Pattern's Chemo-Electric Trading Journal

another example of the momo and range approach to drawing trendlines, this one involving only (Gann) fan because momo is so pure here:

a slight rearranging:







chart objects Measure definition, condition of (non)projecting chart objects; group to view all; combine, select for central direction.
dot: triangle/wedge / logr-fan; rectangle / wide s/r / midline-grid; ellipse / curve-tilde; temporary (1-, 2-sided); logr/fan
line(incl. angle,length of micro-trends): cup and handle / fighter jet; Gartley (etc.); centered, opposed shapes area; or, a series with a gradual trend-angle change for each shape until strong opposition achieved; or, midlines-only TL; double/triple bottom/top, Adam and Eve
area: count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic; multi-angle/condensed; random/volatile; series (stability (flow(serial) w/ objects, each with a speed of attention(parallel)); l.p.4 (screen,proxy); l.p.5 (opposing regular polygons (can dot-logr or (mid)line));
micro-trend angles -- same-as (price same, reacts to a any-angles area); divide old area for line to go to, for area with serially shifting angles; and, original line and area-dominating angle it's gone to

trendlines How momentum and range areas on a trendline define the line, is a strong determinant of how price leaves the trendline. How big or small, the sharpness of definition, and the juxtaposition with other areas and their trendlines are three other determinants.
What I've found is that, also dependent on the other three variables, momentum keeps price around, eventually fading, and range structures around price, sharply pushing price away. Examples: 1,2
I suppose this would be ironic to a channel (range) or fan (momo) user; and, of course, most trendlines have a mix of both, even to the extent of several momentum structuring onto a series of discrete, aligned points vs. each other into a range or visa-versa for range.
Also, a neat way to draw trendlines, in addition to connecting pivots, is to connect the midpoints of different small areas.

trade Dogmatic/aggressive to loose/adaptable each trade's results. (1-5):1 TP:SL, 75% W:L, 1'TF, intra-day/week, ECN.
Brain,gut or emotion to balance; person, task or scenario to distract; lack of synchrony or size of chart to include.





a bit of rewriting:





chart objects Definition, condition, group, combine, central.
dot: triangle/wedge / logr-fan; rectangle / wide s/r / midline-grid; ellipse / curve-tilde; temporary (1-, 2-sided); logr/fan
line:
curve and line -- Cup and handle / fighter jet;
multi-line -- Gartley (etc.); or, midlines-only TL;
dot and line -- double/triple bottom/top or Adam and Eve.
areas count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic :
-- Multi-angle/condensed; random/volatile within set enclosed area; same-as (price same, any-angles area).
-- Centered, opposed shapes area; or, series of shapes that slightly change one to next(stability (flow(serial)), speed (attention(parallel))).
-- Divide between lines w/serially shifting trend-angled line; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
-- L.p.4 (screen,proxy); l.p.5 (opposing regular polygons (logr's or (mid)lines)); line whose angle dominates area; trendline made of momentum (play,fade) and range (structure,repulse)) areas, for which sharpness within, size compared, and proximity without variabilize (examples: 1,2).


What I've found is that, also dependent on the other three variables, momentum keeps price around, eventually fading, and range structures around price, sharply pushing price away.

new post#1:









risk (1-5):1 TP:SL:eSL, 75% W:L, 1'TF, intra-day/week, ECN. Brain,gut or emotion to balance; person, task or scenario to distract; lack of synchrony or size of chart to include. Dogmatic/aggressive to loose/adaptable each trade's results.

tactics

areas, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area

area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
mixed-areas line, condensed line-like, straight short line, support/resistance line (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde

line(s) area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)

area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables for which are sharpness within, size compared, and proximity without (examples: 1,2).

How I draw may matter, also.
I was sketching some photos (no, I'm awful, and it's just to generate ideas) and got into the subtlety of drawing thin lines of various lengths and curves.
How I draw trendlines began to matter more, so that rays became overbearing and pivot-connecting line segments were dot-dash - shaped lines.
Adjustable line segment widths let me feel expansions, logr's and other signs of momo are normal.

After I draw tiny lines representing small shapes and get comfortable with looking at an area with bigger line segments, I sense major patterns and their copies, enabling trades with reasons off only 2-3 shapes. The problem with this is I could forget, misinterpret or otherwise resist paying attention to an important shape, so I need to reground myself with the tiny stuff again.















p1 old:



risk Reasons good enough for 75% W:L, and enough good reasons for (1-5):1 TP:SL:eSL; 1'TF, intra-day/week, ECN.
Brain,gut or emotion to balance; person, task or scenario to distract; lack of synchrony or size of chart to include. Dogmatic/aggressive to loose/adaptable each trade's results. exit +'s early, -'s asa they happen, per atr.
tactics
areas, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
line(s) area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables for which are sharpness within, size compared, and proximity without (examples: 1,2).


any $, ala you got it; unprofitable system ruins ANY account

post #1, new:

(traded and denoted failed trades' tactics;
along the way, listed ingredients with which I performed tactics)






DRAWING TACTICS (faults in bold; divisions attention (hi,mid,lo), area (pre-,at,post), object.
Object: 1)lines
2)shapes small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))

1) angle: micro-, short; supportive of average trends;
big and copied, dramatically momo and big and well-placed

2) major trend's line segment: accumulative progress of line segments; ellipse's or other well-positioned shape's change vs. them;
stunning shape after positioned one overwhelms

3) temporary shapes: lots of unique and distinctive shapes; that seem to play off each other ;
and show no or a deceptive, vague sense of where price may go

4) range lines: very regular area clear; possible continuation signal;
past unchecked for where began direction

5) preset set of lines: exact feed into area noted; throw a loose set of lines on;
nonexistent - to -vague overall area before set acknowledged for a direction

6) preset path, only slightly wrong: it did exactly what I said; only the part I traded was the tester and it failed only a little;
and I didn't look at or carefully monitor the trade for anything, only letting it shoot through the roof (no history necessary)

7) two shapes, different mix: price did drop since shapes mix'd fail; echo of a drawing device did shadow a dot of a pivot's position;
was 100% wrong on the mix of two (shapes used as) variables, got confused, and that was what the trade depended on



after process of doing the above, came up with another compromise-winning trade (happened after each stage of writing the above, also):
























----



post#1, new:














strategy: I run on impulse waves of trading right or wrong,
adjustable to nontrading events or, sometimes, trading-related ones.


(version 1):
This wave is on how I wrote the "how-to" about tactics below, each one account with its major (possible) failure, with one example of a winning trade given afterward:

(version 1):
This wave is on how I wrote the "how-to" about tactics below, with one example of a winning trade given afterward:[/size]




DRAWING TACTICS (faults in bold; divisions attention (hi,mid,lo), area (pre-,at,post), object.
Object: 1)lines
2)shapes small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))

1) angle: micro-, short; supportive of average trends;
big and copied, dramatically momo and big and well-placed

2) major trend's line segment: accumulative progress of line segments; ellipse's or other well-positioned shape's change vs. them;
stunning shape after positioned one overwhelms

3) temporary shapes: lots of unique and distinctive shapes; that seem to play off each other ;
and show no or a deceptive, vague sense of where price may go

4) range lines: very regular area clear; possible continuation signal;
past unchecked for where began direction

5) preset set of lines: exact feed into area noted; throw a loose set of lines on;
nonexistent - to -vague overall area before set acknowledged for a direction

6) preset path, only slightly wrong: it did exactly what I said; only the part I traded was the tester and it failed only a little;
and I didn't look at or carefully monitor the trade for anything, only letting it shoot through the roof (no history necessary)

7) two shapes, different mix: price did drop since shapes mix'd fail; echo of a drawing device did shadow a dot of a pivot's position;
was 100% wrong on the mix of two (shapes used as) variables, got confused, and that was what the trade depended on



after process of doing the above, came up with another compromise-winning trade (happened after each stage of writing the above, also):

Attachment
Attachment






(version 2):
a short, one-to-several-trade version of each of the above's several-account cycles:





familiar/accepted scenario --

wake-up / emergent cycle
1 i(nside) of self -- heavy gut traces adjust emotional reaction to attention to, and compile, inner octopi
2 features built atop inner octopi from most-slight attention to environs
3 i->o (of self, esp. vertical of) features with dots of r-points level fired up, strings tested to adjust ability; volatility added across the board of octopi and mental shapes produced from octopi's increased environs interaction
4 dots: string -- that is, how one dots (environmental cues), strings (pathways of attention, physical action, etc.) -- is still equal. With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings) appear and interact, produce stimuli designed to react to in a certain way within the self.
5 >- adjusts octopus in terms of =,with-volume shapes; string set. HOW -- w/environs emotional balance achieved through completed emotion set. o-objects abbreviated patterns, each with own octopi.

unfamiliar/resisted scenario --
Thus,
series of positions (chart study + trade with it) / rethink before one trade of several chart studies --
1. name position
2. reject position for another : 1price,diff't rsn:"same-as", etc.
3. release other thoughts
4. doubt other positions
5. helpless, challenge why, other positions may take and their thoughts; also, where object appears (later, obj't as stim, after namer's first projecting wave(s) in next step); also, concatenate studies for 2+ trades
6. stimulus training through namer increasing range and impact of cyclic projection
7. stimulus introduction
8. review -- stimulus cue from position namer
9. rejector breaks down, copies in single, tiny and original way the position
10. reintroduction: up-to-speed match of position-named w/others

short version:
condition
(example: negative)
1. entity given name for positioning
2. doubt/threaten/reject
3. helplessness, objectification among other objects
4. stimulus: pattern preset, introduction with real pattern, copy real pattern
5. breakdown and reintroduction








(version 3):
last method, which was more always-present baseline description than trading-influencing:


risk Reasons good enough for 75% W:L, and enough good reasons for (1-5):1 TP:SL:eSL; 1'TF, intra-day/week, ECN.
Brain,gut or emotion to balance; person, task or scenario to distract; lack of synchrony or size of chart to include. Dogmatic/aggressive to loose/adaptable each trade's results. exit +'s early, -'s asa they happen, per atr.
tactics
areas, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
line(s) area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables for which are sharpness within, size compared, and proximity without (examples: 1,2).


any $, ala you got it; unprofitable system ruins ANY account


























-------------------------------------------------------

post #1 rephrasing:










area (task,object((s) doing task in area with other object((s)))) is RIGHT OR WRONG for chart and trade


in-object (task= drawing chart technicals; object= each of what is drawn; area= chart area studied)
Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.

area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables for which are sharpness within, size compared, and proximity without (examples: 1,2).



in-task: (task= trade to earn money; object= leveraged cash; area= prices entered and exited from)
One object having multiple tasks for (an) area(s): Position has a set area; octopus has different areas.

