of this Tip Sheet

While there are many subtleties to communication between people, some basic skills can help you to be a more effective communicator. This document will explore Barriers to Listening, and Strategies for Effective Listening; Barriers to Accurate Perception, and Strategies for Accurate Perception; Barriers to Effective Verbal Communication, and Strategies for Effective Verbal Communication.

Barriers to Listening
Focusing on a personal agenda. When we spend our listening time formulating our next response, we cannot be fully attentive to what the speaker is saying.

Experiencing information overload. Too much stimulation or information can make it very difficult to listen with full attention. Try to focus on the relevant information, and the central points that are being conveyed.

Criticizing the speaker. Do not be distracted by critical evaluations of the speaker. Focus on what they are saying - the message - rather than the messenger.

Getting distracted by emotional noise. We react emotionally to certain words, concepts and ideas, and to a myriad of other cues from speakers (appearance, non-verbal cues). Make a conscious effort to quiet your own emotional reactions so that you can listen properly.

Getting distracted by external “noise”. Audible noise may be extremely distracting. Some things can be minimized – e.g., turn down the ringer on your phone, and the email beep on the computer while meeting with someone. Other noises may be unavoidable – e.g., construction, other people. Also, there may be figurative “noise” from the external environment, such as distracting or inappropriate decor in a room, or environmental conditions such as the room being too hot or cold.

Experiencing physical difficulty. Feeling physically unwell, or experiencing pain can make it very difficult to listen effectively. You may wish to communicate that this is not a good time, and reschedule the discussion. Otherwise, you may just need to concentrate even more on the task of listening.

Strategies for Effective Listening
Stop. Focus on the other person, their thoughts and feelings. Consciously focus on quieting your own internal commentary, and step away from your own concerns to think about those of the speaker. Give your full attention to the speaker.

Look. Pay attention to non-verbal messages, without letting yourself be distracted. Notice body language and non-verbal cues to allow for a richer understanding of the speaker’s point. However, avoid getting distracted from the verbal message.

Listen. Listen for the essence of the speaker’s thoughts: details, major ideas and their meanings. Seek an overall understanding of what the speaker is trying to communicate, rather than reacting to the individual words or terms that they use to express themselves.

Be empathetic. Imagine how you would feel in their circumstances. Be empathetic to the feelings of the speaker, while maintaining a calm centre within yourself. You need not be drawn into all of their problems or issues, as long as you acknowledge what they are experiencing.

Ask questions. Use questions to clarify your understanding, as well as to demonstrate interest in what is being said.

Barriers to Accurate Perception
Stereotyping and generalizing. Be careful not to hold on to preconceptions about people or things. We often have a tendency to see what we want to see, forming an impression from a small amount of information or one experience, and assuming that to be highly representative of the whole person or situation.

Not investing time. Making assumptions and ignoring details or circumstances can lead to misconceptions. When we fail to look in-depth for causes or circumstances, we miss important details, and do not allow for the complexity of the situation.

Having a distorted focus. Focusing on the negative aspects of a conversation or a situation is a habit common to many people. Even though we may recognize the positive things, we often give more weight to the negative, allowing one negative comment to overshadow numerous positive ones.

Assuming similar interpretations. Not everyone will draw the same conclusions from a given situation or set of information. Everybody interprets things differently. Make sure to check for other people’s interpretations, and be explicit about your own.

Experiencing incongruent cues. As speakers, and as listeners, we are constantly and simultaneously sending cues and receiving them from other people. Try to be consistent with your verbal cues and your body language. Do not say one thing and express something else through your body language. Be aware of how your non-verbal communication relates to your spoken words. If someone else seems to be sending a double message -- by saying one thing and expressing something else in their body language -- ask for clarification.

Strategies for Accurate Perception
Analyze your own perceptions. Question your perceptions, and think about how they are formed. Check in with others around you regularly, and be aware of assumptions that you are making. Seek additional information and observations. You may just need to ask people if your perceptions are accurate.

Work on improving your perception. Increase your awareness of barriers to perception, and which ones you tend towards. Check in with yourself regularly. Seek honest, constructive feedback from others regarding their perceptions of you as a means of increasing your selfawareness.

Focus on others. Develop your ability to focus on other people, and understand them better by trying to gather knowledge about them, listening to them actively, and imagining how you would feel in their situation.

Barriers to Effective Verbal Communication
Lacking clarity. Avoid abstract, overly-formal language, colloquialisms, and jargon, which obscure your message more than they serve to impress people.

Using stereotypes and generalizations. Speakers who make unqualified generalizations undermine their own clarity and credibility. Be careful not to get stuck in the habit of using stereotypes, or making generalizations about complex systems or situations. Another form of generalization is “polarization” or creating extremes. Try to be sensitive to the complexities of situations, rather than viewing the world in black and white.

Jumping to conclusions. Confusing facts with inferences is a common tendency. Do not assume you know the reasons behind events, or that certain facts necessarily have certain implications. Make sure you have all the information you can get, and then speak clearly about the facts versus the meanings or interpretations you attach to those.

Dysfunctional responses. Ignoring or not responding to a comment or question quickly undermines effective communication. Likewise, responding with an irrelevant comment -- one that isn't connected to the topic at hand -- will quash genuine communication. Interrupting others while they are speaking also creates a poor environment for communication.

Lacking Confidence. Lacking confidence can be a major barrier to effective communication. Shyness, difficulty being assertive, or lack of self-worth can hinder your ability to make your needs and opinions known. Also, a lack of awareness of your own rights and opportunities in a given situation can prevent you from expressing your needs openly.

Strategies for Effective Verbal Communication
Focus on the issue, not the person. Try not to take everything personally, and similarly, express your own needs and opinions in terms of the job at hand. Solve problems rather than attempt to control others. For example, rather than criticizing a co-worker’s personality, express your concerns in terms of how to get the job done more smoothly in the future.

Be genuine rather than manipulative. Be yourself, honestly and openly. Be honest with yourself, and focus on working well with the people around you, and acting with integrity.

Empathize rather than remain detached. Although professional relationships entail some boundaries when it comes to interaction with colleagues, it is important to demonstrate sensitivity, and to really care about the people you work with. If you don’t care about them, it will be difficult for them to care about you when it comes to working together.

Be flexible towards others. Allow for other points of view, and be open to other ways of doing things. Diversity brings creativity and innovation.

Value yourself and your own experiences. Be firm about your own rights and needs. Undervaluing yourself encourages others to undervalue you, too. Offer your ideas and expect to be treated well.

Present yourself as an equal rather than a superior. Even when you are in a position of authority, focus on what you and the other person each have to offer and contribute to the job or issue.

Use affirming responses. Respond to other in ways that acknowledge their experiences. Thank them for their input. Affirm their right to their feelings, even if you disagree. Ask questions, express positive feeling; and provide positive feedback when you can.
Resources

Beebe et al. Interpersonal Communication: Relating to Others 2nd Canadian Edition. (Scarborough, Ontario: Allyn and Bacon, 2000). Some additional ideas have been added.
The Centre for Teaching Excellence
Environment 1, Office 325
University of Waterloo
200 University Avenue West
Waterloo, Ontario, Canada N2L 3G1

CTE Phone: 519 888 4567, x 33353
CTE Fax: 519 888 9806
Email: [email protected]" 1

-- I recommend the web page, now cached, to all who suffer from an inner critic.
I have a long-lasting (a dozen years and counting), incredibly vicious one (have several injuries and lots of damaging experiences), and only this page describes exactly what I go through often hundreds of times a day.

While the ordinary person reading the material wouldn't understand, anyone with a similarly powerful inner critic will immediately recognize how complete and telling the titles, if not the exact application, of this web page, describe the inner critic's actions.

There is plenty of advice for sufferers on the web, only much of it is designed from some angle that satisfies the writer's intent for that time, and thus gives a mere cursory definition and 'helpful' suggestions that, in the long run, are meaningless. As I've turned much of my struggle into possible benefit in trading, I've figured in high detail how much the inner critic affects one's life. Thus, referring only to the web page above:
A complete view of how the inner critic changes a person's life is a rare, if not unique, event.
Believe you me, it's so complete, it's like having somebody on your side while/before/after the inner critic speaks.

Note that, because it is now cached, I had to include what highlighting I recall the web page as having.

If this page gives help to one other such person, this will have been worth the while.



link notes --

inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic inner critic

(referring to last post on the inner critic and its help in my describing it and transferring that knowledge to trading,
on this now-cached page (once cached and unreferrable, often disappear forever)) I also had to go through losing another web page that helped me in trading,
that of what I call the Binet spin. AOL had it on its home page sites, before it shut down. It was a mouse-adjustable 3D fibonacci corkscrew -- I forget the picture type that allows this -- that shows arcs of differing angles fibonacci-aligned and with the see-through of any side of the spin shape, which one copies with a translucent overlay freeware and carefully sketching with the rather clumsy 'line segment' drawing device in MT4 onto charts. The picture was an application of the Binet formula.
Oh, well. I guess what I have now is good. It would have gone well with the current idea of trend angles folding etc., as that involves a lot of arcs that often expand or contract on the vertical lines when aligned with their surroundings.

To review, post #1:


(links to cached version of "effective speaking")



Frame each trade with close-far of TP-SL, and break-even, from drawing methods:
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.









---------------------------






p1 adj:



(new intro)








A random method that occurs to one from the chart data in front of oneself now will lose consistently over a given number of trades. Either standardized comprehensiveness or such-ability-informed choice of advanced chart drawing will get past the randomness of method, so that even using only the data in front of oneself will win over time.
Frame each type below from a literal matching of one each for near,far times SL,TP, plus break-even,
to a simpler entry/exit with a drawing approach that crosses the boundaries of several types' definitions:
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.



-------------





p1 adj:

(redux on r/w intro)








A random method that occurs to one from the chart data in front of oneself now will lose consistently over a given number of trades. Either standardized comprehensiveness or such-ability-informed choice of advanced chart drawing will get past the randomness of method, so that even using only the data in front of oneself will win over time. Frame each type below from a literal matching of one each for near,far times SL,TP, plus break-even,
to a simpler entry/exit with a drawing approach that crosses the boundaries of several types' definitions. The idea is to kick in high knowledge of the chart's motions, and so get oneself to depend on how one trades on only that. Why? Stated here, a corollary being that if you list and follow the rules for any temporary pattern being made into a projective object, then nothing is random, because I believe I have done so to enough of a degree so that even extra rules may be spontaneously created for a current pattern, from the rules below:
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.






