Pattern's Chemo-Electric Trading Journal

PATTERNS----------------center,anchor---------------ray-------------angle
ray..sharp,big away(center),more with(anchor).....n/a..........alot (anchored)
ellipse..................................one.........................three...............edges
triangle................................one.........................three...................fill
rectangle..............................one.........................seven..................5
'condensed'..........................zero.........................zero...............2(band)
'blob'....................................one.........................zero.................zero
'logr'(anchor),midline(center)..one......................several.........infinite,zero
'perfect/complex/balance'......one....................two or three....two or three



another:


(was looking at post#1 of threads in Trading Systems)



instructions: 1. name position 2. reject position for another 3. release other thoughts 4. doubt other positions 5. helpless, challenge why, other positions may take and their thoughts 6. stimulus training through namer increasing range and impact of cyclic projection 7. stimulus introduction 8. review -- stimulus cue from position namer 9. rejector breaks down, copies in single, tiny and original way the position 10. reintroduction: up-to-speed match of position-named with others
study:
PATTERNS----------------center,anchor--raymidline away(center),'logr' with(anchor)-----angle
'condensed'..........................zero.........................zero.........................2(band)
'blob'....................................one.........................zero...............................zero
'perfect/complex/balance'......one....................two or three..................two or three
ellipse,triangle......................one.........................three.............................one
rectangle..............................one.........................seven...........................five




new 'patterns':




study:
PATTERNS----------------raymidline away(center),'logr' with(anchor)-----angle
'condensed'......................................zero.........................2(band)
'blob'...............................................one(midline)................zero
'perfect/complex/balance'...............two or three..................two or three
ellipse,triangle....................................three.............................one
rectangle..........................................seven...........................five



another:



instructions: 1. name position 2. reject position for another 3. release other thoughts 4. doubt other positions 5. helpless, challenge why, other positions may take and their thoughts 6. stimulus training through namer increasing range and impact of cyclic projection 7. stimulus introduction 8. review -- stimulus cue from position namer 9. rejector breaks down, copies in single, tiny and original way the position 10. reintroduction: up-to-speed match of position-named with others
study:
PATTERNSfill ----raymidline away(center),'logr' with(anchor); separate----anglecopy/opp/flip
'condensed'......................................zero..................... ....2(band)
'blob'...............................................one(midline)........... .....zero
'perfect/complex/balance'...............two or three..................two or three
ellipse,triangle....................................three..........................one
rectangle..........................................seven...........................five



another:





warmup:
PA reading -- all those individualistic patterns (candlestick formations (especially spinning tops etc., which give no direction), 7 Bells, harmonics, cup-and-handle, etc.; read here for a good listing) that are so close to just reading PA well that making a series of or line from them is confusing.
instructions:
1. name position 2. reject position for another 3. release other thoughts 4. doubt other positions 5. helpless, challenge why, other positions may take and their thoughts 6. stimulus training through namer increasing range and impact of cyclic projection 7. stimulus introduction 8. review -- stimulus cue from position namer 9. rejector breaks down, copies in single, tiny and original way the position 10. reintroduction: up-to-speed match of position-named with others
study:
PATTERNSfill,series ----raymidline away(center),'logr' with(anchor); separate----anglecopy/opp/flip
'condensed'......................................zero..................... ....2(band)
'blob'...............................................one(midline)........... .....zero
'perfect/complex/balance'...............two or three..................two or three
ellipse,triangle....................................three..........................one
rectangle..........................................seven...........................five

scratchpad

draw amount of vs. study for different shapes:

ONE DASH
single-center
curve (ellipse) turns angle

SEVERAL DASHES
compromise
several semi-copied blobs each midline for l.p.4's to align to one pivot of each;
opposite-pivot-direction, else aligned on a level or similar-shape-wise
opposite-angle, else aligned on a level or similar-shape-wise
aligning choice of levels -- overlapping/limited (compromise,)

STUDY OF LOTS OF DASHES -- SAME DECISION, SIMPLY REPEATED, FOR ONE COLLECTIVE DECISION --, AND HIGHLIGHTING SHAPES
aligning choice of levels -- pure-run string with notches
Encapsulation into a repeated shape.
zigzag bends, condensed breaks if price runs through its level
midline-filled TL drops, logr-filled TL multiplies, midline-logr - balanced TL continues.
blobs fill, too, and series.

DIFFERENT TYPE OF DECISION FOR SEVERAL AREAS, ALL FIT TOGETHER FOR ONE PURPOSE, AND HIGHLIGHTING DECISION
support/cupandhandle,cup/triangle-opening line skew (fighter jet),
support/cupandhandle -- the opposite of a dip and run is a test and break
Why a fighter jet? THat's just divergence. Bogged down, shall we say.
Because, although a cup and handle is open, it's still the same shape;
it's just that a fighter jet is more about covering the cup like a lid
and the cup and handle formation more about its handle -- how it's formed
is how it's run, like a fighter jet: Get it? Like a fighter jet -- NO handle, a lip
on either side of the fighter jet (hey!) -: only, I made a fighter jet to tilt
the 'wings' this way or that, like the foldable-wings ones look, a V on each
side.
So, fighter jet has a high, sharp, short handle on either side, and a cup-
and-handle one big handle on the right side of the chart, so that the former
uses the middle to decide how it affects the next moves and the latter
uses the right side to decide how it affects the next moves.

-----------



team -- depending on risk to reward (or v-v), sometimes you have to pull more weight than others, beyond what you're ever used to, and sometimes it's less weight.
A team is a group is, in a sense, the +-chemical GABA. "It just makes sense in the overall scheme of things", and must fit into acetycholine, or flow interruption with divergent path of, in this case, group and group member. Acetycholine is also (according to my personal thinking model (not described here, tho pictured in the journal) what say goes to, match-up of say (that is, what is communicated) with what one, as a leverage, is conditioned by the position (on the team) namer to work for (which enables being on the team at all).
So, how say selects from the conditioned abilities of the group member, that is, the one in position, to time what the group member does, is before that group member motivates self from this crossover being fed into the emotion map of pluses and minuses there go in that member's existence to do such a thing.
Then, one retains or does not retain self, and/or does or does not do the act that both makes sense and that the higher-level position-namer has, from survival for the group, communicated to the group member.
The cycle begins again as the sense of self is again, for an entire cycle, put to the test: The group member pays attention to the next stimulus.





All the 50-pip emergency stop allows me is to take longer before I lose the equivilent of a margin call, AND it tempts me to keep going after I get a margin call.
If I respect the 50-pip emergency stop the first time, as I did on the 90- and then 120-pip emergency stop, as a margin call, then maybe....
Or, the picture above will keep me compounding profits at a reasonable rate.



plunger effect -- You'd think price'd settle or go up if the trend is up. No, it did the opposite -- reminds me of Dutch Candle, the charts I posted in said Platform Tech thread -- and, as one in a series of similar, produced an overall turn. Encapsulation into a repeated shape.





-----------------




post#1 dump:





->Condition your AT (w/compass) to trade chart's @ +-chemical pattern along say.


















condition:



AT:

Anatomy Trains, a holistic human anatomy system. A picture, simple breakdown, and up-to-date explanation.
The reason I chose it is because it's a functional tensegrality that supports the fight-or-flight response, and thus gut trace/intuition, and thus say (below).