1i i(nside) of self -- heavy gut traces adjust emotional rxn to atn to, and compile, inner reach of octopus
1o o -- (given) name (for) position(ing)
2i features built atop inner reach of octopus from most-slight attention to environs
2o doubt/threaten/reject other than position
3i i->o (of self, esp. vertical of) features
with dots of r-points (points along center (front-back) line (as seen from front or back only) of gut, and thus a gut trace's anchors) from which environs-awareness level fired up,
inner strings (pathways of attention, physical action, etc.) tested to adjust ability;
volatility added across the board of octopus
and mental shapes produced from octopus's increased environs interaction
3o o->i -- helplessness, objectification among other objects except in position
4i i<>o -- dots (environmental cues), outer strings along them:
With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings)
appear and interact, produce stimuli designed to react to in a certain way within the self.
4o o<>i -- stimulus to praise being in position: pattern preset, introduction with real pattern, copy real pattern
5i o>i -- objects: Dots now with-volume shapes with abbreviated (delineating/projecting lines to task) patterns. Positions: Groups with leading and ranked objects as well as others almost dots in multi-task allowance and branching from others' octopi.
5o i>o -- breakdown and reintroduction as position, emotions sustaining i-o difference




a merging of technical study and trade type of object-task-area, where task hi,mid,lo and area pre-,at,post- :

1a) angle: micro-, short; supportive of average trends;
big and copied, dramatically momo and big and well-placed
1b) major trend's line segment: accumulative progress of line segments; ellipse's or other well-positioned shape's change vs. them;
stunning shape after positioned one overwhelms
1c) temporary shapes: lots of unique and distinctive shapes; that seem to play off each other ;
and show no or a deceptive, vague sense of where price may go

2a) range lines: very regular area clear; possible continuation signal;
past unchecked for where began direction
2b) preset set of lines: exact feed into area noted; throw a loose set of lines on;
nonexistent - to -vague overall area before set acknowledged for a direction

3) preset path, only slightly wrong: it did exactly what I said; only the part I traded was the tester and it failed only a little;
and I didn't look at or carefully monitor the trade for anything, only letting it shoot through the roof (no history necessary)

4) two shapes, different mix: price did drop since shapes mix'd fail; echo of a drawing device did shadow a dot of a pivot's position;
was 100% wrong on the mix of two (shapes used as) variables, got confused, and that was what the trade depended on

5) right-enough position:








---------




another rewriting of p1:













Know the chart (task= draw chart technicals; object= each drawn; area= chart area studied)
Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.

area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables for which are sharpness within, size compared, and proximity w/o (examples: 1,2).



Know yourself (task= trade to earn money; object= leveraged cash; area= entry, exit price)
One object having multiple tasks for (an) area(s): Position has a set area; octopus has different areas.

1i i(nside) of self -- heavy gut traces adjust emotional rxn to atn to, and compile, inner reach of octopus
1o o -- (given) name (for) position(ing)
2i features built atop inner reach of octopus from most-slight attention to environs
2o doubt/threaten/reject other than position
3i i->o (of self, esp. vertical of) features
with dots of r-points (points along center (front-back) line (as seen from front or back only) of gut, and thus a gut trace's anchors) from which environs-awareness level fired up,
inner strings (pathways of attention, physical action, etc.) tested to adjust ability;
volatility added across the board of octopus
and mental shapes produced from octopus's increased environs interaction
3o o->i -- helplessness, objectification among other objects except in position
4i i<>o -- dots (environmental cues), outer strings along them:
With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings)
appear and interact, produce stimuli designed to react to in a certain way within the self.
4o o<>i -- stimulus to praise being in position: pattern preset, introduction with real pattern, copy real pattern
5i o>i -- objects: Dots now with-volume shapes with abbreviated (delineating/projecting lines to task) patterns. Positions: Groups with leading and ranked objects as well as others almost dots in multi-task allowance and branching from others' octopi.
5o i>o -- breakdown and reintroduction as position, emotions sustaining i-o difference




a merging of technical study and trade type of object-task-area
, where task hi,mid,lo and area pre-,at,post- :

1a) angle: micro-, short; supportive of average trends;
big and copied, dramatically momo and big and well-placed
1b) major trend's line segment: accumulative progress of line segments; ellipse's or other well-positioned shape's change vs. them;
stunning shape after positioned one overwhelms
1c) temporary shapes: lots of unique and distinctive shapes; that seem to play off each other ;
and show no or a deceptive, vague sense of where price may go

2a) range lines: very regular area clear; possible continuation signal;
past unchecked for where began direction
2b) preset set of lines: exact feed into area noted; throw a loose set of lines on;
nonexistent - to -vague overall area before set acknowledged for a direction

3) preset path, only slightly wrong: it did exactly what I said; only the part I traded was the tester and it failed only a little;
and I didn't look at or carefully monitor the trade for anything, only letting it shoot through the roof (no history necessary)

4) two shapes, different mix: price did drop since shapes mix'd fail; echo of a drawing device did shadow a dot of a pivot's position;
was 100% wrong on the mix of two (shapes used as) variables, got confused, and that was what the trade depended on

5) right-enough position:










------------------------------------------------------------------------------------




Got four trades in a row, including the last one which has a "Know yourself" diversion. First one before these was iffy, with a 50 i-t dd; alternately, the four were of low worth, if accurate for the area.
Another okay, and then lost account due to a confused 'at' to 'post-' area move in 'merge' list, more technically, and a confusion in 5i leading to a negative 5o under the 'Know yourself'.
First diversion gave due warning. 'as a trendline -- Logr or midline is majority, resistance in alternating chart areas.' would apply, as my technical ability to function is, on the market emotion cycle, highly depression-to-ecstacy bound.




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traders' sentiment charts (free: here's a cool chart."5d chart)


----------

Including the account above, the runs I've made are half a dozen trades before I shut down.
That's good, at least consistent and better -- Now to soup it up with adjusting how I perform on post#1's psych-included interpretation.

I was thinking about an exercise or two to get myself okay with randomness for a baseline pre-trading routine, and then, for well-placed breaks during trading, reading books and using their fast and easy psych corrections to an early sign post#1 provides.

post #1, rewrote 'know the chart' and 'merge' for clear variables so that notes added to each modify them, and clarified text of 'know yourself':





















(>o) Know the chart (task= draw chart technicals; object= each drawn; area= chart area studied)
Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
(shape: ) small, (big: variable: ) permanent, temporary, (big: ) static or line: Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.

area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables sharpness within, size compared, proximity w/o (ex.s: 1,2).



(i,o) Know yourself (task= trade to earn money; object= leveraged cash; area= entry, exit price)
One object having multiple tasks for (an) area(s): Position has a set area; octopus has different areas.
description of each step: i is neutral, o is biased toward negative and thus on one side of the range of the o version of a step.

1i i(nside) of self -- heavy gut traces adjust emotional rxn to atn to, and compile, inner reach of octopus
1o o -- (given) name (for) position(ing)
2i features build atop inner reach of octopus from most-slight attention to environs
2o doubt/threaten/reject other than position
3i i->o (of self, esp. vertical of) features
with dots of r-points (points along center (front-back) line (as seen from front or back only) of gut and thus a gut trace's anchors) from which environs-awareness level fire up to represent the inner balance with outer,
inner strings (pathways of attention, physical action, etc., upon inner with-volume shapes) test to adjust ability to do outer strings along dots each of an environmental cue;
volatility added across the board of octopus
and mental shapes produce from octopus's increased environs interaction
3o o->i -- helplessness, objectification among other objects except in position
4i i<>o -- With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings)
appear and interact, produce stimuli designed to react to in a certain way within the self.
4o o<>i -- stimulus to praise being in position: pattern preset, introduction with real pattern, copy real pattern
5i o>i -- objects: Dots now with-volume shapes with abbreviated (delineating/projecting lines to task) patterns. Positions: Groups with leading and ranked objects as well as others almost dots in multi-task allowance and branching from others' octopi.
5o i>o -- breakdown and reintroduction as position; emotions sustain i-o difference




(>i) a merge of you consider and exchange with whatever's in front of you
: examples, where chart: price hi,mid,lo; chart: time pre-,at,post-; study: pre-trade action; trade: during-trade reaction
condition: (negative side of range: ) dramatic; exact, missed one step of plan due to tension; vague or confused



1a) angle: micro-, short; supportive of average trends;
big and copied, dramatically momo and big and well-placed
1b) major trend's line segment: accumulative progress of line segments; ellipse's or other well-positioned shape's change vs. them;
stunning shape after positioned one overwhelms
1c) temporary shapes: lots of unique and distinctive shapes; that seem to play off each other ;
and show no or a deceptive, vague sense of where price may go