-------------


p1:






A random method that occurs to one from the chart data in front of oneself now will lose consistently over a given number of trades. Either standardized comprehensiveness or such-ability-informed choice of advanced chart drawing will get past the randomness of method, so that even using only the data in front of oneself will win over time. Frame each type below from a literal matching of one each for near,far times SL,TP, plus break-even, to a simpler entry/exit with a drawing approach that crosses the boundaries of several types' definitions. The idea is to kick in high knowledge of the chart's motions, and so get oneself to depend on how one trades on only that. Why? Stated here, a corollary being that if you list and follow the rules for any temporary pattern being made into a projective object, then nothing is random, because I believe I have done so to enough of a degree so that even extra rules may be spontaneously created for a current pattern, from the rules below. (The points centered around, themselves, are likely news, sessions and the like, which others are more competent at.):
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.





p1:





If one infers the point centered on correctly, the drawing method below is low W:L-R:R. Theory: here, a corollary being that if you list and follow the rules for any temporary pattern being made into a projective object, then nothing is random, because I believe I have done so to enough of a degree so that even extra rules may be spontaneously created for a current pattern, from key shapes in the rules below. (The points centered around, themselves, are likely news, sessions and the like, which others are more competent at.):
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.








---------------



Apparently theory is one thing and fact another.

I lost an account because I missed the influence an l.p.5 (off-center and separate) had on an ls2 (MAXIMALLY OFF-CENTER ANCHORS, and started because of the two framed balance blobs)), after, earlier, not understanding how a an isosceles triangle (centered) affected the rest nor why price didn't go higher than the range set from ls2 cycles.
Maybe price took the more-centered drawn objects to be good rebound/momo-maker for the ls2 to cycle off.






Price does midline around ls2's squared line's end point.

I'm unsure what to make of the extreme distance price dropped, maybe because of poor study habits:



Sometimes I can get away with a lot of work, if I can answer moves easily with one or two shapes.
But this one, there were a lot of unanswered questions from the get-go.



------------


p1 adj:







If one infers the point centered on correctly, the drawing method below is low W:L-R:R. Theory: here, a corollary being that if you list and follow the rules for any temporary pattern made into a projective object, then nothing is random, as I believe I have done so to enough of a degree so that even extra rules may be spontaneously created for a current pattern, from key shapes(which also speed regular study, as mental blocks or questions slow) in the rules below. (The points centered around, themselves, are likely news, sessions and the like, which others are more competent at.) :
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.





------

Yeah, I lost big again.
I'm not applying myself enough, not getting into it.
I know it's really interesting, once I start to,
and everything's done for me (or rather I did all I need to.)
It's just the complexity of thought that gets you, that low-W:L/R:R trading could be this thoughtful all of the time.


---------



p1:


(key shapes underlined)







If one infers the point centered on correctly, the drawing method below is low W:L-R:R. Theory: here, a corollary being that if you list and follow the rules for any temporary pattern made into a projective object, then nothing is random, as I believe I have done so to enough of a degree so that even extra rules may be spontaneously created for a current pattern, from key shapes(underlined, and which also speed regular study, as mental blocks or questions slow) in the rules below. (The points centered around, themselves, are likely news, sessions and the like, which others are more competent at.) :
2# CENTERED Pure shapes on a balance, esp. trend angle turns on the vertical/horizontal/45: fold,spike,roll,high/low volatility.
two(center shift (usu.pair)):....... rectangle,cycle, dot or line: balance,arc,triangle.
one(repeated set (usu.,ind'l)):......flag,unsure,rectangle,spike-and-arc,arc(,dot, line,(nothing))
2# SLIGHTLY OFF-CENTER Overlapping shapes one must boil down to balance shapes for comparison -- trend angle,pivot.
Harmonics are dense and precise high-cycling areas of nondescript trend angles and lengths;
grouped pivot turns such as double/triple bottoms/tops, Adam and Eves, and head-and-shoulders, are the dense and precise highlight of a larger area.
lots# OFF-CENTER AND SEPARATE Mt. Pilot,fighter jet,cup and handle,l.p.5, other side-by-side polygon(s) + balance combos.
3# ANCHORED OFF-CENTERED From a balance shape,
fans (fib,Gann,backwards-Gann,separated,adverse-line,extended); as a balance shape,
grids (regular, viral(single, often momo-like line connects each small section of grid)); and to a balance shape,
cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
2# MAXIMALLY OFF-CENTER ANCHORS
ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.

p1 dump:



how it 'catches' on a pivot, juxtaposes trend angles, or gathers energy with cycles




p1 first area rewrite, and reflects on all:









3# ONE
angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
polygon: center/repeat.......ellipse,rectangle,triangle
blob: few repeat within/another.....size/density-compared or dot/line-centered
2# CLOSE OVERLAP grouped turns --
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels),
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
2# OFF-CENTER AND SEPARATE
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
3# ANCHORED
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4# MAXIMUM ANCHOR SEPARATION
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.





----------









.







meditation. .....

p1 adj:


(declared done w/technicals, describes what doing now)









3# ONE
angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
polygon: center/repeat.......ellipse,rectangle,triangle
blob: few repeat within/another.....size/density-compared or dot/line-centered
2# CLOSE OVERLAP grouped turns --
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels),
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
2# OFF-CENTER AND SEPARATE
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
3# ANCHORED
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4# MAXIMUM ANCHOR SEPARATION
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.


-- That's my technicals; no reason to improve on it.

Now begins study on how to be a trader.
Some recent links to work through the usual way for me: 1,2 -- much more the first one, as it allows me to go in-depth for myself. The second one is an occasional test to check where I'm at.

----------------












p1 adj:



3# ONE
angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
polygon: center/repeat.......ellipse,rectangle,triangle
blob: few repeat within/another.....size/density-compared or dot/line-centered
2# CLOSE OVERLAP grouped turns --
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels),
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
2# OFF-CENTER AND SEPARATE
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
3# ANCHORED
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4# MAXIMUM ANCHOR SEPARATION
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.


-- That's my technicals; no reason to improve on it.

Now begins study on how to be a trader.
Some recent links to work through the usual way for me: 1,2,psych(here) -- more the 1st, allows in-depth. 2nd is an occ'l test to check where I'm at. I just began step 3. And I'll get emotional, happens, so mec; and focus, etc.



-----------







an l.p.3 w/nonrepeating pattern it's attached to.
I was going to do a fighter jet, and then I saw all those trends.
So then I thought of a twisted channel, only no, nothing paralleled enough.
So an l.p.3, undone as it was, worked to fill the gap.













-----------




p1 adj:


(I highlighted four of the fourteen items
because this helps me focus on the list,
highlighting the first, last, and coincidentally, the middle two items.
It doesn't imply these four items are more important. A title, of which the given is an example, if you will:
It does help me think of the list as having sides, which gets my focus going when I may be distracted.)






-----------





.
p1 adj:




(added 'size/direction' at 'blob' for any listed items)









3# ONE
angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
polygon: center/repeat.......ellipse,rectangle,triangle; and their similars (ex.) -- ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
blob: few repeat within/another.....size/density-compared or dot/line-centered; esp., a listed repeats/adds/returns to weight
2# CLOSE OVERLAP grouped turns --
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels),
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
2# OFF-CENTER AND SEPARATE
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
3# ANCHORED
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4# MAXIMUM ANCHOR SEPARATION
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.


-- That's my technicals; no reason to improve on it.

Now begins study on how to be a trader.
Some recent links to work through the usual way for me: 1,2,psych(here) -- more the 1st, allows in-depth. 2nd is an occ'l test to check where I'm at. I just began step 3. And I'll get emotional, happens, so mec; and focus, etc.




-----



p1 adj:


(replaced bold w/extra lines, to avoid emphasizing any one type;
changed 'blob' bigtime, making it the proportionizer for the entire chart, i.e. MTF)






.
3# ONE
angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
polygon: center/repeat.......ellipse,rectangle,triangle; and their similars (ex.) -- ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
blob: any,preferred,position..... any size/density-compared or dot/line-centered, preferred a listed repeats/adds/returns to weight, any jigsaw-puzzle position fits purpose with others
2# CLOSE OVERLAP grouped turns --
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels),
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
2# OFF-CENTER AND SEPARATE
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
.
3# ANCHORED
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4# MAXIMUM ANCHOR SEPARATION
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
.

-- That's my technicals; no reason to improve on it.

Now begins study on how to be a trader.
Some recent links to work through the usual way for me: 1,2,psych(here) -- more the 1st, allows in-depth. 2nd is an occ'l test to check where I'm at. I just began step 3. And I'll get emotional, happens, so mec; and focus, etc.


.

p1 adj:


('one' adj; to condense, removed spacers; described new way to see list's benefits)








3# ONE
any size/density-compared or dot/line-centered polygon: center/repeat.......ellipse,rectangle,triangle; and their similars (ex.) -- ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
preferred, or relative to, a listed repeats/adds/returns to weight angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
a jigsaw-puzzle position fits purpose with others blob: few repeat within/another.....size/density-compared or dot/line-centered
2# CLOSE OVERLAP grouped turns --
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels),
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
2# OFF-CENTER AND SEPARATE
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
3# ANCHORED
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4# MAXIMUM ANCHOR SEPARATION
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.

-- That's my technicals; no reason to improve on it.

Each sublist divides the entire list into '2#' etc., as in the first seven are small and dot-like and the second seven are larger and line-like, for 'CLOSE OVERLAP'. And, the first sublist resembles the last one, the second the fourth, and the middle one stands alone, if a person considers the list for using it in a sense of balance. Last, It's good enough to run as "chart" inside my personal thinking model -- which shouldn't mean much to others, except that one can apply the list to one's own life both in the way it is organized and in how the drawing methods, or at least some use of their key shapes, are made.

Now begins study on how to be a trader.
Some recent links to work through the usual way for me: 1,2,psych(here) -- more the 1st, allows in-depth. 2nd is an occ'l test to check where I'm at. I just began step 3. And I'll get emotional, happens, so mec; and focus, etc.










----------






.

p1, new:

Fan/grid/tildes is a cross between polygons and line/dots;
thus, the new arrangement (which keeps the acentricity groups) --





poly
ellipse,rectangle,triangle; and their similars (ex.) -- ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
sep
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, perhaps around a horizontal))
grid
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
ls2
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment for which a shape is repeated on its opposite side, or an area that repeats several shapes around a central point
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
pivot
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).






p1 adj, numbered as in last main version for center or not's order:








1 poly
ellipse,rectangle,triangle, w/ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
3 sep
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, oft w/hz))
4 grid
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
5 ls2
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test; 'peak'),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment or area w/shape(s) repeated (in opposite version) on either end
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
2 pivot
filled shape ('volatility'(area)) size/density-compared or (blob) dot/line-centered
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).




------------



p1 added to title an ordinary to digest totality in real-life use:








1 poly full
ellipse,rectangle,triangle, w/ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
3 sep split
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, oft w/hz))
4 grid mix
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
5 ls2 double
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test; 'peak'),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment or area w/shape(s) repeated (in opposite version) on either end
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
2 pivot empty
filled shape ('volatility'(area)) size/density-compared or (blob) dot/line-centered
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).