(w/compass):



AT (w/compass):



+-chemical:



pattern:



+-chemical pattern:



say:













--------------------



logr (white boxes on chart) and why it's so important as a shape;
well, at least in support with balance (in rectangles on chart):


















---------------

regular polygons and how all other shapes relate to them:


PATTERNSfill,series ----raymidline away(center),'logr' with(anchor); time-separated----anglecopy/opp/flip
'condensed'...........................................zero............................... ....2(band)
'blob'....................................................one(midline)..................... .....zero
'perfect/complex/balance/individualistic...two or three...........................two or three
ellipse,triangle........................................three...................................one
rectangle...............................................seven.....................................five



Drawing these on PA is no easy task.

draw amount of vs. study for different shapes, with examples of each level of sophistication:

ONE DASH
single-center
curve (ellipse) turns angle

SEVERAL DASHES
several semi-copied blobs each midline for l.p.4's to align to one pivot of each;
line segment compromise of angles, all same length and at same price level: blobbish, next one curved, next one straight
opposite-pivot-direction, else aligned on a level or similar-shape-wise
opposite-angle, else aligned on a level or similar-shape-wise
aligning choice of levels -- overlapping/limited (compromise,)

STUDY OF LOTS OF DASHES -- SAME DECISION, SIMPLY REPEATED, FOR ONE COLLECTIVE DECISION --, AND HIGHLIGHTING SHAPES
aligning choice of levels -- pure-run string with notches
Encapsulation into a repeated shape.
zigzag bends, condensed breaks if price runs through its level
midline-filled TL drops, logr-filled TL multiplies, midline-logr - balanced TL continues.
blobs fill, too, and series.

DIFFERENT TYPE OF DECISION FOR SEVERAL AREAS, ALL FIT TOGETHER FOR ONE PURPOSE, AND HIGHLIGHTING DECISION
support/cupandhandle,cup/triangle-opening line skew (fighter jet),
support/cupandhandle -- the opposite of a dip and run is a test and break
Why a fighter jet? THat's just divergence. Bogged down, shall we say.
Because, although a cup and handle is open, it's still the same shape;
it's just that a fighter jet is more about covering the cup like a lid
and the cup and handle formation more about its handle -- how it's formed
is how it's run, like a fighter jet: Get it? Like a fighter jet -- NO handle, a lip
on either side of the fighter jet (hey!) -: only, I made a fighter jet to tilt
the 'wings' this way or that, like the foldable-wings ones look, a V on each
side.
So, fighter jet has a high, sharp, short handle on either side, and a cup-
and-handle one big handle on the right side of the chart, so that the former
uses the middle to decide how it affects the next moves and the latter
uses the right side to decide how it affects the next moves.
Another:
Opposing regular polygons, such as a rectangle and a triangle,
or a line segment and an ellipse (curve), or a...well... They adjust trendlines faster
and more obviously.

revised:










post#1 dump:






.Forget it. I'm just going to use my personal thinking model -- the original portion and an occasional long-used extra portion (which is all I've been developing for a while, with the versions of mec) -- to trade with. The extended chart polygons table I posted yesterday is a good summary of the non-PA stuff I use, even if it's about impossible to connect that with my charts in a systematic way. That, and my simplified mec, with emotions and arrows, I'll likely use the most.
So goodbye, understand-ability, at least for a long time. Doesn't mean I won't keep posting.

Oh, okay, it's at least a bit understandable -- Been posting too much ; )



try1 -- it worked great, feel like old self again: Not all tied down with cumbersome models I just made. And, I get the benefit of understanding myself better using my increased understanding of the tried-and-true.




try2 -- Fail. I get too caught up in other scenarios and attempt to trade thru their reasoning / emotions/ etc., only to start overexcitement and reasoning the chart in a way that has nothing to do with profit and everything to do with resolving an issue in the other scenario(s).

More intensive:
Use the current version of mec, called object mec (below) for its full inclusion of regular polygons or even of my table of them and objects similar to them.



















------------







regular polygons and how all other shapes relate to them:

PATTERNSfill,series ----raymidline away(center),'logr' with(anchor); time-separated----anglecopy/opp/flip
'condensed'...........................................zero............................... ....2(band)
'blob'....................................................one(midline)..................... .....zero
'perfect/complex/balance/individualistic...two or three...........................two or three
ellipse,triangle........................................three...................................one
rectangle...............................................seven.....................................five



Drawing these on PA is no easy task.

draw amount of vs. study for different shapes, with examples of each level of sophistication:

ONE DASH
single-center
curve (ellipse) turns angle

SEVERAL DASHES
several semi-copied blobs each midline for l.p.4's to align to one pivot of each;
line segment compromise of angles, all same length and at same price level: blobbish, next one curved, next one straight
opposite-pivot-direction, else aligned on a level or similar-shape-wise
opposite-angle, else aligned on a level or similar-shape-wise
aligning choice of levels -- overlapping/limited (compromise,)

STUDY OF LOTS OF DASHES -- SAME DECISION, SIMPLY REPEATED, FOR ONE COLLECTIVE DECISION --, AND HIGHLIGHTING SHAPES
aligning choice of levels -- pure-run string with notches
Encapsulation into a repeated shape.
zigzag bends, condensed breaks if price runs through its level
midline-filled TL drops, logr-filled TL multiplies, midline-logr - balanced TL continues.
blobs fill, too, and series.

DIFFERENT TYPE OF DECISION FOR SEVERAL AREAS, ALL FIT TOGETHER FOR ONE PURPOSE, AND HIGHLIGHTING DECISION
support/cupandhandle,cup/triangle-opening line skew (fighter jet),
support/cupandhandle -- the opposite of a dip and run is a test and break
Why a fighter jet? THat's just divergence. Bogged down, shall we say.
Because, although a cup and handle is open, it's still the same shape;
it's just that a fighter jet is more about covering the cup like a lid
and the cup and handle formation more about its handle -- how it's formed
is how it's run, like a fighter jet: Get it? Like a fighter jet -- NO handle, a lip
on either side of the fighter jet (hey!) -: only, I made a fighter jet to tilt
the 'wings' this way or that, like the foldable-wings ones look, a V on each
side.
So, fighter jet has a high, sharp, short handle on either side, and a cup-
and-handle one big handle on the right side of the chart, so that the former
uses the middle to decide how it affects the next moves and the latter
uses the right side to decide how it affects the next moves.
Another:
Opposing regular polygons, such as a rectangle and a triangle,
or a line segment and an ellipse (curve), or a...well... They adjust trendlines faster
and more obviously.














-----


post#1, new:









----

My first comfortable 25-pip SL. Definitely not for some times ((about) 50,100 pips).
Now I've got some good R:R -- 1:1.5, .85:1, etc.