2a) range lines: very regular area clear; possible continuation signal;
past unchecked for where began direction
2b) preset set of lines: exact feed into area noted; throw a loose set of lines on;
nonexistent - to -vague overall area before set acknowledged for a direction

3) reaction mixed vague, dramatic: preset path, only slightly wrong: it did exactly what I said; only the part I traded was the tester and it failed only a little;
and I didn't look at or carefully monitor the trade for anything, only letting it shoot through the roof (no history necessary)

4a) action confused: two shapes, different mix: price did drop since shapes mix'd fail; echo of a drawing device did shadow a dot of a pivot's position;
was 100% wrong on the mix of two (shapes used as) variables, got confused, and that was what the trade depended on
4b) trade on action partially confused, on reaction calm enough on vague or dramatic: right-enough position;




5) exact,
missed taking action in waiting for place to enter and/or doing an extra trade if enough room,
and impulsively forgot to include in-trade drawdown; still, this is a post-trade note on risk, rather than a loss, from bad planning







------


OVERVIEW OF, AND BREAK FROM, THIS METHOD:

It's a separated progression and an overall range:
(>o) area with neutral, detailed description;
(i,o) self and others with neutral on one hand and wild range (only the negative shown here) dependent on it for other;
(>i) process with wild range only

RIGHT BRAIN
1 Or, simpler, go over the chart best you can,
2 perform a series of random and repetitive movements without any ideas about how or why,
3 and then sketch bits of photos from several books and allow today's concepts to flow through and resolve themselves.
4 Then USE THAT SKETCH TO MAKE YOUR CHART STUDY!!!! YEs, you unconsciously have been thinking about the chart the entire time.
5 This right-brain activity also objectifies your brain into separate decisions about usually different areas of the chart, into a cohesive, effective trade plan and follow-through from your LEFT brain.

This simpler method, however, does not hold past one trade, even if the chart study does; it's only meant to enhance brain clarity.

LEFT BRAIN
Glance through well-read books and use their fast and easy psych corrections to an early sign post#1 provides, using a familiar psychometric model (instead of sketching to connect several (ideas of) photos) to increase connectivity of psychology terms that get ideas about from the books.

Tends to affect trading style more. Does not hold past one chart study, even if the trade does.
This more complex, though also taking very little time to make, trading-break approach helps the overall trade(s) more mildly and for more time than a precise attitude that the photos sketch does.


WHOLE BRAIN
Do the two separate and then use them together -- For example, anthropomorphize the photo(s) sketch as thinking the psychometric model sketch/use.
The idea is to replace or at least ameliorate the endless brain chatter (which has several other names -- trash program, inner critic, stream of consciousness about a nontrading issue, etc.)
Because of this, there may be much more resistance, at least at first, from the chatter, toward a positive change for trading.







------------









Was going to post this here,
decided it deflected from the thread's purpose:







I've read it to be called a "nedge" -- Perhaps because you're not accumulating profit or loss when the market moves after the trade
because there's no difference between the two trades, whereas there is with a hedge,
in that substantially different symbols happen to be going the same way at the time.

Others put one on an already-existing trade to avoid a margin call.
It'd change an existing trade's loss for where to exit,
in, say, a channelling market. So, rare emergency use, perhaps.

One could say it's done to put off the decision to trade: Instead, use an SL and move on to the next trade.
Placing a nedge from the beginning costs extra spread, and isn't even allowed in US.








---------------------------------------

post #1, the third section rewritten for:









(>o) Know the chart (task= draw chart technicals; object= each drawn; area= chart area studied)
Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
(shape: ) small, (big: variable: ) permanent, temporary, (big: ) static or line: Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.

area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables sharpness within, size compared, proximity w/o (ex.s: 1,2).



(i,o) Know your position (task= trade to earn money; object= leveraged cash; area= entry, exit price)
One object having multiple tasks for (an) area(s): Position has a set area; octopus has different areas.
description of each step: i is neutral, o is biased toward negative and thus on one side of the range of the o version of a step.

1i i(nside) of self -- heavy gut traces adjust emotional rxn to atn to, and compile, inner reach of octopus
1o o -- (given) name (for) position(ing)
2i features build atop inner reach of octopus from most-slight attention to environs
2o doubt/threaten/reject other than position
3i i->o (of self, esp. vertical of) features
with dots of r-points (points along center (front-back) line (as seen from front or back only) of gut and thus a gut trace's anchors)
from which environs-awareness level fire up to represent the inner balance with outer,
inner strings (pathways of attention, physical action, etc., upon inner with-volume shapes) test to adjust ability to do outer strings along dots each of an environmental cue;
volatility added across the board of octopus
and mental shapes produce from octopus's increased environs interaction
3o o->i -- helplessness, objectification among other objects except in position
4i i<>o -- With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings)
appear and interact, produce stimuli designed to react to in a certain way within the self.
4o o<>i -- stimulus to praise being in position: pattern preset, introduction with real pattern, copy real pattern
5i o>i -- objects: Dots now with-volume shapes with abbreviated (delineating/projecting lines to task) patterns. Positions: Groups with leading and ranked objects as well as others almost dots in multi-task allowance and branching from others' octopi.
5o i>o -- breakdown and reintroduction as position; emotions sustain i-o difference




(>i) a merge: Know your actions
: 1) a few shapes, 2) a bunch of shapes divided as resembling a few shapes, or 3) a bunch of shapes divided into currently-studied areas

1) big and copied, dramatically momo and big and well-placed; stunning shape after positioned one overwhelm
to a serious in-study action mistake and then an in-trade reaction calm enough on vague or dramatic result of action: right-enough position
2) was 100% wrong (or right) on the mix of two (shapes used as) variables, such a thing being a decision between only two items:
may produce off-the-consideration choice, echo of a drawing device that did shadow a dot of a pivot's position
3) missing data in chart study --
3a) temporary shapes so well-defined as to be static, w/partial sense of line: Know but don't act ((self-)deceptive) or visa-versa (foolish):
3b as extra risk, impulsively forgot to include study-defined, in-trade drawdown area as a delayed entry or extra trade, from bad planning
3c) obvious, regular lines for area, danger some candles show deviation from it, unchecked the area that began its direction was;
or its opposite, a preset set of lines: exact feed into area noted; throw a loose set of lines on the area;
or an okay chart study action then a during-trade reaction that failed to follow various points known in the study to react to,
resulting in an after-trade-entry reaction to chart-study action vague and dramatic in turns since didn't look at or carefully monitor the trade

3a example:









------


OVERVIEW OF, AND BREAK FROM, THIS METHOD:

It's a separated progression and an overall range:
(>o) area with neutral, detailed description;
(i,o) self and others with neutral on one hand and wild range (only the negative shown here) dependent on it for other;
(>i) process with wild range only

RIGHT BRAIN
1 Or, simpler, go over the chart best you can,
2 perform a series of random and repetitive movements without any ideas about how or why,
3 and then sketch bits of photos from several books and allow today's concepts to flow through and resolve themselves.
4 Then USE THAT SKETCH TO MAKE YOUR CHART STUDY!!!! YEs, you unconsciously have been thinking about the chart the entire time.
5 This right-brain activity also objectifies your brain into separate decisions about usually different areas of the chart, into a cohesive, effective trade plan and follow-through from your LEFT brain.

This simpler method, however, does not hold past one trade, even if the chart study does; it's only meant to enhance brain clarity.

LEFT BRAIN
Glance through well-read books and use their fast and easy psych corrections to an early sign post#1 provides, using a familiar psychometric model (instead of sketching to connect several (ideas of) photos) to increase connectivity of psychology terms that get ideas about from the books.

Tends to affect trading style more. Does not hold past one chart study, even if the trade does.
This more complex, though also taking very little time to make, trading-break approach helps the overall trade(s) more mildly and for more time than a precise attitude that the photos sketch does.


WHOLE BRAIN
Do the two separate and then use them together -- For example, anthropomorphize the photo(s) sketch as thinking the psychometric model sketch/use.
The idea is to replace or at least ameliorate the endless brain chatter (which has several other names -- trash program, inner critic, stream of consciousness about a nontrading issue, etc.)
Because of this, there may be much more resistance, at least at first, from the chatter, toward a positive change for trading.

















-------------------------------------------------------








'a merge: Know your actions' inspired this --













---------







social mec, made here and cleaned up to see only it -- not saying it's valid, as I'm only an amateur trying to make sense of it all:

(Social mec's listed emotions, for another person, may likely be different;
the regular mec is a simplification of the market emotion cycle.)








-------------


No changes. Still half a dozen trades and then kaboom!
...that is, when I can get a trade at all....




cleaned up the technical chart study, i.e. the first part, of post#1:





(>o)
shape --
dot: pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot
triangle: logr, triangle, wedge, fan
rectangle: mid-point/line, rectangle, midlines-only TL, channel, stack, grid
curve: cup and handle / fighter jet, curve/circle/ellipse, tilde, head and shoulders
complex: Gartley and similar, other multi-line
area --
simple: Multi-angle/twisted/condensed area or random/volatile within set enclosed area
count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
complex: area, depending on shapes and their position relative to each other -- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
series
-- w/ or w/o a trendline: Mixed-areas, condensed w/,straight short,support/resistance (squeeze,spread,barely,overwhelm, tip)
. centered area with same row of or individual shapes on either side of center
. a series of slightly changing shapes, the micro portion repeated in each shape what changes
. series of trend or broken-up angle of each shape redirected until strong-enough angle opposition achieved
. fan with anchoring dot projected from two straight trends, several confirming trends aligning
. two-shape struggle: logr or midline is majority, resistance in alternating chart areas. Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables sharpness within, size compared, proximity w/o (ex.s: 1,2).



also, p1's 2nd part's intro:



(i,o) Know your position (task= trade to earn money; object= leveraged cash; area= entry, exit price). NOTE on descriptions: i is neutral, o is negative (where one extrapolates positive) side.