---------------


ellipses for non-math people, from a simple-math person:

ellipses is important in chart reading, so I went from dumb and built my knowledge on it: 1,2,3,4

There's even a trading maxim that goes with ellipses -- 5




undone post:






Warren Buffett did know about selection of a trade, maxim-wise.
From Carl Jacobi, whom wikipedia says was a mathematician who, among other things, contributed to the study of ellipses, and a teacher, Warren Buffett borrowed 'Invert, always invert.'
I took this to mean how an ellipse is a two-sided arc, and an arc can be extreme, average, flat or perfect. A hyperbola has an up side and a down side. In trading, the down side is 100% and the up side is infinity. Every trade has a loser and a winner; thus, in time, there are lots of losers and few winners.
In a hyperbolic market, this time happens faster and usually for a specific reason. If Buffett quotes 'Invert, always invert', then his purpose is to canvas the possible choices, avoid the mistakes of all those losers, and do the few choices left.
Buffett avoids naturally hyperbolic markets (2), since, I presume based on my own familiarity with features of C-64, IBM clone, and today's computer, that close familiarity with the history of a single product and the waves of its rise into general use and a general spread of worth into the top echelon from the bottom traders (variated with luckeach product's wealth creators and thus pockets of modestly successful, independent traders) is necessary to structure how one trades such a market. usually the cause is famous for avoiding the new and thus unexplainable, that is, the naturally hyperbolic market. There, it would seem, luck is predominant. (A structural view refutes this view: Such markets are often or also built upon waves of earlier versions of each market as a product enters the general populace (which I base on what features the C-64 versus an IBM clone versus today's computer each offer.))


"Before Warren {Buffet} does anything, he and his partner 'invert, always invert.' (Carl Jacobi, who did math on and other things) They list every way imaginable in which they could fail at a particular task and then take massive effort to avoid those failures." 1

another:



to be one of the many 100% losers is a 50-50 chance as to be one of the few infinite% winners.

the risk of a bet is emotion; of trading, volatility; and of forex, leverage.

contrastive rarity, intrinsic worth, or maximized use

Trade what you understand (1), discount a thousand errors before make a single choice(2), and hold due to its inherent quality (since Buffett knew from Graham what market value is).







again:


Trade what you understand (1) -- The many 100% losers emote betting against intrinsic worth.
+
hold due to its inherent quality ((Graham and) market value) -- Infinite % is from maximized leverage and use.
=
discount a thousand errors before make a single choice(2)
-- ,
from that one special product that will have waves of development, each in a greater size of the general populace,
to the inherently rare item that is a key ingredient to expensive, necessary, continuous processes.




Because the forex market is inherently hyperbolic ( )





another:




So, volatility is a 50-50 chance which includes that rare, extreme-range number,
and it takes near-100% losers to be common so one big win has intrinsic worth.
So, since infinite % is from maximized leverage on volatility,
to be a winner must include mistakes due to randomness of understanding
and the rare, big winners that more than offset mistakes.



The risk of a bet offers specific odds, the rarest for the highest-paying, and so emotion ensues;
that of a trade is volatility of how a right or wrong choice are defined;
and, for forex, one uses leverage to adjust the value of a choice.
So between position/relative (pr shapes, in ptm) and central one (impression, in ptm) is,
or rather between one's position and the relative nature of the market, and how perfectly they match value -- one moves, other profits --,
is due to the value of the reason one trades for.
--


p1 adj:









One considers the market of that one special product that will have waves of development, each in a greater size of the general populace,
to the inherently rare item that is a key ingredient to expensive, necessary, continuous processes:

The risk of a bet offers specific odds, the rarest for the highest-paying, and so emotion ensues, a choice right or wrong 50-50;
that of a trade is volatility of how a right or wrong choice are defined;
and, for forex, one uses leverage to represent the chance a choice will be better than others.

So between position(blob)/relative(trend angle) (pr shapes, in ptm) and central one (polygon)(impression, in ptm) is mixed environs and how volatility looks. Measure is through, with an ellipse (or other (double-)conical cut, for arc version, which includes fully the 100% loss - infinite-% profit variable, of the straight-line grid-to-momo range)(1,2,3,4), anchored momentum, or centered grid.


1 poly full
ellipse,rectangle,triangle, w/ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
3 sep split
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, oft w/hz))
4 grid mix
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
5 ls2 double
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test; 'peak'),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment or area w/shape(s) repeated (in opposite version) on either end
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
2 pivot empty
filled shape ('volatility'(area)) size/density-compared or (blob) dot/line-centered
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).





--------------






.

p1 adj -- skipped the +solid-empty version :






object, infinitely solid
1 poly
ellipse,rectangle,triangle, w/ellipse's side or multiple(tilde) of;rectangles's corner,wide r/s; triangle's compromise,logr
3 sep
small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opposing-angle line either side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, oft w/hz))
4 grid
from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
5 ls2
series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test; 'peak'),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment or area w/shape(s) repeated (in opposite version) on either end
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
2 pivot
filled shape ('volatility'(area)) size/density-compared or (blob) dot/line-centered
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
action, gives 100%






----------






.
.simple shapes, interesting combination;
I like to save when I have an especially large perspective on the 1', at least sometimes.
I think it's a compromise, and more basically, a wide r/s between the arrows.
What's interesting is that a large bracket in the first three rectangles
condenses vertically and horizontally, at least in one perspective, and so it suggests perhaps an inverse fib more-vertical zone.













-----------------






.
p1 reduced size thru removal of extra titles and thus emphasis of 'object(infinitely solid)-action(100%effort)' categorization.
Realized fan,grid,multi-/broken-up-ellipse is the most uncentered, adjusting the center where ever to suit its needs,
while ls2, lp3 and bracket, with series akin to grid in no center anywhere, try to keep some kind of center more;
now, the centeredness order is justified, because uncenteredness is the feature in rearranging the list, while emphasizing why fan etc. also feel so set/slick in their presentation -- because they exactly combine the kernel of each of filled-set and unfilled/amorphous types of chart patterns:









object, infinitely solid
1 centered ellipse,rectangle,triangle, w/e.'s side or multiple(tilde) of;r.'s corner,wide r/s; t.'s compromise,logr
3 small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opp-angle line a side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, oft w/hz))
5 from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4 series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test; 'peak'),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment or area w/shape(s) repeated (in opposite version) on either end
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
2 filled shape ('volatility'(area)) size/density-compared or (blob) dot/line-centered
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
action, gives 100%








-------------


nontrading "by being submerged in water it's impossible for your heart rate to get as high as it would exercising outside of the water." 1
.



-----







p1 adj:



(poly deriv's update)









object, infinitely solid
1 centered ellipse,rectangle,triangle:e.'s tilde,qtr/hlf sep-lines,echoes; r.'s corner,wide r/s; t.'s compromise,logr
3 small instability -- cup and handle (ellipse then short angled line) / fighter jet (ellipse w/short ,opp-angle line a side);
large stability -- Mt. Pilot (line and ellipse('s diameter horizontal)) / l.p.5 (triangle,rectangle (opposed, oft w/hz))
5 from fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);
as grids (regular, viral(single, often momo-like line connects each small section of grid));
to cycles (ellipse fans; logic dot: slightly off-center and differently-timed cycles merge at dot, thereafter a hz s/r line).
4 series -- combos......flag('excite' new level),3 Method('unsure' continuation),rectangle('stability'),spike-and-arc (test; 'peak'),arc ('average' old levels) (,pieces: )line,dot,(none)
area -- bracket a line segment or area w/shape(s) repeated (in opposite version) on either end
horizontal -- ls2 squares initial pattern's horizontal line segment's time length; then, it places a fan, with anchor at center of vertical run, at each of the mid- and endpoint of that squared line.
vertical -- l.p.3 triangulates from blobs, projects from rectangular opposing balances area, or otherwise balances vertical runs to cross at the midpoint of another vertical run and produce a set of skewed lines.
2 filled shape ('volatility'(area)) size/density-compared or (blob) dot/line-centered
line (harmonics -- dense trends whose trend lines are angle/length - precise; twisted channels), angle: single.........regular off vertical/horizontal/45; momo as fold,spike, roll,hold,slow,etc.
dot (pivots emphasized: double/triple bottoms/tops, Adam and Eves,head-and-shoulders).
action, gives 100%












---------









ellipse echo (skip other lines, and echoes unhighlighted):

p1, new:


(condensed of descriptions and titles, moved blob,-line-and-dot formations)





object, infinitely solid
.ellipse's tilde,qtr/hlf sep-lines,echoes; rectangle's corner,wide r/s; triangle's compromise,logr
.cup and handle / fighter jet; Mt. Pilot / l.p.5
.'volatility'(area) size/density-compared, (blob) dot/line-centered;
harmonics, angle (off vertical/horizontal/45; as fold,spike, roll,hold,slow,etc.);
double/triple bottoms/tops, Adam and Eves,head-and-shoulders
.fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);grids (regular, viral);cycles (logic dot).
.language......flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)
series(temp.(candle)patterns('inside)); area -- bracket; horizontal -- ls2; vertical -- l.p.3.
action, gives 100%




margin-called again (and so at trading level two).



p1 new:






action, gives 100%
.random filled shape 'volatility'(area) size/density-compared, (blob) dot/line-centered;
angle single(one vertical/horizontal/45/divergent/random;count of same (whole,half,third,fib,fractal);another veers off one;average of a random group), shape(harmonics),shape-dependent(fold,spike, roll,hold,slow,etc.);
dotdouble/triple bottoms/tops, Adam and Eves,head-and-shoulders
.fans (fib,Gann,backwards-Gann,separated,adverse-line,extended);grids (regular, viral);cycles (logic dot).
object, infinitely solid .ellipse's tilde,qtr/hlf sep-lines,echoes,short/overlap straight lines; rectangle's corner,wide r/s; triangle's compromise,logr
.cup and handle / fighter jet; Mt. Pilot / l.p.5
.language......flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)
series(temp.(candle)patterns('inside)); area -- bracket; horizontal -- ls2; vertical -- l.p.3.
action, gives 100%









p1 adj:




>empty .random filled shape 'volatility'(area) size/density-compared, (blob) dot/line-centered;
angle single(one vertical/horizontal/45/divergent/random;count of same (whole,half,third,fib,fractal);another veers off one;average of a random group)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
.fans (fib;Gann(backwards,separated,adverse-line,extended));grids (regular, partial,viral);cycles (logic dot); dependent-axis (horizontal -- ls2; vertical -- l.p.3); shape(harmonics),shape-dependent(fold,spike, roll,hold,slow,etc.)
.ellipse's tilde,qtr/hlf sep-lines,echoes,short/overlap straight lines; rectangle's corner,wide r/s; triangle's compromise,logr opposing/paired objects cupandhandle/fighterjet;Mt.Pilot/l.p.5
.language......flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)
series(temp.(candle)patterns('inside)); area -- bracket. >full





p1 adj:








.random filled shape 'volatility'(area) size/density-compared, (blob) dot/line-centered;
angle single(one vertical/horizontal/45/divergent/random;count of same (whole,half,third,fib,fractal);another veers off one;average of a random group)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
.fans (fib;Gann(backwards,separated,adverse-line,extended));grids (regular, partial,viral);cycles (logic dot); dependent-axis (horizontal -- ls2; vertical -- l.p.3); shape(harmonics),shape-dependent(fold,spike, roll,hold,slow,etc.)
: >empty . >full :
.ellipse's tilde,qtr/hlf sep-lines,echoes,short/overlap straight lines; rectangle's corner,wide r/s; triangle's compromise,logr opposing/paired objects cupandhandle/fighterjet;Mt.Pilot/l.p.5
.language......flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)
series(temp.(candle)patterns('inside)); area -- bracket.