You're crafting, when you draw one trendline etc. or another. That takes detail and care.

another:

(last line added later)






and any more-detailed descriptions of each, among all the similar models I've done in the past and may later increase in number or change in revision.
Also, the individual pieces --
axes/spike(level),
LOC (cycles, @w/pattern; decision tree, @node w/an AT),
pattern(regularity),
emotion (object-directed axes and cyclic position),
motion (VFD (see posts), sense / flip of each is a different motion/color/details mix
(emotion: low details, high color, no motion;
pattern: regularized details, basic shapes and colors, moving optical illusions possible;
LOC: high details, no color, true motion))
-- may be rearranged in any way with the different line forms shown in the picture (the different circles etc.) to get a more accurate map of a certain event.
Finally, I draw technicals mostly from ff's red-flag news events from one of the two countries in the pairs symbol used, paying attention to my MT4 broke r's local time zone used.


-----

with the 1-10 cycle, may go



downing another, or thinking another is lower level and persuading/forcing them to be there and/or punishing them for not being there or for being in same space as self so that must react to them

you thiznkkkkkkkkkkkkkkkkkkkkkkkkkkk
is a social outrage, a levelling downing another person, a social emotion -- HOW

uh --------------UHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHhh
, like a verbal attack, punches you in the stomach --
your reaction is to slam your face into the wall, as if you MUSt be dumb enough to match their expectations of you
-- to undermind another's confidence with verbal attacks, is that a social attribute?
CYCLIC CONSISTENCY IN THEIR VERBIAGE ACTS LIKE "say", MY PICTURE DOES -- thus, it is at once insidious, enacting Bandler/insula features upon adaptation of the habit of their words' meaning and physical intent (threat if don't do -- highly gut-activating), and changeable, since a plain picture of say can be read and mec applied to it.


forced-reaction, closer to accepting each level only and still mildly resistant
one-on-one interaction:
overview
I find that I reenact the attitudinal/emotion-physical positionings (facial AT?) of conversations I had with another, social emotions -- snobbery, guilt, jealousy, etc. -- as well as the simpler emotions I may share, since I'm more simple. I even carry these things along to irrelevant places, I don't know why, to think about or a plain physiological imprinting; good thing I recognize and don't act from them, although they do sometimes confuse me or base decisions inappropriate to the irrelevant place's issues.
Still other times, I may linger or carry on something proven to be mistaken, to get an 'ah-ha' from it (yes, an insidious version of my member name) and thus lose a trade and gain an insight on how to trade right after it. It works no better with people. And it's a knee-jerk reaction, so I don't realize I'm doing it or I feel pushed as I do it or I fall into a mistake in doing it (often to satisfy a close and solution-unrelated individual/issue).


even-level serious, want to cross on one level (sharply pushing to cold standoffishness on one level and never want (violently serious, commit crime and show distant and different-group standoffishness) to on very different level)
If you actively level to confront and get above,
or submit too readily and confront to be even and exchange,
these are O-| issues.

serious-play interlude
And the ___ said to that, that I had discovered for myself a new action to take to progress in my current study idea, "DAA uuuuhhhhm", as in they messed up in stopping me from getting anything done. This floored me, gut-wise, and I felt low again -- only for a moment, as my idea and its progress toward fruition into practicality is going well and rebouyanced my attitude.

hi-lo play
Impulse use (number of times) as a short answer, vs. acknowledging the other's position and competence, is a <> thing within a rectangle of an area, to response. Realm of understanding stays away from concrete use of others not involved in interaction, and with the ego competency of the other, as social barrier to the impulse user's potential action.
An interactive-AT turn in submission of impulse-user's ego toward the other causes the other to laugh in identifying own power as well as the immediate contradiction the impulse user did -- confrontation with ego vs. submission of ego.
Then, the dance of foul weather, and protection of the weaker by the stronger enables a commitment beyond ego and toward Nature, to live beyond whatever it happens, as a say that being overwhelmed cannot defeat.
other exchanges: +-chemical from former interaction engages ego to leverage, with variability set from that last interaction, first impression rather than a reason-oriented change in first impression.



--------



a chart technicals idea: small trend angle and length:

(another try at volatility, I guess)

.



NEXT CHART ONLY -- trad'l length-based right,descending triangle, and trend-length determiner for new trend (a mild turn at start of it):
















----

With the news stories psych link of a couple of posts ago, may go this one fti wrote.



----

more on the technical idea that represents volatility / is continuous:


trend line segment length
curve (which is length and angle combined)
angle

Okay, to sum --
this new volatility idea;
the intra/erweekly trend;
news-minute drawing-device projections;
Dutch Candle adjustments to patterns
spread?



-----




Trendlines have personality types when another system supports it -- Gann (high-structure ephemeris), fundies, drawing device, regular polygon, indicators. It doesn't matter if they're center- or pivot-type.
Gann (high-structure ephemeris) -- tildes
fundies -- fulfill and turn
drawing device -- tri/reverse on line, segment too long between, 1/2-1/4-wide
regular polygon -- grid
indicators -- contradictory



-----------------------------------------------









with the 1-10 cycle, may go




social emotions
aggressive hi-lo: to negative
level resistance: to negative
level: scenario-dependent, thus O-| - divisive
level support: to positive
aggressive hi-lo: to positive




downing another, or thinking another is lower level and persuading/forcing them to be there and/or punishing them for not being there or for being in same space as self so that must react to them

you thiznkkkkkkkkkkkkkkkkkkkkkkkkkkk
is a social outrage, a levelling downing another person, a social emotion -- HOW

uh --------------UHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHhh
, like a verbal attack, punches you in the stomach --
your reaction is to slam your face into the wall, as if you MUSt be dumb enough to match their expectations of you
-- to undermind another's confidence with verbal attacks, is that a social attribute?
CYCLIC CONSISTENCY IN THEIR VERBIAGE ACTS LIKE "say", MY PICTURE DOES -- thus, it is at once insidious, enacting Bandler/insula features upon adaptation of the habit of their words' meaning and physical intent (threat if don't do -- highly gut-activating), and changeable, since a plain picture of say can be read and mec applied to it.


forced-reaction, closer to accepting each level only and still mildly resistant
one-on-one interaction:
overview
I find that I reenact the attitudinal/emotion-physical positionings (facial AT?) of conversations I had with another, social emotions -- snobbery, guilt, jealousy, etc. -- as well as the simpler emotions I may share, since I'm more simple. I even carry these things along to irrelevant places, I don't know why, to think about or a plain physiological imprinting; good thing I recognize and don't act from them, although they do sometimes confuse me or base decisions inappropriate to the irrelevant place's issues.
Still other times, I may linger or carry on something proven to be mistaken, to get an 'ah-ha' from it (yes, an insidious version of my member name) and thus lose a trade and gain an insight on how to trade right after it. It works no better with people. And it's a knee-jerk reaction, so I don't realize I'm doing it or I feel pushed as I do it or I fall into a mistake in doing it (often to satisfy a close and solution-unrelated individual/issue).


even-level serious, want to cross on one level (sharply pushing to cold standoffishness on one level and never want (violently serious, commit crime and show distant and different-group standoffishness) to on very different level)
If you actively level to confront and get above,
or submit too readily and confront to be even and exchange,
these are O-| issues.

serious-play interlude
And the ___ said to that, that I had discovered for myself a new action to take to progress in my current study idea, "DAA uuuuhhhhm", as in they messed up in stopping me from getting anything done. This floored me, gut-wise, and I felt low again -- only for a moment, as my idea and its progress toward fruition into practicality is going well and rebouyanced my attitude.

hi-lo play
Impulse use (number of times) as a short answer, vs. acknowledging the other's position and competence, is a <> thing within a rectangle of an area, to response. Realm of understanding stays away from concrete use of others not involved in interaction, and with the ego competency of the other, as social barrier to the impulse user's potential action.
An interactive-AT turn in submission of impulse-user's ego toward the other causes the other to laugh in identifying own power as well as the immediate contradiction the impulse user did -- confrontation with ego vs. submission of ego.
Then, the dance of foul weather, and protection of the weaker by the stronger enables a commitment beyond ego and toward Nature, to live beyond whatever it happens, as a say that being overwhelmed cannot defeat.
other exchanges: +-chemical from former interaction engages ego to leverage, with variability set from that last interaction, first impression rather than a reason-oriented change in first impression.