-----


ah heck, here's it all, with new titles each part:








APPROACH


(>o)
shape --
dot: pivot(s: double/triple bottom/top, Adam and Eve, higher low or lower high, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot
triangle: logr, triangle, wedge, fan
rectangle: mid-point/line, rectangle, midlines-only TL, channel, stack, grid
curve: cup and handle / fighter jet, curve/circle/ellipse, tilde, head and shoulders
complex: Gartley and similar, multi-line; a compromise (or compro, comp): three vaguely similar shapes, high->low->middle
area --
simple: Multi-angle/twisted/condensed area or random/volatile within set enclosed area
count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
complex: area, depending on shapes and their position relative to each other -- more random L.p.4 (screen,proxy) of any midline-able shape W/sev'l copies, each one's pivot w/line all extending for a compromise reached at screen, w/one proxy line sacrificed;
more set l.p.5 (opposing shapes on either side of a line)
series
-- w/ or w/o a trendline: Mixed-areas, condensed w/,straight short,support/resistance (squeeze,spread,barely,overwhelm, tip)
. centered area with same row of or individual shapes on either side of center
. a series of slightly changing shapes, the micro portion repeated in each shape what changes
. series of trend or broken-up angle of each shape redirected until strong-enough angle opposition achieved
. fan with anchoring dot projected from two straight trends, several confirming trends aligning
. two-shape struggle: Logr or midline is majority, resistance in alternating chart areas varying on sharpness inside, size compared, proximity w/o (ex.s: 1,2). If more momo than range, tends to play then fade itself; visa-versa, structures then repulses from itself.



(i,o) Position has a set area; octopus has different areas, both are one object having multiple tasks for (an) area(s).
Descriptions: i is neutral, o is negative (where one extrapolates positive) side.
1i i(nside) of self -- heavy gut traces adjust emotional rxn to atn to, and compile, inner reach of octopus
1o o -- (given) name (for) position(ing)
2i features build atop inner reach of octopus from most-slight attention to environs
2o doubt/threaten/reject other than position
3i i->o dots of r-points (points along gut and thus a gut trace's anchors),
body's horizontal levels conceptualized in terms of environs fire up to represent the inner balance with outer,
inner strings (pathways of attention, physical action, etc., upon inner with-volume shapes) test to adjust ability to do outer strings along dots each of r-point and off-center derivatives in body and of an environmental cue;
volatility added across the board of octopus
and mental shapes produce from octopus's increased environs interaction
3o o->i -- helplessness, objectification among other objects except in position
4i i<>o -- With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings)
appear and interact, produce stimuli designed to react to in a certain way within the self.
4o o<>i -- stimulus to (ap)praise (/ denounce) being in position: pattern preset, introduction with real pattern, copy real pattern
5i o>i -- objects: Dots now with with-volume shapes help draw delineating/projecting lines to task from the shapes as patterns.
Positions: Groups w/leading and ranked patterns to dot-vague shapes are dots in multi-task allowance and branching from others' octopi.
5o i>o -- breakdown and reintroduction as position; emotions sustain i-o difference




(>i) 1) a few shapes, 2) a bunch of shapes divided as a few shapes, or 3) a bunch of shapes divided into currently-studied areas
1) big and copied, dramatically momo and big and well-placed; stunning shape after positioned one overwhelm
to a serious in-study action mistake and then an in-trade reaction calm enough on vague or dramatic result of action: right-enough position
2) was 100% wrong (or right) on the mix of two (shapes used as) variables, such a thing being a decision between only two items:
may produce off-the-consideration choice, echo of a drawing device that did shadow a dot of a pivot's position
3) missing data in chart study --
3a) temporary shapes so well-defined as to be static, w/partial sense of line: Know but don't act ((self-)deceptive) or visa-versa (foolish):
3b as extra risk, impulsively forgot to include study-defined, in-trade drawdown area as a delayed entry or extra trade, from bad planning
3c) obvious, regular lines for area, danger some candles show deviation from it, unchecked the area that began its direction was;
or its opposite, a preset set of lines: exact feed into area noted; throw a loose set of lines on the area;
or an okay chart study action then a during-trade reaction that failed to follow various points known in the study to react to,
resulting in an after-trade-entry reaction to chart-study action vague and dramatic in turns since didn't look at or carefully monitor the trade



BREAKS
1 Go over the chart best you can,
2 perform a series of random and repetitive physical movements in a limited area without any ideas about how or why,
3 and then sketch bits of photos from several books and allow today's concepts to flow through and resolve themselves.
4 Then USE THAT SKETCH TO MAKE YOUR CHART STUDY!!!! YEs, you unconsciously have been thinking about the chart the entire time.
5 This right-brain activity also objectifies your brain into separate decisions about usually different areas of the chart, into a cohesive, effective trade plan and follow-through from your LEFT brain.

chart:

(trying to crystallize PA w/basic functions, again)







----------


post#1, old:




















APPROACH
It's a gut-run/set spin, jump and throw and BROKE RS AND THE TRADER: why a steady, stable job with people close and from you?
So we have a life with perpetuity and you die now.
get the pattern
shape --
dot: pivot(s: double/triple bottom/top, Adam and Eve, higher low or lower high, compromise (hi then lo then mid of any shapes) -- NOTE: most candle forms resemble a compromise --), curve-and-line balance around dot
triangle: logr, triangle, wedge, fan
rectangle: mid-point/line, rectangle, midlines-only TL, channel, stack, grid
curve: cup and handle / fighter jet, curve/circle/ellipse, tilde, head and shoulders
complex: Gartley etc., multi-line; a compromise: three vaguely similar shapes, high->low->middle
area --
simple: Multi-angle/twisted/condensed area or random/volatile within set enclosed area
count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
complex: area, depending on shapes and their position relative to each other -- more random L.p.4 (screen,proxy) of any midline-able shape W/sev'l copies, each one's pivot w/line all extending for a compromise reached at screen, w/one proxy line sacrificed;
more set l.p.5 (opposing shapes on either side of a line)
series
-- w/(o) trendline: Mixed-areas, condensed,straight short,support/resistance (squeeze,spread,barely,overwhelm, tip)
. centered area with same row of or individual shapes on either side of center
. a series of slightly changing shapes, the micro portion repeated in each shape what changes
. series of trend or broken-up angle of each shape redirected until strong-enough angle opposition achieved
. fan with anchoring dot projected from two straight trends, several confirming trends aligning
. two-shape struggle: Logr or midline is majority, resistance in alternating chart areas varying on sharpness inside, size compared, proximity w/o (ex.s: 1,2). If more momo than range, tends to play then fade itself; visa-versa, structures then repulses from itself.

make the decision
Mistakes are w/1) a few shapes, 2) a bunch of shapes divided as a few shapes, or 3) a bunch of shapes divided into currently-studied areas:
1) big and copied, dramatically momo and big and well-placed; stunning shape after positioned one overwhelm
to a serious in-study action mistake and then an in-trade reaction calm enough on vague or dramatic result of action: right-enough position baad, avoice -- it consumes my activities with brain thinking, and consumes my activities with sensing them, ad it touches me too close
2) was 100% wrong (or right) on the mix of two (shapes used as) variables, such a thing being a decision between only two items:
may produce off-the-consideration choice, echo of a drawing device that did shadow a dot of a pivot's position
3) missing data in chart study --
3a) temporary shapes so well-defined as to be static, w/partial sense of line: Know but don't act ((self-)deceptive) or visa-versa (foolish):
3b as extra risk, impulsively forgot to include study-defined, in-trade drawdown area as a delayed entry or extra trade, from bad planning
3c) obvious, regular lines for area, danger some candles show deviation from it, unchecked the area that began its direction was;
or its opposite, a preset set of lines: exact feed into area noted; throw a loose set of lines on the area;
or an okay chart study action then a during-trade reaction that failed to follow various points known in the study to react to,
resulting in an after-trade-entry reaction to chart-study action vague and dramatic in turns since didn't look at or carefully monitor the trade

watch the affect
Position has a set area; octopus has different areas, both are one object having multiple tasks for (an) area(s). i describes N, o - (Get the +.)
1i i(nside) of self -- heavy gut traces adjust emotional rxn to atn to, and compile, inner reach of octopus
1o o -- (given) name (for) position(ing)
2i features build atop inner reach of octopus from most-slight attention to environs
2o doubt/threaten/reject other than position
3i i->o dots of r-points (points along gut and thus a gut trace's anchors),
body's horizontal levels conceptualized in terms of environs fire up to represent the inner balance with outer,
inner strings (pathways of attention, physical action, etc., upon inner with-volume shapes) test to adjust ability to do outer strings along dots each of r-point and off-center derivatives in body and of an environmental cue;
volatility added across the board of octopus
and mental shapes produce from octopus's increased environs interaction
3o o->i -- helplessness, objectification among other objects except in position
4i i<>o -- With-volume shapes (which have their own r-points, produce their own octopi, encounter dots and strings)
appear and interact, produce stimuli designed to react to in a certain way within the self.
4o o<>i -- stimulus to (ap)praise (/ denounce) being in position: pattern preset, introduction with real pattern, copy real pattern
5i o>i -- objects: Dots now with with-volume shapes help draw delineating/projecting lines to task from the shapes as patterns.
Positions: Groups w/leading and ranked patterns to dot-vague shapes are dots in multi-task allowance and branching from others' octopi.
5o i>o -- breakdown and reintroduction as position; emotions sustain i-o difference

BREAKS
1 Go over the chart best you can,
2 perform a series of random and repetitive physical movements in a limited area without any ideas about how or why,
3 and then sketch bits of photos from several books and allow today's concepts to flow through and resolve themselves.
4 Then USE THAT SKETCH TO MAKE YOUR CHART STUDY!!!! YEs, you unconsciously have been thinking about the chart the entire time.
5 This right-brain activity also objectifies your brain into separate decisions about usually different areas of the chart, into a cohesive, effective trade plan and follow-through from your LEFT brain.




Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.

It's all in the passion and the letting go, as to-from, hi-lo can only know.

we cannot relate to numbers.
the crowd is many, the one few:
And thus, to face is to know.





















------------------------









post#1, new:






STEPS

1. spin, jump and throw gut;
2. angle-copy-opp size;
3. logr-curve-midline shape;
4. back-at-forward area;
5. bar-shape-area drawing

level of competition -- BROKE RS AND THE TRADER: why a steady, stable job with people close and from you? So we have a life with perpetuity and you die now.
BREAKS
1 Go over the chart best you can,
2 perform a series of random and repetitive physical movements in a limited area without any ideas about how or why,
3 and then sketch bits of photos from several books and allow today's concepts to flow through and resolve themselves.
4 Then USE THAT SKETCH TO MAKE YOUR CHART STUDY!!!! YEs, you unconsciously have been thinking about the chart the entire time.
5 This right-brain activity also objectifies your brain into separate decisions about usually different areas of the chart, into a cohesive, effective trade plan and follow-through from your LEFT brain.


Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.

It's all in the passion and the letting go, as to-from, hi-lo can only know.

we cannot relate to numbers.
the crowd is many, the one few:
And thus, to face is to know.

Ok, so Ha-Pattern is short for heroin addiction pattern???

Hi, thanks for visiting.

'ha' in 'ha-pattern', 1, 2, 3, and, , an even closer involvement with changing brain chemicals in my next attempt(s) at a trading approach.

And, you inspired me (and no, I don't): no-ha pattern
(How (after reading the link's notes) -- Functional wrapping of a pattern around a 3D object, as well as the development and stages of matched fit for both with each other.)

Hmmm...
Maybe I get high too often on 'ah-ha' moments.
Is that bad?

post #1, new:









with

the social mec a few posts ago

and






------------


Cool, doubled non-margin-call accounts' number of trades -- At least, once. (It's NOT what I usually do, just a slim hope.)
A note: Sometimes when I do this, I overdo close-to-candle detail and non-tp/sl exiting, etc.,
as if I would ever sit at the computer that long and exactly.
So, the ratio of TP - manual exit - SL is 7 - 3 - 1 for this one account.

Some more margin calls; then, I felt I treated the SL's reason with as much respect as the TP's, in this chart:





Alright, lost some more and then did it again.
Definitely an acquired habit, but I am beginning to enjoy it -- Using SL's, that is.
Dropped to half a dozen trades again, now out of impatience. That's likely about all I'd do in a day, anyhow -- 1,3,1,1,.2,.2 hour holds over ten hours span, and all physicals hit, though watched them like a hawk, which seems okay right now for the amount of time I held them.






p1, line only on pictures, old:

Chart anxious etc.; trade w/acetycholine as flow w/others interrupting.

", new:


(picture combined, compacted, shrunk)

From acet.,cycle angles' emotion.






so... post #1:







Acet. cycles angles' emotion.


level of competition -- BROKE RS AND THE TRADER: why a steady, stable job with people close and from you? So we have a life with perpetuity and you die now.
BREAKS
1 Go over the chart best you can,
2 perform a series of random and repetitive physical movements in a limited area without any ideas about how or why,
3 and then sketch bits of photos from several books and allow today's concepts to flow through and resolve themselves.
4 Then USE THAT SKETCH TO MAKE YOUR CHART STUDY!!!! YEs, you unconsciously have been thinking about the chart the entire time.
5 This right-brain activity also objectifies your brain into separate decisions about usually different areas of the chart, into a cohesive, effective trade plan and follow-through from your LEFT brain.


Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.

It's all in the passion and the letting go, as to-from, hi-lo can only know.

we cannot relate to numbers.
the crowd is many, the one few:
And thus, to face is to know.

Okay, yet again it was pointed out to me
that I'm not much of a solidly logical trader --
Rule-following of such normal kind evades me.

So usually I practice decisions to choose from a list of drawing methods to apply to a chart.

Only, my decision-making skills are all over the place,
so I thought I may ground my place psychologically,
as an approach to underlie better decision-making.
The idea is also that I can make very simple decisions
if I have my place and tasks fairly set. Reduce
the overhead of decision-making, as it were,
and thus be more effective.

I've got a decent amount of trading wisdom
and excellent drawing methods.

I've got a terribly chaotic way of sticking to the point of trading -- instead bringing all sorts of issues to the fore --
when choosing from the list of drawing methods for an effective trade.

Often, the scenario I create for a trade lacks....


If you haven't the long-term experience of a risk-taker (business, gambling, sports, etc.),
then, that I know of, becoming one through a method is almost unheard of.
I mean, the several-year attrition rate is 99.5% .

So I want to go even deeper into psychological methodology,
where I haven't written about or even thought about applying to trading.
It's not easily titled or introduced,
and I described it here.

Beginner's luck!
First trade using the new method in post#1 worked --
I observed that logr (momo) and midline (range, grid, etc.) were balanced fairly evenly. Then I saw some larger shapes -- a triangle and a rectangle -- and then looked at a slightly larger chart area. It was then I saw several extra small chart areas with the first overall chart area's same, and got a different L:M reading, and moreover one in which a chart area with a confusing L:M slice right through the slightly larger (and, of course, first overall chart area - inclusive) overall chart area. Frustration ensued with this confusion, and I threw off a belittling reason for the next trade.
Then I stopped myself and thought, wait, I can try the new psych method. I turned to some trigger point therapy to be purely physical (no ideas or concepts there (yet)) and then went in for some Image Streaming using only increased attentiveness and picturing in my mind for the recording/listening device/entity. In particular, I addressed the extra pairs of large triangles and rectangles that I found in the second, slightly larger chart area alongside the disturbing small area that slices across the overall chart area (including the first one.)
This helped, and once I returned to beta from (an admittedly high) alpha after sitting cross-legged, I looked at the chart and found the three pairs of large triangle and rectangle formed a compromise (see post#1 for definition of this technical chart pattern) rather than an l.p.5 I at first searched for.
I traded the compromise as a short, using as my SL a run to break just above the last piece of the compromise. I got a decently big number of pips, slightly bigger than the average trade on any several-hour hold on the 1'TF for early 2009 (trading simulator).




Margin-called.
The psych is that my body was tightly wound, as if wounded and defensive. I worked on trigger points toward a more-uninjured structure, which worked for a couple of trades and then I tightened up again, whereupon I held the trade too long and margin-called.
I believe I was, semi-consciously in a very fast and cogent (if unreliable for accomplishing anything) thinking process, testing for failure when I decided to skip the cognitive portion of most of the body meditations listed in the psych link; even so, I gained knowledge about how far I can take the physical-only side of such a practice.
Not that I couldn't figure this without margin-calling, eh.

Wait! It gets better.
Once I gained physical knowledge of structure after injury, then in the next account, I felt more, kinaesthetically thinking - wise, flexible within that structure to trade.
So I didn't tighten up in a chart-area bind and did make three trades in a row!
Only the area was narrow and the trades thus small, and I margin-called when the big runs returned. Freedom in structure, then structure not there and lost.

So body-only removal of painful pressure points returns some structure after an initial tightening-up around those trigger points not missed and now missing the released trigger points,
and, therein, freedom of movement, to the body under the new structure;
only, one has to be able to switch to a different chart structure, which will necessarily be looser or tighter.
Rather than expect the same module to be adequate, a turn toward a more dynamic bpm would likely be more appropriate.

Okay, the third account, my body psychology was more basic, rather than a routine someone else made up.
I postured -- as in Ecstatic Postures, sure -- and then emphasized the culture-basic nature of it (in lots of cultures, that's (according to my personal thinking model as partially described in former posts) sex-violence-digestion) and then made a physical response to it in a gut-inclusive way. This structured around my initial response to the chart area I was studying, and, following it, I traded the chart area as if I had just made a gut trace, of course checking around the area for SL and any other divisive clues. I got one tiny and one small trade.

This third account, I, as just noted, ideaized upon my body and, apparently, built upon the trigger point therapy's creation of a structure. I felt comfortable to create an idea upon the chart for its own structure and obey it in the trade, as well creating a somewhat (1 : 1.5 reward to risk, as measured with TP:SL) viable trade and get a smallish medium-number-of-pips trade.

I kept going on this third account for five trades, the last of which I tightened up again AND got confused,
indication I'd lost both the body and mind portions of the recent body-psych activities. (One self is better, and other psych divisions for the list's methods is fine too.)
So, rather than work again in and then with the extra spin off the ideation of physical position that the most recent activity had, as I did in trade 4 (a loss) and 5 (a profit), respectively and both big-pip trades,
I'd rather do a new activity or two or three.
Feeling a bit lazy....

No, I take trading physically and the two trades were big and a loss and a profit,
so the size and the swing back and forth physically exhausted me.
So I need some kind of recuperative, perhaps in response to the last activity if I'm to keep stringing it along or a chart-area-appropriate activity if I'm to make a clean break from the recent activities.