----------




p1 adj:









.random filled shape 'volatility'(area) size/density-compared, (blob) dot/line-centered;
angle single(one vertical/horizontal/45/divergent/random);count of same (indiv'l,half,third,fib,fractal); another veers off one;average of a random group
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
.fans (fib;Gann(backwards,separated,adverse-line,extended));grids (regular, partial,viral);cycles (logic dot); dependent-axis (horizontal -- ls2; vertical -- l.p.3); shape(harmonics),shape-dependent(fold,spike, roll,hold,slow,etc.)
.ellipse's tilde,qtr/hlf sep-lines,echoes,short/overlap straight lines; rectangle's corner,wide r/s,hi/lo pivots; triangle's compromise,logr opposing/paired objects cupandhandle/fighterjet;Mt.Pilot/l.p.5
.language......flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)
series(temp.(candle)patterns('inside)); area -- bracket.








--------------





p1 new:









Drawing patterns and their extended lines is a creative process that basic rules of each title pattern guides.

dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
misc. angle (a central line feature) combos thru a count of same (indiv'l,half,third,fib,fractal); shape-dependent expression (fold,spike, roll,hold,slow,etc.); another veers off one; average of a random group
-----
ellipse tilde,qtr/hlf sep-lines,echoes,short/overlap straight lines;see also cycle (which can be in fan or grid)
rectangle corner,wide r/s,hi/lo pivots;see also grid
triangle compromise,logr;see also fan
random filled shape 'volatility'(area) size/density-compared, (blob) dot/line-centered
-----
opposing objects -- paired cupandhandle/fighterjet;Mt.Pilot/l.p.5; area -- bracket, logic dot
language....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
series(temp.(candle)patterns('inside))
-----
fans (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grids (regular, partial,viral; trend centerlines opt. based on rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2).







-------



p1 adj:









Create patterns w/rays using title variants. (Note, only 'ellipse' notes 'cycle', as it's ever-present in price action.)

dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal);
misc. angle shape-dependent expression (fold,spike, roll,hold,slow,etc.); another veers off one; average of a random group
-----
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines[i]; cycle
rectangle corner,wide r/s,hi/lo pivots;see also grid
triangle compromise,logr;see also fan
random filled shape 'volatility'(area) size/density-compared, (blob) dot/line-centered
-----
language....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
series(temp.(candle)patterns('inside))
-----
fans (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grids (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2).




---------







.

p1 alphabetic order, reorg being ever temporary:






Create patterns w/rays using title variants. ('ellipse' notes 'cycle', else it's in price action and thus most patterns.)
angle, misc. -- shape-dependent (fold,spike, roll,hold,slow,etc.); another veers off one; average of a random group
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
random, filled-shape -- 'volatility'(area) size/density-compared, (blob) dot/line-centered
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.









-----------






a complex systems degree! I think too complexly or simply and not much between them, anyway.
This up-to-date and at this level (might have to work at it, or go a bit lower) -- free courses, etc. -- is where I want to be.
.






p1 adj 'language' ('roll'~arc, one cycle portion):









Create patterns w/rays using title variants. ('ellipse' notes 'cycle', else it's in price action and thus most patterns.)
angle, misc., a line -- shape-dependent (fold,spike, roll,hold,slow,etc.); another veers off one; average of a random group
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
random, filled-shape -- 'volatility'(area) size/density-compared, (blob) dot/line-centered
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.









---------



p1 adj:



(divergence and the way around a line, defined separately from angle)





Create patterns w/rays using title variants. ('ellipse' notes 'cycle', else it's in price action and thus most patterns.)
angle versus a standard (V,H,45,current,group average); extra angle shape-dependent (fold,spike, roll,hold,slow,etc.)
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from, set of lines against current line
random, filled-shape -- 'volatility'(area) size/density-compared, (blob) dot/line-centered
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.






----------




.


.

p1 adj:



(any simple blob balance)





Create patterns w/rays using title variants. ('ellipse' notes 'cycle', else it's in price action and thus most patterns.)
angle versus a standard (V,H,45,current,group average); extra angle shape-dependent (fold,spike, roll,hold,slow,etc.)
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.



----------








.
my mm
I low-ball it, so I can account for the reason I use.
That is, I invest with a smaller amount of money if I believe my in-trade drawdown will possibly be large, and visa-versa.








--------







still messing up regularly....


new psych--




p1 add:





(compiled, generalized several psych methods from last heavy-psych method, and added third one from this post)

1. type of reasoning process
2. unconsciousness barrier
3. direction of passionate attention
4. list of drawing devices
5. MM

Create patterns w/rays using title variants. ('ellipse' notes 'cycle', else it's in price action and thus most patterns.)
angle versus a standard (V,H,45,current,group average); extra angle shape-dependent (fold,spike, roll,hold,slow,etc.)
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.








-----------------









.


post dump:

Cool list. Haven't seen anyone else list like this, been doing it too much myself.

Will try and contribute, if get to demo (don't laugh.)
No RSI or other such from me, tho -- Whatever works for you.








------------








.
p1 adj:

1. unconsciousness barrier / awareness timing
2. direction of passionate attention: Interaction(w/entity:fairness)(/projection(w/entity: persuasion - mechanical-conceptual overwhelm))/action(w/object, act upon, full freedom to manipulate)
3. type of reasoning process
4. list of drawing devices
5. MM

Create patterns w/rays using title variants. ('ellipse' notes 'cycle', else it's in price action and thus most patterns.)
angle versus a standard (V,H,45,current,group average); extra angle shape-dependent (fold,spike, roll,hold,slow,etc.)
count of same (overlap(logic dot,)/unspec.regular(bracket,),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.





p1 new:










x: condition/direction of passionate attention - unconsciousness barrier / awareness timing
y: interaction (w/entity:fairness, equivocal reason )
....projection or inversion (w/entity: persuasion - mechanical-conceptual overwhelm - order/obey relation / unequivocal reason))
....action (w/object, act upon, full freedom to manipulate, no reason(to benefit object))
list of xy axes' average-size form and micro/macro-form balance, with which to conclude direction and its extent
angle versus a standard (V,H,45,current,group average); extra angle shape-dependent (fold,spike, roll,hold,slow,etc.)
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.













.
stack, a type of pattern; especially, a variant hithero unrecognized,
that of semi-stack, run and balance:

.
p1 adj perspective:









line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
in, to determine SL,
x: condition/direction of passionate attention - unconsciousness barrier / awareness timing
y: interaction (w/entity:fairness, equivocal reason )
....projection or inversion (w/entity: persuasion - mechanical-conceptual overwhelm - order/obey relation / unequivocal reason))
....action (w/object, act upon, full freedom to manipulate, no reason(to benefit object))
list of xy axes' average-size form and micro/macro-form balance, with which to conclude direction and its extent
angle versus a standard (V,H,45,current,group average); extra angle shape-dependent (fold,spike, roll,hold,slow,etc.)
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.










.

p1 adj:








line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
only applies both to SL and TP. So, to determine if use SL, determine where decision-making ability is in
x: condition/direction of passionate attention - unconsciousness barrier / awareness timing
y: interaction (w/included entity:fairness, equivocal reason )
....from included entity, projected-to (reject x) or inward (parallel y), from object, details adjusted
(w/entity,unequivocal reason: persuade-overwhelm-invert to order/obey new level)
....action (w/object, act upon, full freedom to manipulate, no reason(to benefit object))
and, determine where SL goes and what TP, from:
list of xy axes' average-size form and micro/macro-form balance, with which to conclude direction and its extent
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.






p1 adj:









line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
only applies both to SL and TP. So, to determine if use SL, determine where decision-making ability is in
x: attention(direction) - awareness(inclusion)
y: interaction (w/included entity:fairness, equivocal reason )
....disparate choices / turn of action:
w/object - included entity: projected-to (reject x) or inward (parallel y) y-turn, visa-versa x-turn;
w/entity,unequivocal reason: persuade-overwhelm-invert to order/obey new level other, x-turn and self, y-turn
....action (w/object, act upon, full freedom to manipulate, no reason(to benefit object))
and, determine where SL goes and what TP, from:
list of xy axes' average-size form and micro/macro-form balance, with which to conclude direction and its extent
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.










.
p1 new:










attention(direction) - awareness(inclusion) for level consideration
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random, filled-shape -- 'volatility' (area) size/density-compared, 'blob' (pattern) simply (dot/line, center; ) balanced
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.
turn of action: projected-to (reject x) or inward (parallel y), v-v, or balance for average level
interaction too-similar level, >x action....action and object too-disparate level, >y action







p1 adj:


(replaced psych with better 'random' definition)








angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
rectangle corner,wide r/s,hi/lo pivots;see also grid
series(temp.(candle)patterns('inside))
triangle compromise,logr;see also fan.









p1 new -- adj titles:








beginner
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside))
medium
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
advanced
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
rectangle corner,wide r/s,hi/lo pivots;see also grid
triangle compromise,logr;see also fan.
.







p1 again:







inductive
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside))
linguistic
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
geometric
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like
fan (fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3)
grid (regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2)
rectangle corner,wide r/s,hi/lo pivots;see also grid
triangle compromise,logr;see also fan.





again:




inductive
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside))
geometric
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like
fan fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3
grid regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2
rectangle corner,wide r/s,hi/lo pivots;see also grid
triangle compromise,logr;see also fan
linguistic
count (overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal)
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none).....








p1 adj:






inductive
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside))
geometric
rectangle corner,wide r/s,hi/lo pivots;see also grid
grid regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like
triangle compromise,logr;see also fan
fan fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3
linguistic
count overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none).....









p1 returned old titles:









unfilled
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
filled
rectangle corner,wide r/s,hi/lo pivots;see also grid
grid regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like
triangle compromise,logr;see also fan
fan fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3
area
count overlap(logic dot,)/unspec.regular(bracket,stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside))
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none).....






.don't ask for free money or extra stuff -- it'll ruin your life trying to pay it back or keep it.

money. stuff. space. mutual relationship. dependent


I had 1 1/2 dzn margin calls yesterday.
I had zero today.
I'm certain it's due to how I felt in nontrading, and thus brought it into trading.
My trading model is better, granted.
Perhaps the list above will help me translate my nontrading life as an influence on my trading decisionmaking abilities. They certainly are the reason I'm here, besides self improvement / enjoyment.



money. stuff. space. mutual relationship. dependent
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart this several times daily and ACT UPON THE CHART!!!!




p1 add:



personal reminders, to avoid problems dragged into trading --
money. stuff. space. mutual relationship. dependent
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart each in given space for given actions several times daily and ACT UPON THE CHART in good faith.