-------- Okay, what I got from the above, besides details and potent examples, is a list for social emotions to digest before being used:
social emotions
aggressive-self hi-lo: to negative
level resistance: to negative
level: scenario-dependent, thus O-| - divisive
level support: to positive
aggressive-other hi-lo: to positive

Thanks, Incrediblle, for the vouch.

Here's to a fellow pattern-and-trendline trader, who also has a refreshing sense of humor.

That you are able to absorb and use different chart methods of others so well, I must admire.

Happy trading!

.


shape-defined levels:

Don't ask how I go this one. I think it was how the small shapes sitting atop each trendline, in the first chart, is shaped in relation with the other TL's, and with the large space within the pair of TL's in that first chart.
I KNEW it'd go up to 50 pips -- Yes, I'd probably traded it before, only this was a technical intuition I'm fairly certain.

Alright, I guess I gotta break'em down, for the sake of my initial feeling / hunch.

The trendlines' anchor shapes are short and midline-ish, expecting much more vertical than horizontal from and/or due to them. That's congruent with earlier findings that midline-ish TL's drop off immediately and significantly. And, there's a complete fractal series -- or logr/fibo or another of those weird series -- in each shape initiating trendline EXCEPT for the part of the shape anchoring the TL going to the left.

more examples (please ignore all drawn devices except for the white dashed trendlines -- recycled some old charts):










I've got a dozen other examples of this pattern, and found that, while it's dependable, its drawdown is wholly dependent on the pattern's environs and shape to produce tradeable results. Its name is the fin pattern, after what it resembles.

new post#1:

 

1. Attached Image

   
   
   (Yes, they do look like blocks, cups, puddles, and scribbles. That's on purpose -- I like my chart patterns simple: Circle, triangle, rectangle.)
2. Then put any drawing device on the chart patterns.
3. Besides the basic candles, chart patterns are made of
4. also of and with a confirmation from ff's red-flag news events from one of the two countries in the pairs symbol used, paying attention to my MT4 broke r's local time zone used,
5. and some from the spread of a non-fixed (ECN,) broke r.

another:

 

1. Attached Image

   
   
   (Yes, they do look like blocks, cups, puddles, and scribbles. That's on purpose -- I like my chart patterns simple: Circle, triangle, rectangle.) Trust (and energy) is the beginning of social emotions, defining the + or - of them; that's why it's listed and scenario-specific social emotions are not.
2. Then put any drawing device on the chart patterns, create a reason stringing patterns together, and so on.
3. Besides the basic candles, chart patterns are made
4. of and with a confirmation from ff's red-flag news events from one of the two countries in the pairs symbol used, paying attention to my MT4 broke r's local time zone used,
5. and some from the spread of a non-fixed (ECN,) broke r.

-----


Nice to list a perfect (#6) with my shapes, once more.

Okay, I dropped a bit in post#1, only I don't understand it.
So, I'll review the good stuff from the recent past, that challenged my usual stance in picking trades / getting along in life,
at the same time as reserve my good stuff with reading chart areas.






post#497, which is a consolidation of earlier posts

action
process
('octopus' is a concept at its center one acts upon and thus with action pathways attached to it.
R-points, on vertical body center around the viscera, off-center for ff the cog in terms of an emotion set, etc.; they are inherently high-energy, only passive, so that conceptual shapes in contact/relation with them gain energy.
Emotion set -- The graphic mec's emotions that fill each of its positions.
dots, strings, with-volume shapes -- As a group, 'objects'; see below. Dots are at the lowest/center ring, strings at the highest/outer ring.
Stimulus -- A special object position: Attention from the/a self toward that object, attenuated with position object takes. In this cycle, patterns are nonspecific, since it's how the objects are processed that counts.)
wake-up / emergent cycle generally either positive or negative
1 i(nside) of self -- heavy gut traces adjust emotional reaction to attention to, and compile, inner octopi
2 features built atop inner octopi from most-slight attention to environs
3 i->o (of self, esp. vertical of) features with dots of r-points level fired up, strings tested to adjust ability; volatility added across the board of octopi and mental shapes produced from octopi's increased environs interaction
4 dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings) appear and interact, produce stimuli designed to react to in a certain way within the self.
5 >- adjusts octopus in terms of =,with-volume shapes; string set. HOW -- w/environs emotional balance achieved through completed emotion set. o-objects abbreviated patterns, each with own octopi.
conditioning (negative) cycle -- as a variant upon the last cycle's technical description; has entity (in last cycle, 'self') design own patterns (said in the generic sense, to include features and super-patterns (TL's etc.) generally negative
1. concept: entity given name for positioning 2. emotion set: throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center) 3. (chart) features: helplessness, objectification among other objects 4. stimulus (middle ring): pattern preset, introduction with real pattern, copy real pattern 5. TL / outer ring, for acceptance, through given emotion set: breakdown and reintroduction
recalled and acted-through memory cycle -- written using only the graphic mec; chooses from available (generic) patterns generally positive
--> see post#493
emotion, pattern, speechAttachment

While these are the correct positions for the emotions listed,
someone else's higher-order (jealousy etc. and all the midpicture ones, not anger ecstacy etc. on the cycle) emotional routine is likely different, so that person
would have to do their own research on his or herself to fill in the spots.

'Y,_- useful' not explained elsewhere.
Y has its axis where the graphic mec's is, and spins to lock into position at the x, y, upper left to lower right, and ur to ll axes. One way to consider it is that it traps the object in-between its tines with what is at the opposite of it; I haven't worked enough through other meanings.
I may've delved into _-, unsure. _- is chart levels, or any levels such as social. The social emotions, as noted in the picture, especially deal with this one because one entity is above, or _- the other entity, vs. the regular emotions having one _ axis toward the LOC (locus of control) -- often another person -- being the . or O for both the regular and social emotions. Axal creation through fight-or-flight response / gut / speech is what creates the . and _ .