Instead I avoided extra effort and got hit for a big SL and then a margin call.
My demeanor went downhill fast, as could have been projected and taken care of in time.
At the same time, I depended on the given structure of the chart, what with it being mostly correct,
and produced a fresh look merely through recognizing I was tired,
creating a huge number of pips for the account.

-- Too much up and down: all big -- loss, profit, loss, profit. Eek.

Made another trade, updating the technicals in my mind and, now, getting a bloat of overconfidence on the horizon.
Well, got past the up-down stuff at least.
Eight trades, halfway from my last average (half a dozen) to my last best (a dozen) number of trades in a single account.

I projected, in-range short; I traded, a small long. Result, BIG in-trade drawdown and successful trade. That's nine.
This is a new problem to this series of accounts -- yes, still on the third account -- , knowing the area only being smart-aleck about it.

Then it got desperate and weird. I lost again, and then gambled a trade and lost the account.
The planning I'd put in the former trades, and then a break from any planning and feeling lost after the smart-alecky response,
as if the chart did a fast one and then did a totally confounding thing -- there it is. Mind off, the chart replacing my body.
I had needed to restructure my mind around the chart, the chart replacing my body. What I mean is, I had less dependence of my decisions on technicals-fed gut feel and more gut-informed technical chart reading.

I next lost the feel for the chart, having left only a string of understanding after the smart-aleck trade, and the chart left that area for another and I didn't reverse polarity and re-feed my gut with fresh technicals.

Three accounts gone. I need LOTS more practice with this approach.
The promise is in the fact that I speedily increased the number of trades per account in one hour-and-a-half sitting.






post #1, new:






the technicals list in post#588, the poem I already had in post#1 and shown above, and the link to here, which I show in copied form below --




I also kinda play off other similar body activities to keep the mindbody connection going -- Nothing out of the ordinary, and spinning off those on the body-psych methods list. Already showed this in the last activities above.

The body-psych approach worked okay;
only, it stopped working any better than any other decision environment to copy the decision pattern from when designing the chart study and trade with.
I realized that I'd done lots of decision environments in the past.
Here's a couple --

1. 1.-10. cycle
2. the very old post on a 'pure' gut trace (bounced up along the vertical line of the gut)
3. body-psych approach (felt 3D (fed gut?) versus the 'pure' gut trace's 2D version, after some beginning, fainter idea-like versions therein)
4. an old problem at an old job I had, thinking about a dilemma within the job and working through it in a trade

Each is a different mix of space-time, most charts space<time and then the chart study space>time. Yes, I know, it's a time study; only, I view a stagnant chart as a spatial area in a relative way. Whatever, if someone disagrees with my USE of it, don't want to get into it again.
Anyhow, the 2D was more time-like and the 3D more space-like. The 1-10 cycle kept, irritatingly, reinventing space across real time. The 'old job' one fantastically used time in an amorphous, warping way.

After a half day of thought, I could easily cover the gut feel of each and all of my (losing) trading hobby's (15 1/2y) most memorable trades and the few peoples' reaction or nontrading interaction that influenced one's path -- Not that anyone wants to know mine, and that every trader has their own such memorable trades and overall impression of their collection of trades, only that keeping these in mind while one trades gives perspective as to one's next direction.

The 'Nice save, Veronica.' has never existed. I've never gotten to the point where I was both fully prepared for an account-critical emergency and followed through with panache.
I do see time flexibility in the last example listed above, though. And, there's preparedness in the first one, and purity in the third.
In the first of the third, I have yet to reach purity, having stopped before this could happen. A range of 2-3D may exist, where I had posted a dot and a grid in place of the 2D would be instead of a 3D. So that's progress.
I forget what the second example was. Maybe the 2D included in the third example.

A new order topic: sophistication

work scenario (the most)
1.-10. cycle
3D
2D (the least)

psychologically, the same are:
learned helplessness
boss-and-aversion repeat until right
mixed-up fade
laughably simple

-- These are my loser paths.
The second and fourth one profit small, first and third lose big.
I can apply my personal thinking model to them easily. Only, I try to avoid that once I recognize such.

Going with the last, an addendum to each item in the second-to-last list:
The first is who I am before trying in a direct consideration.
The second is my anchor, stability, sanity in the midst of it all.
The third is how it goes in an indirect one.
The last is my reality, where I even-handedly stand if evenly compared with any boss.

So my guess is that I pattern (second) the last-to-third with the first's capability.
That should boost to and keep at a livable profit level all of my trades herein.



-----------------------------

Opped, pivoted, midlined all the way -- no asctri here.

------------------



post #1 dump:



Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.

It's all in the passion and the letting go, as to-from, hi-lo can only know.

we cannot relate to numbers.
the crowd is many, the one few:
And thus, to face is to know.


gut trace warmup, personal range for: Work scenario, 1.-10. cycle, 3D body and meditation, 2D gut-line trace


(task= draw chart technicals; object= each drawn; area= chart area studied)


---------
grid -- after/before logr, each midline-shaping level's even-continue
VS.
Gann Fan -- within-mix: midline carries on a few lines and fails fan, logr jumps amongst several lines and respects fan
---------

Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
(shape: ) small, (big: variable: ) permanent, temporary, (big: ) static or line: Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.

area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables sharpness within, size compared, proximity w/o (ex.s: 1,2).




----------------




p1, new:

(really, a truncation of the last one)







Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.

It's all in the passion and the letting go, as to-from, hi-lo can only know.

we cannot relate to numbers.
the crowd is many, the one few:
And thus, to face is to know.


gut trace warmup, personal range for: Work scenario, 1.-10. cycle, 3D body and meditation, 2D gut-line trace


(task= draw chart technicals; object= each drawn; area= chart area studied)


---------
grid -- after/before logr, each midline-shaping level's even-continue
VS.
Gann Fan -- within-mix: midline carries on a few lines and fails fan, logr jumps amongst several lines and respects fan
---------










---------------------------------


I'll still use the other technicals.

Okay, nix the truncation idea. It's that I wasn't clear enough about how important the L:M is, not that I shouldn't stay grounded in the basics.










the basics
------------
area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)

---------
grid -- after/before logr, each midline-shaping level's even-continue
VS.
Gann Fan -- within-mix: midline carries on a few lines and fails fan, logr jumps amongst several lines and respects fan
---------
or, in more detail,
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables sharpness within, size compared, proximity w/o (ex.s: 1,2).
---------
an absolutely relativistic view of area
---------
Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
(shape: ) small, (big: variable: ) permanent, temporary, (big: ) static or line: Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.









----------------------------






p1:









Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.

It's all in the passion and the letting go, as to-from, hi-lo can only know.

we cannot relate to numbers.
the crowd is many, the one few:
And thus, to face is to know.


gut trace warmup: Work scenario, 1.-10. cycle, 3D body and meditation, 2D gut-line trace


(task= draw chart technicals; object= each drawn; area= chart area studied)


---------
grid -- after/before logr, each midline-shaping level's even-continue
VS.
Gann Fan -- within-mix: midline carries on a few lines and fails fan, logr jumps amongst several lines and respects fan
---------
or, in more detail,
area, depending on shape series of / line(s) from/among -- midline-logr division for different shapes used
(midline) Centered, opposed shapes area; or, series of slightly changing shapes (stability (flow(serial)), speed (attention(parallel))).
(logr) Divide between lines w/serially shifting trend-angled line; fan with anchoring dot projected from two straight trends, and several confirming trends aligning; or, a series with a gradual trend-angle change for each shape until strong-enough opposition achieved.
as a trendline -- Logr or midline is majority, resistance in alternating chart areas.
Trendline made of momentum (i.e., logr; play then fade itself, vs. other lines repulse / break thru) and range (i.e., midline; itself structure then repulse from, vs. other lines fade / merge with)) areas, variables sharpness within, size compared, proximity w/o (ex.s: 1,2).

-----------
the basics
------------
area, noting position only of shape -- Multi-angle/twisted/condensed area; count(fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic), or random/volatile within set enclosed area; same-as (price same, any-angles area), minor/isolate, or area-dominant from another area
area, considered only for one shape
dot, pivot(s: double/triple bottom/top, Adam and Eve, compromise (hi then lo then mid of any shapes)), curve-and-line balance around dot;
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip);
logr, triangle, wedge, fan;
mid-point/line, rectangle, midlines-only TL, channel, stack, grid;
head and shoulders, Gartley and similar, other multi-line
cup and handle / fighter jet, curve/circle/ellipse, tilde
area, depending on shapes and their position relative to each other-- more random L.p.4 (screen,proxy) of any midline-able shape copied several times, then compromise reached at screen, one proxy line sacrificed;more set l.p.5 (opposing shapes on either side of a line)

---------
an absolutely relativistic view of area
---------
Object consists of shape(s) small, combinative, replaces PA-adj;
or, big -- variable [temporary ((choose/each/combo) PA-adj) or permanent (mutual-adj)];
static (PA-adj in itself, along a non-shape i.e. line)))
and its(/their) line(s) tasking, that is, delineating and/or projecting from shape(s).
(shape: ) small, (big: variable: ) permanent, temporary, (big: ) static or line: Strict (dogmatic) or loose (indecisive) interpretation of any shapes and their lines.



-----------------






ways to get any brain wavelength instantly:
Alpha's fairly easy to get into manually.
Theta takes a metronome or self-recorded cymbals or the like.
Delta is tricky; a nap after sleep works, for, say, lucid dreaming.
Gamma: The high-activity wavelength. Prolonged exercise, high thinking, enhanced social collusion each increase the wave.