--------------





p1 entire (adj hi/lo for better line use, at 'hi/lo' under 'rectangle'):






personal reminders, to avoid problems dragged into trading --
money. stuff. space. mutual relationship. dependent
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart each in given space for given actions several times daily and ACT UPON THE CHART in good faith.




unfilled
dot double/triple bottoms/tops, Adam and Eves,head-and-shoulders; very short and straight horizontal line w/angles build
angle vs old / reset for new standard (V,H,45,current,group average); a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
filled
rectangle corner,wide r/s,hi/lo vs. fading/breaking pivots;see also grid
grid regular, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2
ellipse tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like
triangle compromise,logr;see also fan
fan fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3
area
count overlap(logic dot,)/unspec.regular(bracket,(atop-)stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),third,fib,fractal
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside)).


----



http://www.forexticket.us/en/tools/04-02-pip-value .




alligator clips make a keyboard of anything: http://www.inquisitr.com/246171/makey-makey/ (news only, don't know anything about it)




---------



p1 adj:







Personal gut pattern of current status of social position from money. stuff. space. mutual relationship. dependent anchors each trade session.

chart drawings:
unfilled
dot pivot double/triple bottoms/tops, Adam -Eves,head-shoulders; very short,straight horizontal line w/angles build
angle set V,H,45,current,group average; interpretative a. shape-dependent (fold,spike, roll,hold,slow,etc.)
line use -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against current line
filled
rectangle corner,wide r/s,hi/lo vs. fading/breaking, regular;see also grid
grid, partial,viral; trend centerlines opt. w/rectangles,triangles and/or ellipses, or only midlines; harmonics; ls2
ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like
triangle, compromise,logr;see also fan
fan fib(ex.,6-28-496);Gann(backwards,separated,adverse-line,extended);l.p.3
area
count overlap(logic dot,)/unspec.regular(bracket,(atop-)stack),half(cupandhandle/fighterjet;Mt.Pilot/l.p.5; ),other third,fib,fractal
language, roller (ex.)....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
random 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) micro-shapes balance
series(temp.(candle)patterns('inside)).









-

i/o c: "If you think you think that" and other diversionary tactics:
if you think you think that....if you do.....are you sure.....why.....better not


--------------------


p1 another:






Gut boils down space,stuff,dependent,money,mutual relationship for decision weight each trade session.

1. polygons
2. one --
3. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like,divergence(cupandhandle/fighterjet)
4. triangle, compromise,head-shoulders,logr,corner
5. lots -- roller language ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....; series(temp.(candle)patterns('inside))
   lines
   none --
6. random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) dot/line balance or form w/angle (fold,spike, roll,hold,slow,etc.)
7. pivot -- double/triple bottoms/tops, Adam -Eves; shape a dot balances the angles of
   one --
8. L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; rectangle ,(very short,straight horizontal line w/angles build)
9. angle set V,H,45,current,group average; count set (bracket,(atop-)stack;Mt.Pilot/l.p.5; ),),other third,fib,fractal
   lots --
10. fib fan(ex.,6-28-496);l.p.3; ls2;viral grid
11. Gann fan (backwards,separated,adverse-line,extended
12. overlap(logic dot,); grid, partial; trend centerlines w/connecting midlines;harmonics

p1 another:

 

1. polygons
2. one --
3. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines; cycle; conical cuts L:M-like,divergence(cupandhandle/fighterjet)
4. triangle, compromise,head-shoulders,logr,corner
5. lots -- roller language ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....; series(temp.(candle)patterns('inside))
   lines
   none --
6. random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) dot/line balance or form w/angle (fold,spike, roll,hold,slow,etc.)
7. pivot -- double/triple bottoms/tops, Adam -Eves; shape a dot balances the angles of
   one --
8. L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; rectangle ,(very short,straight horizontal line w/angles build)
9. angle set V,H,45,current,group average; count set (bracket,(atop-)stack;Mt.Pilot/l.p.5; ),),other third,fib,fractal
   lots --
10. fib fan(ex.,6-28-496);l.p.3; ls2;viral grid
11. Gann fan (backwards,separated,adverse-line,extended
12. overlap(logic dot,); grid, partial; trend centerlines w/connecting midlines;harmonics

critics slow you down: if you think you think that....if you do.....are you sure.....why.....better not
Stage graphically each trading session within the rest of one's life (ex.,w/in: space,stuff,dependent,money,mutual relationship) for under an hour.
This allows determinant space to dominate how one trades, what the gut boils down for decision weights.
And, it supersedes the critics.










----------


p1 new titles, order:






dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of
ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts L:M-like,divergence(cupandhandle/fighterjet)
rectangle ,(very short,straight horizontal line w/angles build around)
. line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking
. angle set V,H,45,current,group average; count set (bracket,(atop-)stack;Mt.Pilot/l.p.5; ),other third,fib,fractal
. fib fan(ex.,6-28-496);l.p.3; ls2;viral grid
. Gann fan (backwards,separated,adverse-line,extended
. overlap(logic dot,); grid, partial; trend centerlines w/connecting midlines;harmonics
triangle, compromise,head-shoulders,logr,corner
language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....; series(temp.(candle)patterns('inside))
random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) dot/line balance or form w/angle (fold,spike, roll,hold,slow,etc.)
process -- rejection/acceptance boundary/exchange, shell / subtle layers, series / cue aligning for scripted responses, scenario / separate environs to compare for response, cycle / activity touches different levels of response




---------



ELLIPSE a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), from temporary effect to habitual signa
RECTANGLE a frame of boundaries that perpetuates only a certain goal to <> / -+ effect
TRIANGLE the third, optional dimension in a three-axes geometric chart, included to allow for volume, time path
DOT a datum, to enter into a model or formula; mayhap, a pivot











----------------










p1 new -- re-included old trade study, because it ties directly into chart and real-life studies:









intuitive,inductive,mathematical,deductive,systematic
DOT a datum, to enter into a model or formula; mayhap, a pivot
ELLIPSE a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), from temporary effect to habitual signal
RECTANGLE a frame of boundaries that perpetuates only a certain goal to <> / -+ effect
TRIANGLE the third, optional dimension in a three-axes geometric chart, included to allow for volume, time path

dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of
ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts L:M-like,divergence(cupandhandle/fighterjet)
rectangle ,(very short,straight horizontal line w/angles build around)
. line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking
. angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
. fib fan(ex.,6-28-496);l.p.3; ls2;viral grid
. Gann fan (backwards,separated,adverse-line,extended); jump rule on (Gann) fan
. overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines;harmonics; 1/4 rule on grid
triangle, compromise,head-shoulders,logr,corner
language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....; series temp.(candle)patterns('inside); pairs Mt.Pilot/l.p.5
random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) dot/line balance or 'condensed'(pattern) dot or semi-'condensed' named (fold,spike, roll,hold,slow,etc.) and dot and w/others a line with
process -- rejection/acceptance boundary/exchange, shell / subtle layers, series / cue aligning for scripted responses, scenario / separate environs to compare for response, cycle / activity touches different levels of response




substitute for early-renditioned graphics to get correct interpretation of every trade, in examples below:

KEY to P/L Methods List
-- each listed item has a complex symbol, with several of the simple symbols below that are organized to the game 'Paper, (Path,) Scissors, Rock'
(waffled-edge circle) (a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), that is from temporary effect to habitual signal) cutter, or scissors
(a square) (a frame of boundaries that perpetuates only a certain goal to <> / -+ effect; as in the American '60's slang term) paper -- the idea is, something that can cover a rock and scissors can cut
(a short series of dashes) (the third, optional dimension in a three-axes geometric chart, included to allow for volume, time (in a 2d chart, such as trading) and other) path
(a dot) (a datum, to enter into a model or formula; mayhap, a pivot) rock


P/L Methods List



L ....."Cut your losses short."

(a series of dots, with the wavy-edged circle around them all, this waffled circle exactly covering a (rectangular) frame) Sell a little at a time.
- Disobeys margin-call rule, that is, you can keep going and never really know when to stop.
+ Lose a little, gain a lot.

(a dot, with a waffled-edge circle around it) absolute stops
- Hit too often, too easily bro ker-abused.
+ Encourages active work around this absolute.

(a dot in a (square) frame) Sell when reason ('s area of effect) broke.
- Unclear reason (-ing ability) when wrong, so won't obey it.
+ Similar to "Sell early", only stated so more obviously adjustable.

(two dots, one in a frame and one not (thus, in effect, 'think' vs. 'know'); also, a line with an arrow on either side pointing to both dots, connoting an interchange between the two) Cut losses partially and let (the rest) return to BE, then exit.
- Selling at small P/L offends ego after ego gets a taste of a reason that takes care of a much larger area, which conjoins and gets confused with the bigger in-trade drawdown that goes with such an area.
+ Creates sustain-type emotions that go with a dissociation from immediate reality.

(one dot and a short series of dashes, both within a waffled-edge circle) Stop early. (That is, "Nip it in the bud.")
- Distracting interruption from the swiftness of the action, may throw off entire session as much as a late exit would.
+ Invokes intuition, thus ego halted, although it's given potential energy to create an excuse with later.

overview of L breakdown



P ......"Let your profits run."

(a dot in a (square) frame, to left of a short series of dashes, all enclosed in a waffled-edge circle) Limit at first reason .
- Small: "checked" ego or big: 'hesitant' ego
+ Big-reason error avoided.

(a dot in a frame, then a fading-into-unknown number in a series of overlapping frames-with-a-dot-inside) Trail-limit to each partial reason at a time, staying in, what I call soft exuberance level.
- > No-reason, thus blind of a reason
+ Saves spread over a lot of reentries

(a dot) Limit preset , no-reason .
- Ignores self, circumstances
+ Easier to surround with reason.

(a (rectangular) frame with a few dots inside and several dots outside, all dots somewhat randomly strewn) Label any reason and treat same-side combos.
- "bottomless", too-trivial feeling that's difficult to target. Reasons mismatched, regardless of pattern that fits partial reasons together being wrong.
+ errors speedily adapted-to.

(a strong, sketchy (square) frame surrounding the wavy, solid-line path that may connect dots or other items) Intuitively match reason measure in-trade old, slow and regular, to building one profit-pattern. Works pattern-recognition-wise, same with small variation every time.
- Shady controls.
+ Fast.

overview of P build



--------------



so now, this makes sense to directly transfer chart drawing information from (as well, from fmd-led abstract (book(,)) studies) real nontrading life:


dependent, money. stuff. space. mutual relationship (consider in current order).
ideals --
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart this several times daily and ACT UPON THE CHART!!!!