NOTE: Take my amateur's psychobabble lightly if at all.




four posts ago

----------------

with the 1-10 cycle, may go




social emotions
aggressive hi-lo: to negative
level resistance: to negative
level: scenario-dependent, thus O-| - divisive
level support: to positive
aggressive hi-lo: to positive




downing another, or thinking another is lower level and persuading/forcing them to be there and/or punishing them for not being there or for being in same space as self so that must react to them

you thiznkkkkkkkkkkkkkkkkkkkkkkkkkkk
is a social outrage, a levelling downing another person, a social emotion -- HOW

uh --------------UHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHhh
, like a verbal attack, punches you in the stomach --
your reaction is to slam your face into the wall, as if you MUSt be dumb enough to match their expectations of you
-- to undermind another's confidence with verbal attacks, is that a social attribute?
CYCLIC CONSISTENCY IN THEIR VERBIAGE ACTS LIKE "say", MY PICTURE DOES -- thus, it is at once insidious, enacting Bandler/insula features upon adaptation of the habit of their words' meaning and physical intent (threat if don't do -- highly gut-activating), and changeable, since a plain picture of say can be read and mec applied to it.


forced-reaction, closer to accepting each level only and still mildly resistant
one-on-one interaction:
overview
I find that I reenact the attitudinal/emotion-physical positionings (facial AT?) of conversations I had with another, social emotions -- snobbery, guilt, jealousy, etc. -- as well as the simpler emotions I may share, since I'm more simple. I even carry these things along to irrelevant places, I don't know why, to think about or a plain physiological imprinting; good thing I recognize and don't act from them, although they do sometimes confuse me or base decisions inappropriate to the irrelevant place's issues.
Still other times, I may linger or carry on something proven to be mistaken, to get an 'ah-ha' from it (yes, an insidious version of my member name) and thus lose a trade and gain an insight on how to trade right after it. It works no better with people. And it's a knee-jerk reaction, so I don't realize I'm doing it or I feel pushed as I do it or I fall into a mistake in doing it (often to satisfy a close and solution-unrelated individual/issue).


even-level serious, want to cross on one level (sharply pushing to cold standoffishness on one level and never want (violently serious, commit crime and show distant and different-group standoffishness) to on very different level)
If you actively level to confront and get above,
or submit too readily and confront to be even and exchange,
these are O-| issues.

serious-play interlude
And the ___ said to that, that I had discovered for myself a new action to take to progress in my current study idea, "DAA uuuuhhhhm", as in they messed up in stopping me from getting anything done. This floored me, gut-wise, and I felt low again -- only for a moment, as my idea and its progress toward fruition into practicality is going well and rebouyanced my attitude.

hi-lo play
Impulse use (number of times) as a short answer, vs. acknowledging the other's position and competence, is a <> thing within a rectangle of an area, to response. Realm of understanding stays away from concrete use of others not involved in interaction, and with the ego competency of the other, as social barrier to the impulse user's potential action.
An interactive-AT turn in submission of impulse-user's ego toward the other causes the other to laugh in identifying own power as well as the immediate contradiction the impulse user did -- confrontation with ego vs. submission of ego.
Then, the dance of foul weather, and protection of the weaker by the stronger enables a commitment beyond ego and toward Nature, to live beyond whatever it happens, as a say that being overwhelmed cannot defeat.
other exchanges: +-chemical from former interaction engages ego to leverage, with variability set from that last interaction, first impression rather than a reason-oriented change in first impression.



--------

Okay, what I got from the above, besides details and potent examples, is a list for social emotions to digest before being used:
social emotions
aggressive-self hi-lo: to negative
level resistance: to negative
level: scenario-dependent, thus O-| - divisive
level support: to positive
aggressive-other hi-lo: to positive[/quote]



------------

result of studying the above, and post#1 dump:




action process --
echo rings of conditioning (and (LOCUS OF) control)
1) fight-or-flight response / gut / speech is what creates the . (point) and
2) four (that is, until significant enough to record as standard and passing on to other people that "Logical" information) days -- c- takes a while to digest -- ago
3) Stimulus

i.e.,


a STIMULUS:


withwithwith (thus, of various sizes now and after it's changed significantly)
" (say)
strings gut --

strings gut (w/say) --
stimulus, "action process stimulus
MEC echo from LOC (locus of control, a(nother) sociology concept (no, I'm just an amateur reading) --


SPIKE or copied another's oscillating from/with patterns along the octopus' trail objects of self




----------


new post#1:




course of action (and, repeat):
Env't. Entity:Say(f,e)=pattern(list in the middle of the axis)cycle.



key:

env't
wake-up / emergent cycle generally either positive or negative
1 i(nside) of self -- heavy gut traces adjust emotional reaction to attention to, and compile, inner octopi
2 features built atop inner octopi from most-slight attention to environs
3 i->o (of self, esp. vertical of) features with dots of r-points level fired up, strings tested to adjust ability; volatility added across the board of octopi and mental shapes produced from octopi's increased environs interaction
4 dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings) appear and interact, produce stimuli designed to react to in a certain way within the self.
5 >- adjusts octopus in terms of =,with-volume shapes; string set. HOW -- w/environs emotional balance achieved through completed emotion set. o-objects abbreviated patterns, each with own octopi.

entity
conditioning (negative) cycle -- as a variant upon the last cycle's technical description; has entity (in last cycle, 'self') design own patterns (said in the generic sense, to include features and super-patterns (TL's etc.) generally negative
1. concept: entity given name for positioning 2. emotion set: throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center) 3. (chart) features: helplessness, objectification among other objects 4. stimulus (middle ring): pattern preset, introduction with real pattern, copy real pattern 5. TL / outer ring, for acceptance, through given emotion set: breakdown and reintroduction

say


f
fight-or flight response, physically represented with Anatomy Trains physiology approach to body

e



pattern(list in the middle of the axis)cycle




---------------------------



condensed, to use while trading simulator:



course of action: Env't. Entity:Say(f,e)=pattern(list in the middle of the axis)cycle. key: entity conditioning (negative) cycle -- ~last cycle's tech'l descrptn; has entity (in last cycle, 'self') design own patterns (said generically, so w/features, super-patterns (TL's etc.) generally negative
1. concept: entity given name for positioning 2. emotion set: throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center) 3. (chart) features: helplessness, objectification among other objects 4. stimulus (middle ring): pattern preset, introduction with real pattern, copy real pattern 5. TL / outer ring, for acceptance, through given emotion set: breakdown and reintroduction
env't wake-up/emergent cycle +/- 1 i(nside) of self -- heavy gut traces adjust emotional rxn to attention to, and compile, inner octopi
2 features built atop inner octopi from most-slight attention to environs
3 i->o (of self, esp. vertical of) features w/dots of r-points level fired up, strings tested to adjust ability; volatility added for octopi, mental shapes produced from octopi's increased environs interact
4 dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. With-volume shapes (have own r-points, produce own octopi, encounter dots,strings) appear and interact, design stimuli for within self.
5 >- adjusts octopus in terms of =,with-volume shapes; string set. HOW -- w/environs emot'l balance achieved thru completed emotion set. o-objects abbrev. patterns, @w/own octopi. f fight-or flight response (~Anatmy Trains model) say ; e ; pattern(list in the middle of the axis)cycle












-----



I removed the +-chemicals version of the (popular / google-able) decision model.
It's okay for regular life (with the MUCH heavier-duty personal thinking model (that spaceship/helmet picture of a while ago in the journal posts); here, I think I need a heavy-duty model for decision-making.