---------------------------------------------





interesting pattern: .

post #1 dump:


(edit line)



_ any $, ala you got it; unprofitable system ruins ANY account. .The wind subdues, the calm knows: Patterns lie in the sand.








p1, new:

(slight rewrite, major condensing)










gut trace warmup: (personal, discussed examples) 1.-10. cycle, 3D body and meditation, 2D gut-line trace, work scenario

LIST
shapes --
dot, pivot(s: double/triple bottom/top, Adam and Eve, curve-and-line balance around dot, condensed, most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, other multi-line, cup and handle / fighter jet, tilde
multiple shapes --
a pair of different shapes (simple), repeated (l.p.5) (opposing shapes on either side of a line, a broken line, or a compromise or other)
a pair of different shapes (complex), repeated Gann Fan (Logr. Within-mix: midline carries on a few lines and fails fan, logr jumps amongst several lines and respects fan) or grid (Midline. After/before logr, each midline-shaped level continues evened with implied strength of logr)
copies of one or more shapes: Any shape or set of shapes that copies and balances
on either side of a middle (midline-type)
and/or in one direction (logr-type). A left- to right-side angle of trends may cause a reversed shape;
or, a tiny portion of, rather than the entire (set of), shape(s) changes.
measure, or lack thereof
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
same-as (price same, any-angles area; it's really a mind switch from multiple, locally-created angles to one (more often, price (horizontal)) all-area angle)
an absolutely relativistic view of area: shape(s) small( combinative, replaces PA-adjusting) or big (variable -- permanent(mutual-adj), temporary ((choose/each/combo) PA-adj) and line(s) tasking (PA-adj in itself, along a non-shape i.e. line), that is, delineating and/or projecting from shape(s).

{in editing line} Watch a-far in fear,
join in depression,
run with desire,
let go at ecstacy.








-----

p1 new:





gut trace warmup: (personal, discussed examples) 1.-10. cycle, 3D body and meditation, 2D gut-line trace, work scenario

LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam and Eve, curve-and-line balance around dot, condensed, most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)

stupid made-up psych junk

-- forgive the intrusion with normal trading .




gut trace
VSD exchange positioning
object (in) space
behavior: personal-space relational, chartable routine; action string, w/ object

data
money
sex
pancreas (fat,sugar,protein)
talk
locked-in position


HEY!!!!!!!!!!!!! It worked, or at least what worked followed using the cr-p I just wrote above.
directions 1-- Flick gut-trace-level lines on the screen, without thinking consciously about it. Of course, check their veracity pre-trade.)
Natch, gotta have step-by-step example:

another directions 1 type:

(apparently, my conscious brain'd rather knee-jerk more p1 rewriting than trade well)






















-------------




p1 new:



(gut trace warmup VSD exchange positioning; object (in) space; behavior -- personal-space relational, chartable routine, w/action string for object. object money,sex,pancreas (fat,sugar,protein),talk,locked-in position
personal gut trace examples: 1.-10. cycle, 3D body and meditation / 2D gut-line trace, work scenario, directions 1 / extended-flick (each trend's angle:length compared; ) , regular beta proportions.
directions 1-- Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)

LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)



------------------



Okay, there's general context for all of these examples.

a separation of definitions:

intuition is part of the system that is automatic, holistic, affective, fast, and associative,
as contrasted with
rational thought which is deliberate, analytical, non-affective, slow, and rule-based

-- 1

or,
2D version of vestibular senses, since I depend on angles....
or its description here, thus serving the body which in turn serves the gut, and also :
balances the head (the most -- 'subjective' motion and orientation), body (posture) and eyes (fixation on a point, when head moves).

That's not it, either.
I feel uncomfortable, because I don't have a source.
I'm sure there is one, or a reasonable extension venturing from several sources.
Anyhow, this is my idea:

photo-reading runs through a text speedily, so that the subconscious connects recent thoughts (of any neural plexus) with a place within the text and can later (or now, if action to take has its necessary materials close at hand) be acted upon for great effort-to-effectiveness ratio.
image streaming pays detailed attention to the stream of consciousness, until the (overall group of) scene(s) highlights one especial need for one's leverageable abilities to focus on next. Its speed is a fast that's slowed down and made concrete with detail.
3D body and meditation is the shape of that highlighting, focus for each point the chart connects with one's visual, and symbolic (to act upon, if needed, when living through the chart) gut-area, attention. Its speed is a labored interaction with body (slow) and its signals/thought (fast). Such a 3D shape can be idealized as an aspect of the body transferred to the chart, or if used literally as the 3D gut shape attaching thought to the (lines on the) chart, labelled as-is to accept one's own often-contorted self and thought during the study and trade accordingly. The literal one is potentially substantially faster than anything else on the list, since it takes less energy to produce every instance as well as a fast time per instance. The counterweight is reduced opportunity.
2D gut-line trace is laughingly simple and effectively profitable, streamlining all along the thin line for price that time provides on a chart -- that is, fast at a measured pace the gut trace is and provides. 2D glt is a compromise with exactly what one chose as fittable within the body area (gut line, here) traced.
post in an existing forum thread fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Fastest response to other entities in a collective scene with objects. Leverage with object forum's about is rarely big.
1.-10. cycle forces the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible TP-SL combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high, attitude and more.
work scenario is a right and fast semi-conscious interpretation followed with an elaborate scene that seems of higher priority at the time. Much more recalcitrant than what the 1.-10. cycle has to deal with.
injury All of one often-visited and important-to-object (see list) scene reaches a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. Opposite of work scenario, in a sense. Of average speed, except in proportion to how long the injury lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position. Note: Direction is accepted without adjustment, as only the self adjusts to the direction offered.
directions 1 (see) cuts off one's healthy ego and its possibly misguided reason for conciliation for the chart's projective truth as one can best perceive it.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading) at hand and thus producing a stable edge that nevertheless is unlikely to be communicate-able to others. Interpretation is very fast, hold time (due to need in this method to watch chart more, and also due to variable hold and in-trade-drawdown time therein) conspiratorially long.
loose, view-only intrepretation -- Another version of flick is a loose, view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed, with slippage into slower effectiveness with the looseness of interpretation.
regular beta proportions is balanced brain-side - and - ego-level use. Average speed.


flick
directions 1 (Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)) cuts off one's healthy ego and its possibly misguided reason for conciliation for the chart's projective truth as one can best perceive it.
loose, view-only intrepretation -- Another version of flick is a loose, view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed, with slippage into slower effectiveness with the looseness of interpretation.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading) at hand and thus producing a stable edge that nevertheless is unlikely to be communicate-able to others. Interpretation is very fast, hold time (due to need in this method to watch chart more, and also due to variable hold and in-trade-drawdown time therein) conspiratorially long.

post
post in an existing forum thread fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Fastest response to other entities in a collective scene with objects. Leverage with object forum's about is rarely big.
work scenario is a right and fast semi-conscious interpretation followed with an elaborate scene that seems of higher priority at the time. Much more recalcitrant than what the 1.-10. cycle has to deal with.
regular beta proportions is balanced brain-side - and - ego-level use. Average speed.

act

act: point
photo-reading runs through a text speedily, so that the subconscious connects recent thoughts (of any neural plexus) with a place within the text and can later (or now, if action to take has its necessary materials close at hand) be acted upon for great effort-to-effectiveness ratio.
image streaming pays detailed attention to the stream of consciousness, until the (overall group of) scene(s) highlights one especial need for one's leverageable abilities to focus on next. Its speed is a fast that's slowed down and made concrete with detail.
injury All of one often-visited and important-to-object (see list) scene reaches a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. Opposite of work scenario, in a sense. Of average speed, except in proportion to how long the injury lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position. Note: Direction is accepted without adjustment, as only the self adjusts to the direction offered.

act: compromise
3D body and meditation is the shape of that highlighting, focus for each point the chart connects with one's visual, and symbolic (to act upon, if needed, when living through the chart) gut-area, attention. Its speed is a labored interaction with body (slow) and its signals/thought (fast). Such a 3D shape can be idealized as an aspect of the body transferred to the chart, or if used literally as the 3D gut shape attaching thought to the (lines on the) chart, labelled as-is to accept one's own often-contorted self and thought during the study and trade accordingly. The literal one is potentially substantially faster than anything else on the list, since it takes less energy to produce every instance as well as a fast time per instance. The counterweight is reduced opportunity.
2D gut-line trace is laughingly simple and effectively profitable, streamlining all along the thin line for price that time provides on a chart -- that is, fast at a measured pace the gut trace is and provides. 2D glt is a compromise with exactly what one chose as fittable within the body area (gut line, here) traced.
1.-10. cycle forces the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible TP-SL combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high, attitude and more.