-----------








.
finally, grid has value --
stack plus trend centerlines plus bracket equals, with V angle turns, grid value
(also standardizes angle vs. V,H use more for grid AND fan (ellipse separate, more a dot thing)):

This stack has an unusual count -- 1/4 - 1/2 - 1/4 - 1/2:




This third chart, an overview, shows how many balance areas there are, perhaps explaining why the unusual count on the stack -- due to the overall downtrend, that is. It broke just below the + balance pattern, with a twisted channel.




.



p1 adj:








dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of
rectangle ,(very short,straight horizontal line w/angles build around)
. line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking
. angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
. overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
triangle, compromise,head-shoulders,logr,corner
. Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts L:M-like,divergence(cupandhandle/fighterjet); cycle -- ls2
language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....; series temp.(candle)patterns('inside); pairs Mt.Pilot/l.p.5
random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern) dot/line balance or 'condensed'(pattern) dot or semi-'condensed' named (fold,spike, roll,hold,slow,etc.) and dot and w/others a line with
process -- rejection/acceptance boundary/exchange, shell / subtle layers, series / cue aligning for scripted responses, scenario / separate environs to compare for response, cycle / activity touches different levels of response

intuitive,inductive,mathematical,deductive,systematic
DOT a datum, to enter into a model or formula; mayhap, a pivot
ELLIPSE a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), from temporary jump effect to habitual signal
RECTANGLE a frame of boundaries that perpetuates only a certain goal to <> / -+ effect
TRIANGLE the third, optional dimension in a three-axes geometric chart, included to allow for volume, time path
-- substitute for early-renditioned graphics to get correct interpretation of every trade, in examples below:

P/L Methods List
L ....."Cut your losses short."

(a series of dots, with the wavy-edged circle around them all, this waffled circle exactly covering a (rectangular) frame) Sell a little at a time.
- Disobeys margin-call rule, that is, you can keep going and never really know when to stop.
+ Lose a little, gain a lot.

(a dot, with a waffled-edge circle around it) absolute stops
- Hit too often, too easily bro ker-abused.
+ Encourages active work around this absolute.

(a dot in a (square) frame) Sell when reason ('s area of effect) broke.
- Unclear reason (-ing ability) when wrong, so won't obey it.
+ Similar to "Sell early", only stated so more obviously adjustable.

(two dots, one in a frame and one not (thus, in effect, 'think' vs. 'know'); also, a line with an arrow on either side pointing to both dots, connoting an interchange between the two) Cut losses partially and let (the rest) return to BE, then exit.
- Selling at small P/L offends ego after ego gets a taste of a reason that takes care of a much larger area, which conjoins and gets confused with the bigger in-trade drawdown that goes with such an area.
+ Creates sustain-type emotions that go with a dissociation from immediate reality.

(one dot and a short series of dashes, both within a waffled-edge circle) Stop early. (That is, "Nip it in the bud.")
- Distracting interruption from the swiftness of the action, may throw off entire session as much as a late exit would.
+ Invokes intuition, thus ego halted, although it's given potential energy to create an excuse with later.

overview of L breakdown
P ......"Let your profits run."

(a dot in a (square) frame, to left of a short series of dashes, all enclosed in a waffled-edge circle) Limit at first reason .
- Small: "checked" ego or big: 'hesitant' ego
+ Big-reason error avoided.

(a dot in a frame, then a fading-into-unknown number in a series of overlapping frames-with-a-dot-inside) Trail-limit to each partial reason at a time, staying in, what I call soft exuberance level.
- > No-reason, thus blind of a reason
+ Saves spread over a lot of reentries

(a dot) Limit preset , no-reason .
- Ignores self, circumstances
+ Easier to surround with reason.

(a (rectangular) frame with a few dots inside and several dots outside, all dots somewhat randomly strewn) Label any reason and treat same-side combos.
- "bottomless", too-trivial feeling that's difficult to target. Reasons mismatched, regardless of pattern that fits partial reasons together being wrong.
+ errors speedily adapted-to.

(a strong, sketchy (square) frame surrounding the wavy, solid-line path that may connect dots or other items) Intuitively match reason measure in-trade old, slow and regular, to building one profit-pattern. Works pattern-recognition-wise, same with small variation every time.
- Shady controls.
+ Fast.

overview of P build

KEY to P/L Methods List
-- each listed item has a complex symbol, with several of the simple symbols below that are organized to the game 'Paper, (Path,) Scissors, Rock'
(waffled-edge circle) (a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), that is from temporary effect to habitual signal) cutter, or scissors
(a square) (a frame of boundaries that perpetuates only a certain goal to <> / -+ effect; as in the American '60's slang term) paper -- the idea is, something that can cover a rock and scissors can cut
(a short series of dashes) (the third, optional dimension in a three-axes geometric chart, included to allow for volume, time (in a 2d chart, such as trading) and other) path
(a dot) (a datum, to enter into a model or formula; mayhap, a pivot) rock

--------------



so now, this makes sense to directly transfer chart drawing information from (as well, from fmd-led abstract (book(,)) studies) real nontrading life:


dependent, money. stuff. space. mutual relationship (consider in current order).
ideals --
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart this several times daily and ACT UPON THE CHART!!!!









.
guess I needed a better way of pivots. Stupid name, 'anchor jam'.
This one is via inside of a triangle, VERY subtle, kind of series-like.

a cup and handle formation, in grey box of first chart;


a condensed series in second chart, then a head-and-shoulders (the kite thingy)


Price returned exactly to the + balance pattern (must enlarge several times to see) of the third chart in the last chart.


note the trend centerlines on the uppermost trendline, which price gaps exactly to, in the last chart area.




Too bad I got confused on the trades, this way of trading was spot-on most of the time. Multi-modal use of the technicals can use this.

.






p1 adj:






dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
triangle, compromise,head-shoulders,logr,corner. Note that the insides of a triangle can be as delicate as a series'.
. Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
rectangle ,(very short,straight horizontal line w/angles build around)
. angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
. overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts L:M-like and thus serve as a change-over device; divergence(cupandhandle/fighterjet); cycle -- ls2
language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....;
. series temp.(candle)patterns('inside);the pattern itself, if such as a (semi-(fold,spike, roll,hold,slow,etc.)) condensed; pairs Mt.Pilot/l.p.5
. random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern), which can copy/'fill'
. process -- rejection/acceptance of
boundary/exchange -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
shell / subtle layers; series / cue aligning for scripted responses; scenario / separate environs to compare for response; cycle / activity touches different levels of response

intuitive,inductive,mathematical,deductive,systematic
DOT a datum, to enter into a model or formula; mayhap, a pivot
TRIANGLE the third, optional dimension in a three-axes geometric chart, included to allow for volume, time path
RECTANGLE a frame of boundaries that perpetuates only a certain goal to <> / -+ effect
ELLIPSE a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), from temporary jump effect to habitual signal
-- substitute for early-renditioned graphics to get correct interpretation of every trade, in examples below:

P/L Methods List
L ....."Cut your losses short."

(a series of dots, with the wavy-edged circle around them all, this waffled circle exactly covering a (rectangular) frame) Sell a little at a time.
- Disobeys margin-call rule, that is, you can keep going and never really know when to stop.
+ Lose a little, gain a lot.

(a dot, with a waffled-edge circle around it) absolute stops
- Hit too often, too easily bro ker-abused.
+ Encourages active work around this absolute.

(a dot in a (square) frame) Sell when reason ('s area of effect) broke.
- Unclear reason (-ing ability) when wrong, so won't obey it.
+ Similar to "Sell early", only stated so more obviously adjustable.

(two dots, one in a frame and one not (thus, in effect, 'think' vs. 'know'); also, a line with an arrow on either side pointing to both dots, connoting an interchange between the two) Cut losses partially and let (the rest) return to BE, then exit.
- Selling at small P/L offends ego after ego gets a taste of a reason that takes care of a much larger area, which conjoins and gets confused with the bigger in-trade drawdown that goes with such an area.
+ Creates sustain-type emotions that go with a dissociation from immediate reality.

(one dot and a short series of dashes, both within a waffled-edge circle) Stop early. (That is, "Nip it in the bud.")
- Distracting interruption from the swiftness of the action, may throw off entire session as much as a late exit would.
+ Invokes intuition, thus ego halted, although it's given potential energy to create an excuse with later.

overview of L breakdown
P ......"Let your profits run."

(a dot in a (square) frame, to left of a short series of dashes, all enclosed in a waffled-edge circle) Limit at first reason .
- Small: "checked" ego or big: 'hesitant' ego
+ Big-reason error avoided.

(a dot in a frame, then a fading-into-unknown number in a series of overlapping frames-with-a-dot-inside) Trail-limit to each partial reason at a time, staying in, what I call soft exuberance level.
- > No-reason, thus blind of a reason
+ Saves spread over a lot of reentries

(a dot) Limit preset , no-reason .
- Ignores self, circumstances
+ Easier to surround with reason.

(a (rectangular) frame with a few dots inside and several dots outside, all dots somewhat randomly strewn) Label any reason and treat same-side combos.
- "bottomless", too-trivial feeling that's difficult to target. Reasons mismatched, regardless of pattern that fits partial reasons together being wrong.
+ errors speedily adapted-to.

(a strong, sketchy (square) frame surrounding the wavy, solid-line path that may connect dots or other items) Intuitively match reason measure in-trade old, slow and regular, to building one profit-pattern. Works pattern-recognition-wise, same with small variation every time.
- Shady controls.
+ Fast.

overview of P build

KEY to P/L Methods List
-- each listed item has a complex symbol, with several of the simple symbols below that are organized to the game 'Paper, (Path,) Scissors, Rock'
(waffled-edge circle) (a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), that is from temporary effect to habitual signal) cutter, or scissors
(a square) (a frame of boundaries that perpetuates only a certain goal to <> / -+ effect; as in the American '60's slang term) paper -- the idea is, something that can cover a rock and scissors can cut
(a short series of dashes) (the third, optional dimension in a three-axes geometric chart, included to allow for volume, time (in a 2d chart, such as trading) and other) path
(a dot) (a datum, to enter into a model or formula; mayhap, a pivot) rock

--------------



so now, this makes sense to directly transfer chart drawing information from (as well, from fmd-led abstract (book(,)) studies) real nontrading life:


dependent, money. stuff. space. mutual relationship (consider in current order).
ideals --
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart this several times daily and ACT UPON THE CHART!!!!












An ellipse can change-over a split stack into a 1/4-rule grid, if it's like a hyperbolic -- going for the logarithmic/fan-like nature, not the double thing (necessarily). {no chart available} -- Included in p1 adj above.