None of the shapes discuss opposing polygons, which can produce the best runs ever. I've seen several examples of rectangles (7) and triangles (8), and now curves and lines.
Here's a curves and lines example, with, thrown in, a hi-lo pivots trendline horizontal and based on the filled version of 7. There is also the horizontal line where the curves-and-lines series switches from logr (9) to midline (not shown separately; an imaginary line segment with a dot in its middle); this combination resembles the third triangle type (10). Stacked logr's (9) is good too.
-- I skip a bunch of chart, as it wanders around getting to or near the two horizontal lines (the former more than the latter) before taking off for good.













a logr-midline balance -- should horizontal-box for a while

This one has some really obvious formations, listed #1 with a divergence and #2 w/#2a. The combinations' chart has blue line, just ignore it.














----------------


Post#1 is a lot that fits well together. To digest it, I just figured that a good place to begin may be "NOTE: Chart's apparent direction det.[etermines] down,"; that is, whatever conclusion of up or down for the next chart direction one picks from a chart study, is only in the axes cycle the up cycle and going against the chart study's chosen direction is down on the axes cycle.




---------
general topics:
stress
power

the stress transcript:
"psychological stress elevates the inflammatory cytokines, just as an overload of calories"
-- Pain-pleasure line between front and back of brain: It's also with attention, flow, etc. (according to my personal thinking model) on a human body's vertical center line.

another:

(better overall organization)









exchange ratios positive w/negative 1. i(nside) of self -- heavy gut traces adjust emoti'l rxn to atn to, compile, i-octopi 2. features built atop inner octopi from most-slight attention to environs 3. i->o (of self, esp. vertical of) features w/dots of r-points level fired up, strings tested to adjust ability; volatility added for octopi, mental shapes produced from octopi's increased environs interact 4. dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings) appear and interact, design stimuli for within self. 5. >- adj oct's ito =,w/-volume shapes; string set. HOW -- w/env't emot'l balance done w/emotn set. o-objects abbrev. ptrns, @w/own octopi. 6. balance: LOC: entity given name for positioning 7. balance (all): throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center) 8. enclosure: helplessness, objectification 9. series: pattern preset, intro w/real pattern, copy real pattern 10. cycle: breakdown, reintro
A power balance anchor 4-axis, wall 2-axis; B fraction enclosure i/o; C fibo series rnd/ordered; fractal cycle emotion :
Attachment



----------



Look, ma, no hands!
The mec as an indicator (first try, although confident):



-- Failed fast, after this: Needed the rest of my approach, which is overly complicated vs. said mec indicator, to make the trades work.





--------------

say
Pain and injury is a big factor in my life.
Pain (pleasure) is defined as creating a sensitivity to, because of less (more) active presence (injury, or better-than-average) and use of, a self-defining activity.
In voice, key defines pain in minor and pleasure in major.
Volume
-- that is, increased volume
from using especially balanced and sharp micro-trend lines
to holding one key and especially one note to focus the pain or expand the pleasure (fight-or-flight response (former -- focuses) and broaden-and-build theory (latter -- expands)) --
creates emphasis on one direction or the other.
ANGLE volume, speed, key records this as either gbp or usd, undifferentiated as to the source of them.
Only the 'say' picture can deal with this, through factors in weight of that say portion

1. volatility-similarity time area
2. volume hold, depending on how much/many unknown factors/currencies are facing the other currency,
   from -- for price only --
   using focus or expansion with any pattern,
   from especially balanced and sharp micro-trend lines
   to holding one key and especially one note to focus the pain or expand the pleasure (fight-or-flight response (former -- focuses) and broaden-and-build theory (latter -- expands));
   news, cross-currency increase the value of volume interpretation
3. minor/major key versus horizontal level
4. side of which currency, that is, general angle; also differentiated into one currency 'say'ing for the other currency
5. vertical level: facing someone with one versus the other currency's price both on the vertical scale so that a vertical rise or drop stands for, respectively, an emphasis or deemphasis of facts on the other currency's side, thus emplacing volume somewhere; speed differentiation, that is, vertical level

6. balance: LOC: entity given name for positioning
7. balance (all): throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center)
8. enclosure: helplessness, objectification
9. series: pattern preset, intro w/real pattern, copy real pattern
10. cycle: breakdown, reintro










LAYERS
Convert entity into position where and as much as need to:
1. i(nside) of self -- heavy gut traces adjust emoti'l rxn to atn to, compile, i-octopi
2. features built atop inner octopi from most-slight attention to environs
3. i->o (of self, esp. vertical of) features w/dots of r-points level fired up, strings tested to adjust ability; volatility added for octopi, mental shapes produced from octopi's increased environs interact
4. dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings) appear and interact, design stimuli for within self.
5. >- adj oct's ito =,w/-volume shapes; string set. HOW -- w/env't emot'l balance done w/emotn set. o-objects abbrev. ptrns, @w/own octopi.
TYPES

Advance stages of position --
Balance: LOC: entity given name for positioning.
Then, all: Throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center).
Trap w/ enclosure: helplessness, objectification.
Run thru a series: pattern preset, intro w/real pattern, copy real pattern.
To burn in, cycle: breakdown, reintro.
MAP
Attachment
factors in weight of that say portion

1. volatility-similarity time area
2. volume hold, depending on how much/many unknown factors/currencies are facing the other currency,
   from -- for price only --
   using focus or expansion with any pattern,
   from especially balanced and sharp micro-trend lines
   to holding one key and especially one note to focus the pain or expand the pleasure (fight-or-flight response (former -- focuses) and broaden-and-build theory (latter -- expands));
   news, cross-currency increase the value of volume interpretation
3. minor/major key versus horizontal level
4. side of which currency, that is, general angle; also differentiated into one currency 'say'ing for the other currency
5. vertical level: facing someone with one versus the other currency's price both on the vertical scale so that a vertical rise or drop stands for, respectively, an emphasis or deemphasis of facts on the other currency's side, thus emplacing volume somewhere; speed differentiation, that is, vertical level

-----




old




exchange ratios positive w/negative
1. i(nside) of self -- heavy gut traces adjust emoti'l rxn to atn to, compile, i-octopi
2. features built atop inner octopi from most-slight attention to environs
3. i->o (of self, esp. vertical of) features w/dots of r-points level fired up, strings tested to adjust ability; volatility added for octopi, mental shapes produced from octopi's increased environs interact
4. dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings) appear and interact, design stimuli for within self.
5. >- adj oct's ito =,w/-volume shapes; string set. HOW -- w/env't emot'l balance done w/emotn set. o-objects abbrev. ptrns, @w/own octopi.
6. balance: LOC: entity given name for positioning
7. balance (all): throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center)
8. enclosure: helplessness, objectification
9. series: pattern preset, intro w/real pattern, copy real pattern
10. cycle: breakdown, reintro
ANGLE VOLUME/SPEED/KEY -- power balance anchor 4-axis, wall 2-axis; fraction enclosure i/o; fibo series rnd/ordered; fractal cycle emotion :
Attachment Attachment Attachment


-----



new

-- the .layers. etc stuff




LAYERS 1. dots (environmental cues), strings (pathways of attention, physical action, etc.) W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings) 2. emotion to match old w/new gut/say traces, that is, inner strings, readying for octopi
3. i->o (of self, esp. vertical of) features w/dots of r-points level fired up, strings tested to adjust ability; volatility added for octopi, mental shapes produced from octopi's increased environs interact 4. build o. w/atn to env't, o-objects abbrev. ptrns
TYPES [

Advance stages of position --
Balance: LOC: entity given name for positioning. Then, all: Throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center). Trap w/ enclosure: helpless, objectified. Pattern a series: preset, real, copy. To burn in, cycle: breakdown, reintro.
MAP factors in weight of that say/gut portion
volatility-similarity w/area; focus or expansion w/any pattern; minor/major key v horiz'l level; general angle; facing someone -- to hi,lo speed

Sorry...

another post#1:

LAYERS 1. dots (environmental cues), strings (pathways of attention, physical action, etc.) W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings) 2. emotion to match old w/new gut/say traces, that is, inner strings, readying for octopi
3. i->o (of self, esp. vertical of) features w/dots of r-points level fired up, strings tested to adjust ability; volatility added for octopi, mental shapes produced from octopi's increased environs interact 4. build o. w/atn to env't, o-objects abbrev. ptrns
TYPE -- Balance: LOC: entity given name for positioning. Then, all: Throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center). Trap w/ enclosure: helpless, objectified. Pattern a series: preset, real, copy. To burn in, cycle: breakdown, reintro.
MAP volatility-similarity w/area; focus or expand from any pattern; minor/major key v horiz'l level; angle; facing someone -- to hi,lo speed



----------



MAKE -- lvl0 -- Build object (with name) with activities attached:
lvl1 -- mental shapes produced, dots of r-points (off-center points along vertical midline of blobs / other objects) fired up, strings tested for volatility
lvl2 -- dots (environmental cues), strings (pathways of attention, physical action, etc.) W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings)
lvl3 -- emotion to match old w/new gut/say traces, that is, inner strings, readying for octopi
TEST -- Balance: LOC: entity given name for positioning. Then, all: Throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center). Trap w/ enclosure: helpless, objectified. Pattern a series: preset, real, copy. To burn in, cycle: breakdown, reintro.
CHART volatility-similarity w/area; focus or expand from any pattern; minor/major key v horiz'l level; angle; facing someone -- to hi,lo speed



another (same picture):


MAKE -- Build, in mind, octopus, that is, an object (with name) with activities attached:
to encounter -- dots of r-points (off-center points along vertical midline of blobs / other objects) fired up, and/or of environmental cues
strings (pathways of attention, physical action, etc.) tested for volatility and old w/new gut/say traces
W/-volume shapes (have own r-points, produce own octopi, encounter dots,strings)
TEST -- Balance: LOC: entity given name for positioning. Then, all: Throw entity off-balance -- doubt(hi-lo)/threaten(left-weight w/concept etc.)/reject(center). Trap w/ enclosure: helpless, objectified. Pattern a series: preset, real, copy. To burn in, cycle: Breakdown, reintro.
CHART volatility-similarity w/area; focus or expand from any pattern; minor/major key v horiz'l level; angle; facing someone -- to hi,lo speed






---------------------



margin-called so many times,
had to record one I didn't:















-----

another:




CHART,moving around on the:
volatility-similarity w/area; focus to or expand from any pattern; minor/major percentile (key) between horiz'l levels; angle; one vertical time being relative with another, and speed between different such times
Distancing from to observe and influence oneself as trade:
....octopus, that is, an object (with name) with activities attached, to encounter --
....dots of r-points (off-center points along vertical midline of blobs / other objects) fired up, and/or of environmental cues
....strings (pathways of attention, physical action, etc.) tested for volatility and old w/new gut/say traces
....with-volume shapes (have own r-points, produce own octopi, encounter dots, perform strings)
TEST An interaction to create a change-resistant environs. Ex.:negative
1 Imbalancing, objectifying name --> 2 Doubt /3 threaten / 4 reject other than name. 5 Trap named w/ enclosure: helpless. Get to copy name -- Pattern a series: 6 preset, 7 real, 8 copy. To burn in, cycle: 9 Breakdown, 10 reintro.

another:






CHART,moving around on the:
volatility-similarity w/area; focus to or expand from any pattern; minor/major percentile (key) between horiz'l levels; angle; one vertical time being relative with another, and speed between different such times
Distancing from to observe and influence oneself as trade:
....octopus, that is, an object (with name) with activities attached, to encounter --
....dots of r-points (off-center points along vertical midline of blobs / other objects) fired up, and/or of environmental cues
....strings (pathways of attention, physical action, etc.) tested for volatility and old w/new gut/say traces
....with-volume shapes (have own r-points, produce own octopi, encounter dots, perform strings)
TEST An interaction to create a change-resistant environs. Ex.:negative
1 Imbalancing, objectifying name --> 2 Doubt /3 threaten / 4 reject other than name. 5 Trap named w/ enclosure: helpless. Get to copy name -- Pattern a series: 6 preset, 7 real, 8 copy. To burn in, cycle: 9 Breakdown, 10 reintro.




----------


another:




Distancing to OBSERVE and influence oneself:....Self is a with-volume shape (has own r-points ((off-center points along vertical midline of blobs / other objects) fired up))) with strings ((pathways of attention, physical action, etc.) tested for volatility from old w/potential new gut/say traces) attached, to encounter dots of environmental cues.
CHART: volatility-similarity w/area; focus to or expand from any pattern; minor/major percentile (key) between horiz'l levels; angle; one vertical time being relative with another, and speed between different such times
TEST Ex.:negative 1 Imbalancing, objectifying name --> 2 Doubt /3 threaten / 4 reject other than name. 5 Trap named w/ enclosure: helpless. Get to copy name -- Pattern a series: 6 preset, 7 real, 8 copy. To burn in, cycle: 9 Breakdown, 10 reintro.







observe, chart, test ADJECTIVES -> AXAL CYCLE -> REGULAR POLYGONS -> TRUST-ENERGY EMOTIONAL AXIS

Garbage, mostly:
.

About all I got from this was that mec can bend in weight of importance:
Depression is on the left tending to the upper left,
It's kind of a personal rewrite for me, how (at least a certain event the afternoon before) sets my trades more than I can imagine.
So, depression feels like anger that tends trading toward greed, etc.
Or maybe it's like someone's angry I feel fear, so they change me into a too-greedy depression -- Depression is the best state from which to trade, since realism sets in easily, superceding the usual ego .


Anyhow, I think I'll just use my own personal thinking model to work through the charts, of course using candles + temporary patterns + drawing devices (mostly trendlines and Gann Fans, and some rectangles, circles and triangles.) I'll describe in words the thinking model use and show the charts.
Tested the former and trained the latter, so do have a reasonable chance.
(Yes, I posted the same thing a week or two ago. Hmm..)

latest idea on PA reading:

Deconstructed it not an hour later. Well, if it helps anyone....
The original idea is that the left side is small things: A dot can expand into a curve, a two-vector line repeat as lots of ranges into a pattern, a pair of axes into its first derivative of an angle; and, on the other side, which has big things, a rate as a repeating dot, an X opposing exactly a pair of axes and thus a grid, and a level as a level and thus a line that lasts a long time.