.






p1 adj:










dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
triangle, compromise,head-shoulders,logr,corner. Note that the insides of a triangle can be as delicate as a series'.
. Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
rectangle ,(very short,straight horizontal line w/angles build around)
. angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
. overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts L:M-like and thus serve as a change-over device; divergence(cupandhandle/fighterjet);
language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
. random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern), which can copy/'fill'
. process -- rejection/acceptance of scenario / separate environs to compare for response; shell / subtle layers;
boundary/exchange -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); pairs Mt.Pilot/l.p.5

intuitive,inductive,mathematical,deductive,systematic
DOT a datum, to enter into a model or formula; mayhap, a pivot
TRIANGLE the third, optional dimension in a three-axes geometric chart, included to allow for volume, time path
RECTANGLE a frame of boundaries that perpetuates only a certain goal to <> / -+ effect
ELLIPSE a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), from temporary jump effect to habitual signal
-- substitute for early-renditioned graphics to get correct interpretation of every trade, in examples below:

P/L Methods List
L ....."Cut your losses short."

(a series of dots, with the wavy-edged circle around them all, this waffled circle exactly covering a (rectangular) frame) Sell a little at a time.
- Disobeys margin-call rule, that is, you can keep going and never really know when to stop.
+ Lose a little, gain a lot.

(a dot, with a waffled-edge circle around it) absolute stops
- Hit too often, too easily bro ker-abused.
+ Encourages active work around this absolute.

(a dot in a (square) frame) Sell when reason ('s area of effect) broke.
- Unclear reason (-ing ability) when wrong, so won't obey it.
+ Similar to "Sell early", only stated so more obviously adjustable.

(two dots, one in a frame and one not (thus, in effect, 'think' vs. 'know'); also, a line with an arrow on either side pointing to both dots, connoting an interchange between the two) Cut losses partially and let (the rest) return to BE, then exit.
- Selling at small P/L offends ego after ego gets a taste of a reason that takes care of a much larger area, which conjoins and gets confused with the bigger in-trade drawdown that goes with such an area.
+ Creates sustain-type emotions that go with a dissociation from immediate reality.

(one dot and a short series of dashes, both within a waffled-edge circle) Stop early. (That is, "Nip it in the bud.")
- Distracting interruption from the swiftness of the action, may throw off entire session as much as a late exit would.
+ Invokes intuition, thus ego halted, although it's given potential energy to create an excuse with later.

overview of L breakdown
P ......"Let your profits run."

(a dot in a (square) frame, to left of a short series of dashes, all enclosed in a waffled-edge circle) Limit at first reason .
- Small: "checked" ego or big: 'hesitant' ego
+ Big-reason error avoided.

(a dot in a frame, then a fading-into-unknown number in a series of overlapping frames-with-a-dot-inside) Trail-limit to each partial reason at a time, staying in, what I call soft exuberance level.
- > No-reason, thus blind of a reason
+ Saves spread over a lot of reentries

(a dot) Limit preset , no-reason .
- Ignores self, circumstances
+ Easier to surround with reason.

(a (rectangular) frame with a few dots inside and several dots outside, all dots somewhat randomly strewn) Label any reason and treat same-side combos.
- "bottomless", too-trivial feeling that's difficult to target. Reasons mismatched, regardless of pattern that fits partial reasons together being wrong.
+ errors speedily adapted-to.

(a strong, sketchy (square) frame surrounding the wavy, solid-line path that may connect dots or other items) Intuitively match reason measure in-trade old, slow and regular, to building one profit-pattern. Works pattern-recognition-wise, same with small variation every time.
- Shady controls.
+ Fast.

overview of P build

KEY to P/L Methods List
-- each listed item has a complex symbol, with several of the simple symbols below that are organized to the game 'Paper, (Path,) Scissors, Rock'
(waffled-edge circle) (a pathway between different ideas in a space, either with a square-like frame of boundaries ('think') or with a particular, dot-like objective ('know'), that is from temporary effect to habitual signal) cutter, or scissors
(a square) (a frame of boundaries that perpetuates only a certain goal to <> / -+ effect; as in the American '60's slang term) paper -- the idea is, something that can cover a rock and scissors can cut
(a short series of dashes) (the third, optional dimension in a three-axes geometric chart, included to allow for volume, time (in a 2d chart, such as trading) and other) path
(a dot) (a datum, to enter into a model or formula; mayhap, a pivot) rock

--------------



so now, this makes sense to directly transfer chart drawing information from (as well, from fmd-led abstract (book(,)) studies) real nontrading life:


dependent, money. stuff. space. mutual relationship (consider in current order).
ideals --
money -- NO DEBT except a SIMPLE loan; pay taxes; make amap
stuff -- alap, easy to care for, necessary and sufficient
space -- empty, easy to clean
mutual relationship -- mutually beneficial, looking far into horizon for early signs of problems and solve them now
dependent -- basic necessities, their desire to stay, benefits them and you
-- Chart this several times daily and ACT UPON THE CHART!!!!







.



p1 adj:

 

1. language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
2. . random -- 'attention' (direction) inclusion;'volatility' (area) size/density;'blob' (pattern), which can copy/'fill'
3. . process -- rejection/acceptance of scenario / separate environs to compare for response; shell / subtle layers;
   boundary/exchange -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
   series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); pairs Mt.Pilot/l.p.5

1. dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr,corner. Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts L:M-like and thus serve as a change-over device; divergence(cupandhandle/fighterjet);

.
a triple;

p1 r/w -- added to 'ellipse','random', 'triangle':

 

1. language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
2. . random -- 'attention' (direction) inclusion, counterweight;'volatility' (area) size/density;'blob' (pattern),may copy/'fill'
3. . process -- rejection/acceptance of scenario / separate environs to compare for response; shell / subtle layers;
   boundary/exchange -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
   series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); pairs Mt.Pilot/l.p.5

1. dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)

--------------









.



extra-detailed chart study, for the most part (until I m-c'ed on forgetting the bigger picture until finding it too late):

the new two channel:




the last splits a fan:




----------



p1 area idea included, which adjusts 'series' also:

 

1. language,roller ....flag,3 Method,rectangle('stability'),spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
2. . random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action
3. . process --'attention' (direction)inter-area static vs. detail/area; ex.'s of this rejection/acceptance :
   scenario / separate environs to compare for response; shell / subtle layers;
   boundary/exchange -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
   series / cue aligning for scripted responses -- temp.(candle)patterns('inside); counterweight; (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5

1. dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)

-------



p1 adj:









process -- 1) rejection/acceptance; 2) attention' (direction)inter-area static vs. detail/area; 3) further breakdowns :
scenario / separate environs to compare for response; shell / subtle layers;
boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
series / cue aligning for scripted responses -- temp.(candle)patterns('inside); counterweight; (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....

1. dot as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)
8. . random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action

----------


p1 moved random in with dot:









process -- 1) rejection/acceptance; 2) attention' (direction)inter-area static vs. detail/area; 3) further breakdowns :
scenario / separate environs to compare for response; shell / subtle layers;
boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
series / cue aligning for scripted responses -- temp.(candle)patterns('inside); counterweight; (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
shape -- 1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..








p1 adj:







PROCESS -- 1) rejection/acceptance; 2) attention' (direction)inter-area static closed-system vs. detail/area open-system responses; 3) further breakdowns : scenario / separate environs to compare for response; shell / subtle layers;
boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
series / cue aligning for scripted responses -- temp.(candle)patterns('inside); counterweight; (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
SHAPE -- 1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..
---------






.

now i can quit because process tells me if i'm effective or not


.


p1 adj 'process' subtitles to manage trade:





PROCESS -- 1) rejection/acceptance; 2) effectiveness -- inter-area static closed-system vs. (more-complex)detail/(simpler inter-)area open-system responses; 3) further breakdowns : scenario / separate environs to compare for response; shell / subtle layers;
boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking; cycle / activity touches different levels of response; cycle -- ls2;
series / cue aligning for scripted responses -- temp.(candle)patterns('inside); counterweight; (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
SHAPE -- 1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..




-------




p1 adj:




PROCESS -- static vs. detail/inter-area;coarse behavior such as when use a static as an inter-area, disturbs as a closed system the area-details / inter-area open system
. scenario / separate environs to compare for response
. shell / subtle layers
. boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
. cycle activity touches diff't levels and intensities of response; ls2;
. series / cue aligning for scripted responses -- temp.(candle)patterns('inside); counterweight; (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
SHAPE -- 1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, opp-direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..






----------





SHAPE -- static vs. detail/inter-area;coarse behavior such as when use a static as an inter-area, disturbs as a closed system the area-details / inter-area open system
. scenario / separate environs to compare for response
. shell / subtle layers
. boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
. cycle activity touches diff't levels and intensities of response; ls2;
. series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
MODIFICATIONS -- 1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..













---------------












,

.I'm kinda happy; I know when to quit, now.
What I mean, is that most of my trades are based on how good my chart-study reason is. So the mm is either useless or pass/fail.
Now I realize that the chart study works better if considered in complex areas that connect simply.

I can still margin-call if someone else screams at me very close; so, I dumped everything and went with one senternce.



p1 temp structure adj:




Bracket/opp/flip/copy/VH45 a triangle(fan)/rectangle(grid)/ellipse via it as/in/from/to/with a series/shell/scenario/cycle/boundary.



.

'common angle' -- where one angle is staged with its opposite angle, in a midline, in a logr, with different-width candles, and all in a small, well-defined area; this all sets the angle, so that its repeat establishes that one direction is probable.
Here, a bracket set the angle early. I recall a year or so ago of using such an exception to a bracket for a very long time, also.
















---------




.

Gann Fan where initial trend runs up, not down:
I've never seen such a committed Gann Fan,
running from the very base a good while to the top line
after a very long time (last four charts):


























--------------





p1 adj:







Bracket/opp/flip/copy/VH45 a triangle(fan)/rectangle(grid)/ellipse via it as/in/from/to/with a series/shell/scenario/cycle/boundary.

More simply, construct how it changes from one area to the next,
where



SHAPE -- static vs. detail/inter-area;coarse behavior such as when use a static as an inter-area, disturbs as a closed system the area-details / inter-area open system
. scenario / separate environs to compare for response
. shell / subtle layers
. boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
. cycle activity touches diff't levels and intensities of response; ls2, esp. cycle-length,skew-width ls2:l.p.3;
. series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
MODIFICATIONS -- Ellipse is the catalyst/modifier to tri/rect; if not present, the other two modify each other; if taken as random, then apply dot, blob, volatility or process, in that order, to get a solid projected and tradeable line.
Ex.: a logr is a compound angle
a grid/boxy area with a slight angle in the presence of an elliptic logr slightly modifies PA so the elliptic logr's affect may continue.
1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..









---------





.

partial post dump:





An interesting side note:
Some traders put automatic stop losses at common price levels so they get hit,
the same place lots of institutional traders go to increase liquidity.
So automatic stop losses are either hit too often or must be made too big to be useful to risk-reward. In the former, stops at odd prices in liquid times are okay. In the latter, limits can be made big enough to compensate.




p1 adj:






f vs. f:Series/shell/scenario/cycle/boundary'll bracket/opp/flip/copy/VH45 a triangle(fan)/rectangle(grid)/ellipse.