1,2,3 DUMP!



observe, chart, test
ADJECTIVES -> AXAL CYCLE -> REGULAR POLYGONS -> TRUST-ENERGY EMOTIONAL AXIS

OBSERVE:....Self is a with-volume shape (has own r-points ((off-center points along vertical midline of blobs / other objects) fired up))) with strings ((pathways of attention, physical action, etc.) tested for volatility from old w/potential new gut/say traces) attached, to encounter dots of environmental cues.
CHART: volatility-similarity w/area; focus to or expand from any pattern; minor/major percentile (key) between horiz'l levels; angle; one vertical time being relative with another, and speed between different such times
TEST Ex.:negative 1 Imbalancing, objectifying name --> 2 Doubt /3 threaten / 4 reject other than name. 5 Trap named w/ enclosure: helpless. Get to copy name -- Pattern a series: 6 preset, 7 real, 8 copy. To burn in, cycle: 9 Breakdown, 10 reintro.
Attachment [last picture and post]



----

No mc's yet, expect it soon. Will kick in ptm this time.
Meanwhile, that little stamp of a method, above, provides fun with fresh ways to draw:

(think I missed a line or two, was getting crowded...)

and a triangle of similar nature, using the stamp method : )

Yeah, okay, there's an mc.... Ignored a TL I even put in first, for an experiment I could've tested before the trade; it would've been the third major drawn study. (Yes, with 'tested', that's a ptm word clue (for the day!))


----

had this in post#1, 'reason for editing':
"Be a successful trader, instead of yourself. That's why 99 1/2% of would-be traders fail."


have in post#1:


chart technicals --
The original idea is that the left side is small things: .............. and, on the other side, which has big things,
A dot can expand into a curve, ...................................................a rate as a repeating dot,
a two-vector line repeat as lots of ranges into a pattern, .........an X opposing exactly a pair of axes and thus a grid,
a pair of axes into its first derivative of an angle; ......................and a level as a level and thus a line that lasts a long time.

psych -- my own personal trading model
will describe as use, in ordinary language

Another ellipse/circle formation, this one a series. It has some interesting opposing shapes in it that create beginnings and endings for the series and, somewhat, price:

Now this has to be a real trading journal -- if only in demo simulator. The psych is real enough, if with a few ingredients missing.






-----





RESISTANCE TO CHANGE FROM OR TO OPINION (that is, an actionable statement with a higher-than-usual risk)


between people:

. One can be the pinhead in a clothing of factiousness that otherwise would be calm; so, while in broad terms, resistance to others' immediate needs and when the very most general definition of how an individual gets along with others from disagreement on an opinion is true, any further disruption from the individual (a lesser provider, to a standard higher than group or noted person) within that group of the different opinion and treatment of the individual.
One may disagree with a group's opinion, or a group may find umbrage with something about a person. Either way, that person, excluding their sway over others to retain multi-group position, can be made to submit to the group's will, regardless of the truth of the group's opinion about the individual (or about themselves or a shared thing).
If there's an opinion against an individual, they who hold it will get organized and leverage what they know of the person's life and time maximum opportunity to change, if amenable, the individual or, if the person is resistant, rile that person to coincide with an event they time with and/or create. Thus, this opinion group manages all interactions with the individual.


within oneself:

(from here)
How to Really Start (trading well)
Instead of turning your life upside down in the name of becoming (a profitable trader at the level you want),



here are some suggestions for how to (trade):
Adopt... ideas one at a time, and incorporate them into the framework of your life. It takes 21 days of doing something to make it a habit, so allow yourself this time to weave new... habits into your routines.
Instead of always adopting new ... habits, try deepening a habit you've started. ... going well? Then try cutting down (counterproductive related habits) to one day per week. Liking your ...? Maybe ... can wait for Saturday mornings only. Or maybe ... can become a thing of your past altogether.
Staying Motivated
...
Remember that you decided to start (trading well) for a reason, and that reason is attached to a goal. If you stick to (trading well) in a manageable way and track your progress, you'll reach those goals — and then some.

Your (trading well) is just that — a lifestyle, not a passing fancy[, that is, a small opinion].


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something I don't usually pay attention to --
how to create channels, where price rolls between a higher and lower price level





.

Sorry. New post#1:





{RT PICTURE} The original idea is that the left side is small things:..................... and, on the other side, which has big things,
A dot can expand into a curve.......................................................a rate as a repeating dot,
a two-vector line repeat as lots of ranges into a pattern....................an X opposing exactly a pair of axes and thus a grid,
a pair of axes into its first derivative of an angle..............................and a level as a level and thus a line that lasts a long time.
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DEALING WITH RESISTANCE TO CHANGE FROM OR TO, OR COOPERATION WITH A GROSSLY DIVERGENT AND LOUDLY EXPRESSED OPINION
between people
. One can be the pinhead in a clothing of factiousness that otherwise would be calm; so, while in broad terms, resistance to others' immediate needs and when the very most general definition of how an individual gets along with others from disagreement on an opinion is true, any further disruption from the individual (a lesser provider, to a standard higher than group or noted person) within that group of the different opinion and treatment of the individual. Often, a person states an opinion different from what they in person or communication act like: Not everything can or is known about this person, so "liveability" becomes the issue rather than the whole and entire truth. Thus, a group's opinion holds sway over that person's when the two meet:
One may disagree with a group's opinion, or a group may find umbrage with something about a person. Either way, that person, excluding their sway over others to retain multi-group position, can be made to submit to the group's will, regardless of the truth of the group's opinion about the individual (or about themselves or a shared thing).
If there's an opinion against an individual, they who hold it will get organized and leverage what they know of the person's life and time maximum opportunity to change, if amenable, the individual or, if the person is resistant, rile that person to coincide with an event they time with and/or create. Thus, this opinion group manages all interactions from within, toward and without the individual.
within oneself
.How to Really Start (trading well) Instead of turning your life upside down in the name of becoming (a profitable trader at the level you want), here are some suggestions for how to (trade):
Adopt... ideas one at a time, and incorporate them into the framework of your life. It takes 21 days of doing something to make it a habit, so allow yourself this time to weave new... habits into your routines. Instead of always adopting new ... HABITs, try deepening a habit you've started. ... going well? Then try cutting down (counterproductive related habits) to one day per week. Liking your ...? Maybe ... can wait for Saturday mornings only. Or maybe ... can become a thing of your past altogether.
Staying Motivated...Remember that you decided to start (trading well) for a reason, and that reason is attached to a goal. If you stick to (trading well) in a manageable way and track your progress, you'll reach those goals — and then some. Your (trading well) is just that — a lifestyle, not a passing fancy[, that is, a small opinion].

-- This is from a long life of generally agreeable moments and some difficulties. None of it is to be implied about any one group or individual. Rather, I'm trying to tackle the difficulties a trader may have to go through in order to be a consistently winning trader.



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a compromise series:




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post#1 dump:

the one just posted.


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a trade ptm socw from yesterday,
and a journal entry from today
-- related, I believe:



-> .
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a fully justified series:







Ultimately, it's more about the corner (0-45-90) and a higher-TF opposition than the Gann Fan.



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An idea is to map on the same chart separated indexes for the forex pair being studied.