A term's definition creates form, which one may personify as fight-or-flight response and its derivatives (tend-and-befriend vs. aggression development; relaxation response; broaden-and-build theory; and how the response goes with (the cycle of market) emotions.
A triangle's form may be overstated when the area redefines it(s insides) as a function contrary to the definition.

SHAPE -- static vs. detail/inter-area;coarse behavior such as when use a static as an inter-area, disturbs as a closed system the area-details / inter-area open system
. scenario / separate environs to compare for response. Ellipse is the catalyst/modifier to tri/rect; if not present, the other two modify each other; if taken as random, then apply dot, blob, volatility or process, in that order, to get a solid projected and tradeable line. Ex.: a logr is a compound angle -- a grid/boxy area with a slight angle in the presence of an elliptic logr slightly modifies PA so the elliptic logr's affect may continue.
. shell / subtle layers of a single object's space.
. boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
. cycle activity touches diff't levels and intensities of response; ls2, esp. cycle-length,skew-width ls2:l.p.3;
. series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
MODIFICATIONS --
1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,); anchor jam
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..






-----------



another -- 'dot', title adj:









ffSeries/shell/scenario/cycle/boundary,bracket/opp/flip/copy/VHt45c dot/line//triangle(fan)/ellipse/rectangle(grid).

A term's definition creates form, which one may personify as fight-or-flight response and its derivatives (tend-and-befriend vs. aggression development; relaxation response; broaden-and-build theory; and how the response goes with (the cycle of market) emotions.
A term's form may be overstated when the area redefines it(s insides) as a function contrary to the definition.

SHAPE -- static vs. detail/inter-area;coarse behavior such as when use a static as an inter-area, disturbs as a closed system the area-details / inter-area open system
. scenario / separate environs to compare for response. Ellipse is the catalyst/modifier to tri/rect; if not present, the other two modify each other; if taken as random, then apply dot, blob, volatility or process, in that order, to get a solid projected and tradeable line. Ex.: a logr is a compound angle -- a grid/boxy area with a slight angle in the presence of an elliptic logr slightly modifies PA so the elliptic logr's affect may continue.
. shell / subtle layers of a single object's space.
. boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
. cycle activity touches diff't levels and intensities of response; ls2, esp. cycle-length,skew-width ls2:l.p.3;
. series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
MODIFICATIONS --
1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action. 'Dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,bracket,corner(esp. where an angle changes over on a V),opp); anchor jam -- is invisible, only random as any definition may be as to its form vs. function.
An especially useful pivot is VHt45c, where price turns on V at the same time it forms a 45D angle that is equally on either side of the V, so that the H is, according to the pattern, only that pivot and not a line that'd create a lasting level. This would also make an especially effective dot to compare to a vertical line segment in l.p.3 or H vsn. w/ls2.
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..







----------


.



That a corner is the purest make of a VH45 measure, understates the process' position to adjust the corner's role in PA:











-- Vc45Hd pivots (definition): off the vertical line that the area's trend angles turns at, for a 45-degree corner that the vertical line is exactly in the middle between; a couple of horizontal lines that are at different levels and form in opposing directions, or a similar idea to attach to the specially-positioned corner.



p1 new org'n sentence:







adjective(opt-dot);VHt45c pivot,regular polygon, l.p.3/LCM/ls2;process(opt-line)


.

p1 new:

polygon cycle LCM(shape,pair/3/series,fan-grid) Vc45Hd,ls2,l.p.3

'A sure thing is low-risk and thus low-reward, unless not generally known. {And then, there's what is} fairly well known....the rare and well-known occasion is as good as the little-known and common one, as the former can be disbelieved.And, your idea is well-explained.'

r/w:

'A sure thing is low-risk and thus low-reward, unless not generally known. {And then, there's what is} fairly well known....the rare and well-known occasion is as good as the little-known and common one, as the former can be disbelieved.And, your idea is well-explained.'


r/w:


polygon cycle LCM(shape,pair/3/series,fan-grid) Vc45Hd,ls2,l.p.3
The lowest risk:reward trades are either well-known and rare or poorly-known and common, and always well-explained.


----------


p1 adj:





polygon cycle LCM(shape,pair/3/series,fan-grid) Vc45Hd,ls2,l.p.3
The lowest risk:reward trades are either well-known and rare or poorly-known and common, and always well-explained.

adjective(opt-dot);regular polygon,Vc45Hd pivot, l.p.3/LCM/ls2;process(opt-line)



ffSeries/shell/scenario/cycle/boundary,bracket/opp/flip/copy/VHt45c dot/line//triangle(fan)/ellipse/rectangle(grid).

A term's definition creates form, which one may personify as fight-or-flight response and its derivatives (tend-and-befriend vs. aggression development; relaxation response; broaden-and-build theory; and how the response goes with (the cycle of market) emotions.
A term's form may be overstated when the area redefines it(s insides) as a function contrary to the definition.

SHAPE -- static vs. detail/inter-area;coarse behavior such as when use a static as an inter-area, disturbs as a closed system the area-details / inter-area open system
. scenario / separate environs to compare for response. Ellipse is the catalyst/modifier to tri/rect; if not present, the other two modify each other; if taken as random, then apply dot, blob, volatility or process, in that order, to get a solid projected and tradeable line. Ex.: a logr is a compound angle -- a grid/boxy area with a slight angle in the presence of an elliptic logr slightly modifies PA so the elliptic logr's affect may continue.
. shell / subtle layers of a single object's space.
. boundary/exchange, or simply line -- L:M (logr:midline, micro- versions of fan:grid) about,divergence from/to, set of lines against; wide r/s,hi/lo vs. fading/breaking;
. cycle activity touches diff't levels and intensities of response; ls2, esp. cycle-length,skew-width ls2:l.p.3;
. series / cue aligning for scripted responses -- temp.(candle)patterns('inside); (semi-)condensed(s)(:fold,spike, roll,hold,slow,etc.); copy/'fill'; elliptic triple; pairs Mt.Pilot/l.p.5; roller (or similar) language....flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)....
MODIFICATIONS --
1. random -- 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action. 'Dot' as a pivot -- double/triple bottoms/tops, Adam -Eves; balances the angles of (+,bracket,corner(esp. where an angle changes over on a V),opp); anchor jam -- is invisible, only random as any definition may be as to its form vs. function.
An especially useful pivot is VHt45c, where price turns on V at the same time it forms a 45D angle that is equally on either side of the V, so that the H is, according to the pattern, only that pivot and not a line that'd create a lasting level. This would also make an especially effective dot to compare to a vertical line segment in l.p.3 or H vsn. w/ls2.
2. triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'.
3. . Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3
4. rectangle ,(very short,straight horizontal line w/angles build around)
5. . angle set V(LR),H(DU),45,current,group average; count set -- half, third,fib,fractal
6. . overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid
7. ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet)..







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p1 new (reorg, retitle):







trade -- Well-known and rare or poorly-known and common, and well-explained (insides/copies agree).

LCM (NOTE:roller language (an early LCM version) -- flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)) :
L.........Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3,ls2,Vc45Hd
t..........triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / Vc45Hd corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'
C........ellipse, tilde,qtr/hlf (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet); elliptic triple
r..........series of temp.(candle)patterns('inside); 'condensed' (fold,spike, roll,hold,slow,etc.); 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'divergence', wide r/s,hi/lo vs. fading/breaking, pivot (double/triple bottoms/tops, Adam -Eves) / anchor jam.
M........ overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid, + balance, bracket,opp; pairs (Mt. Pilot,l.p.5).







p1 adj:




trade -- Well-known and rare or poorly-known and common, and well-explained (insides/copies agree).

LCM (NOTE:roller language (an early LCM version) -- flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)) :
L.........Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496);l.p.3,ls2,Vc45Hd; fib/third count
t..........triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / Vc45Hd corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'
C........ellipse, tilde,qtr(radius)/hlf(diameter) (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet); elliptic triple
r..........series of temp.(candle)patterns('inside); 'condensed' (fold,spike, roll,hold,slow,etc.); 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'divergence', wide r/s,hi/lo vs. fading/breaking, pivot (double/triple bottoms/tops, Adam -Eves) / anchor jam.
M........ overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid, + balance, bracket,opp; pairs (Mt. Pilot,l.p.5); half count.





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p1 adj:




trade -- Well-known and rare or poorly-known and common, effortless, and explainable (insides/copies agree).

LCM (NOTE:roller language (an early LCM version) -- flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)) :
L.........Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496); angle reading -- l.p.3,ls2,Vc45Hd; fib/third count
t..........triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / Vc45Hd corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'
C........ellipse, tilde,qtr(radius)/hlf(diameter) (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet); elliptic triple
r..........'series' of angled, temp.(candle)patterns('inside); 'condensed' (fold,spike, roll,hold,slow,etc.); 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'divergence', wide r/s,hi/lo vs. fading/breaking, pivot (double/triple bottoms/tops, Adam -Eves) / anchor jam.
M........ overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines w/connecting midlines; (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid, + balance, bracket,opp; pairs (Mt. Pilot,l.p.5); half count.








p1 adj:








trade -- Well-known and rare or poorly-known and common; effortless; and, explainable (probabilities set,insides/copies agree). Take care of negative higher-ups who relate on vague, absolute terms to hurl invectives, undermine confidence, attack defensively without provocation, project confusion, or create distractions.

LCM (NOTE:roller language (an early LCM version) -- flag,3 Method,rectangle('stability'), spike-and-arc ('peak'),arc (,pieces: )line,dot,(none)) :
L.........Gann fan (backwards,separated,adverse-line,extended,opp-run), jump rule; other fans -- fib fan(ex.,6-28-496); angle reading -- l.p.3,ls2,Vc45Hd; fib/third count
t..........triangle, compromise,head-shoulders,logr; wedge,inside candle; corner / Vc45Hd corner / separated-corner / split-corner(~grid piece) opp (thus angle). Note that the insides of a triangle can be as delicate as a series'
C........ellipse, tilde,qtr(radius)/hlf(diameter) (regular,sep-lines), double-arc slice,echoes,short/overlap straight lines;conical cuts (L:M change-over,triple-pair series,); undercut/divergence(cupandhandle/fighterjet); elliptic triple
r..........'series' of angled, temp.(candle)patterns('inside); 'condensed' (fold,spike, roll,hold,slow,etc.); 'volatility' (area) size/density;'blob' (pattern) w/unfilled shapes,copied, other simple action; 'divergence', wide r/s,hi/lo vs. fading/breaking, pivot (double/triple bottoms/tops, Adam -Eves) / anchor jam.
M........ overlap(logic dot,); bracket/counterweight,(atop-)stack, grid, partial; trend centerlines (compare w/ trend angles, which more average an area and turn over at a vertical line) w/connecting midlines (of each trend angle); (twisted) channel; harmonics/letters; 1/4 rule on grid, flip-opp direction (feeds off logr/triangle) stack (1/4 - 1/2 - 1/4); viral grid, + balance, bracket,opp; pairs (Mt. Pilot,l.p.5); half count.
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