1.-10. cycle, / 2D gut-line trace, work scenario, directions 1 / extended-flick (each trend's angle:length compared; ) , regular beta proportions.
directions 1-- Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)












---------------------


p1 new:









gut trace warmup
VSD exchange positioning; object (in) space; behavior -- personal-space relational, chartable routine, w/action string for object. object money,sex,pancreas (fat,sugar,protein),talk,locked-in position

gut trace examples, categorized loosely by type

flick
directions 1 (Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)) cuts off one's healthy ego and its possibly misguided reason for conciliation for the chart's projective truth as one can best perceive it.
loose, view-only intrepretation -- Another version of flick is a loose, view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed, with slippage into slower effectiveness with the looseness of interpretation.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading) at hand and thus producing a stable edge that nevertheless is unlikely to be communicate-able to others. Interpretation is very fast, hold time (due to need in this method to watch chart more, and also due to variable hold and in-trade-drawdown time therein) conspiratorially long.

tell
post in an existing forum thread fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Fastest response to other entities in a collective scene with objects. Leverage with object forum's about is rarely big.
work scenario is a right and fast semi-conscious interpretation followed with an elaborate scene that seems of higher priority at the time. Much more recalcitrant than what the 1.-10. cycle has to deal with.
regular beta proportions is balanced brain-side - and - ego-level use. Average speed.

act

act: point
photo-reading runs through a text speedily, so that the subconscious connects recent thoughts (of any neural plexus) with a place within the text and can later (or now, if action to take has its necessary materials close at hand) be acted upon for great effort-to-effectiveness ratio.
image streaming pays detailed attention to the stream of consciousness, until the (overall group of) scene(s) highlights one especial need for one's leverageable abilities to focus on next. Its speed is a fast that's slowed down and made concrete with detail.
injury All of one often-visited and important-to-object (see list) scene reaches a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. Opposite of work scenario, in a sense. Of average speed, except in proportion to how long the injury lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position. Note: Direction is accepted without adjustment, as only the self adjusts to the direction offered.

act: compromise
3D body and meditation is the shape of that highlighting, focus for each point the chart connects with one's visual, and symbolic (to act upon, if needed, when living through the chart) gut-area, attention. Its speed is a labored interaction with body (slow) and its signals/thought (fast). Such a 3D shape can be idealized as an aspect of the body transferred to the chart, or if used literally as the 3D gut shape attaching thought to the (lines on the) chart, labelled as-is to accept one's own often-contorted self and thought during the study and trade accordingly. The literal one is potentially substantially faster than anything else on the list, since it takes less energy to produce every instance as well as a fast time per instance. The counterweight is reduced opportunity.
2D gut-line trace is laughingly simple and effectively profitable, streamlining all along the thin line for price that time provides on a chart -- that is, fast at a measured pace the gut trace is and provides. 2D glt is a compromise with exactly what one chose as fittable within the body area (gut line, here) traced.
1.-10. cycle forces the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible TP-SL combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high, attitude and more.







LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)










------------------



another p1:










gut trace warmup
VSD exchange positioning; object (in) space; behavior -- personal-space relational, chartable routine, w/action string for object. object money,sex,pancreas (fat,sugar,protein),talk,locked-in position

gut trace examples, categorized loosely by type (impression,choice,pattern,fit,consistency)

impression
directions 1 (Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)) cuts off one's healthy ego and its possibly misguided reason for conciliation for the chart's projective truth as one can best perceive it.
loose, view-only intrepretation -- Another version of flick is a loose, view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed, with slippage into slower effectiveness with the looseness of interpretation.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading) at hand and thus producing a stable edge that nevertheless is unlikely to be communicate-able to others. Interpretation is very fast, hold time (due to need in this method to watch chart more, and also due to variable hold and in-trade-drawdown time therein) erratic.

choice
photo-reading runs through a text speedily, so that the subconscious connects recent thoughts (of any neural plexus) with a place within the text and can later (or now, if action to take has its necessary materials close at hand) be acted upon for great effort-to-effectiveness ratio. Everything's already highly detailed and formatted; selection or reframing of selection toward one's own purpose is the activity.
image streaming pays detailed attention to materials found along the way in the scenes that are one's stream of consciousness, until the (overall group of) scene(s) highlights one especial need for one's leverageable abilities to focus on next. Its speed is a fast that's slowed down and made concrete with detail.

pattern
2D gut-line trace is laughingly simple and effectively profitable, streamlining all along the thin line for price that time provides on a chart -- that is, fast at a measured pace the gut trace is and provides. 2D trace is a compromise with exactly what one chose as fittable within the body area (gut line, here) traced. It resembles the concept of flow. Fit with chart's time flow.
3D body and meditation is the shape of that highlighting, focus for each point the chart connects with one's visual, and symbolic (to act upon, if needed, when living through the chart) gut-area, attention. Its speed is a labored interaction with body (slow) and its signals/thought (fast). Such a 3D shape can be idealized as an aspect of the body transferred to the chart, or if used literally as the 3D gut shape attaching thought to the (lines on the) chart, labelled as-is to accept one's own often-contorted self and thought during the study and trade accordingly. The literal one is potentially substantially faster than anything else on the list, since it takes less energy to produce every instance as well as a fast time per instance. The counterweight is reduced opportunity. Creative from physical shape.
regular beta proportions is balanced brain-side - and - ego-level use so that gut trace and chart description match. Average speed.

fit
post in an existing forum thread fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Fastest response to other entities in a collective scene with objects. Leverage with object forum's about is rarely big.
injury All of one often-visited and important-to-object (see list) scene reaches a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. Opposite of work scenario, in a sense. Of average speed, except in proportion to how long the injury lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position. Note: Direction is accepted without adjustment, as only the self adjusts to the direction offered. Goes to fit into larger picture, rather than leverage to the current standard, through removal or conditioning of physical shape and thus its effects on (an) object(s). Destructive of physical shape.

consistency
1.-10. cycle uses psychological resistances to force the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible TP-SL combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high from attitude and the like. Resistance to a lower, temporarily letting that someone else be the boss on this. The trades are then beta-sensible.
work scenario is one's own right and fast semi-conscious interpretation of the chart followed with an elaborate scene that is just as right and unexplained for someone/where else. The real gut-traceable result of the scene -- in this case, a loss -- determines the trade's result, and not one's rightness in interpretation of the chart. Even if the latter is displaced, that is, not a trading scene, then the consistency of the trade down the line will still be fragile at best.







LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)

I'm using the entire range of gut-trace types, now.

What an unusual way to lose my entire account.
I had an impression as an internal spike along my center being, such that it represented the relative run that next happened (against my trade).
That's how powerful trading can be!



It may've had something to do with my introducing use of each type as a separate module,
including the impression, that of floating, dashed line segments on the chart above.
Messy chart overall, eh? Symptom of this beginning.






-----------

p1 new:






gut trace warmup
VSD exchange positioning; object (in) space; behavior -- personal-space relational, chartable routine, w/action string for object. object money,sex,pancreas (fat,sugar,protein),talk,locked-in position

gut trace examples, categorized loosely by type (impression,choice,pattern,fit,consistency)

impression
directions 1 (Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)) cuts off one's healthy ego and its possibly misguided reason for conciliation for the chart's projective truth as one can best perceive it.
loose, view-only intrepretation -- Another version of flick is a loose, view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed, with slippage into slower effectiveness with the looseness of interpretation.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading) at hand and thus producing a stable edge that nevertheless is unlikely to be communicate-able to others. Interpretation is very fast, hold time (due to need in this method to watch chart more, and also due to variable hold and in-trade-drawdown time therein) erratic.

choice
maximizes information, slows down from there with beta-wave description of chart
photo-reading runs through a text speedily, so that the subconscious connects recent thoughts (of any neural plexus) with a place within the text and can later (or now, if action to take has its necessary materials close at hand) be acted upon for great effort-to-effectiveness ratio. Everything's already highly detailed and formatted; selection or reframing of selection toward one's own purpose is the activity.
image streaming pays detailed attention to materials found along the way in the scenes that are one's stream of consciousness, until the (overall group of) scene(s) highlights one especial need for one's leverageable abilities to focus on next. Its speed is a fast that's slowed down and made concrete with detail.

pattern
unusual or nontrading experience applied to trading, of average, relative to usual chart-study time, length of time.
2D gut-line trace is laughingly simple and effectively profitable, streamlining all along the thin line for price that time provides on a chart -- that is, fast at a measured pace the gut trace is and provides. 2D trace is a compromise with exactly what one chose as fittable within the body area (gut line, here) traced. It resembles the concept of flow. Fit with chart's time flow.
3D body and meditation is the shape of that highlighting, focus for each point the chart connects with one's visual, and symbolic (to act upon, if needed, when living through the chart) gut-area, attention. Its speed is a labored interaction with body (slow) and its signals/thought (fast). Such a 3D shape can be idealized as an aspect of the body transferred to the chart, or if used literally as the 3D gut shape attaching thought to the (lines on the) chart, labelled as-is to accept one's own often-contorted self and thought during the study and trade accordingly. The literal one is potentially substantially faster than anything else on the list, since it takes less energy to produce every instance as well as a fast time per instance. The counterweight is reduced opportunity. Creative from physical shape.
regular beta proportions is balanced brain-side - and - ego-level use so that gut trace and chart description match. Average speed.

fit
above average -- needs some nontrading or non-current-trade experience to include directly.
post in an existing forum thread fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Fastest response to other entities in a collective scene with objects. Leverage with object forum's about is rarely big.
injury All of one often-visited and important-to-object (see list) scene reaches a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. Opposite of work scenario, in a sense. Of average speed, except in proportion to how long the injury lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position. Note: Direction is accepted without adjustment, as only the self adjusts to the direction offered. Goes to fit into larger picture, rather than leverage to the current standard, through removal or conditioning of physical shape and thus its effects on (an) object(s). Destructive of physical shape.

consistency
1.-10. cycle uses psychological resistances to force the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible TP-SL combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high from attitude and the like. Resistance to a lower, temporarily letting that someone else be the boss on this. The trades are then beta-sensible. Another example: The Week. extreme -- lots of average flicks (uncomfortable)
work scenario is one's own right and fast semi-conscious interpretation of the chart followed with an elaborate scene that is just as right and unexplained for someone/where else. The real gut-traceable result of the scene -- in this case, a loss -- determines the trade's result, and not one's rightness in interpretation of the chart. Even if the latter is displaced, that is, not a trading scene, then the consistency of the trade down the line will still be fragile at best. extreme -- one very short flick, as if from 'loose, view-only intrepretation', but right the first time and then left alone.







LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)














-------------------


another:







gut trace warmup
VSD exchange positioning; object (in) space; behavior -- personal-space relational, chartable routine, w/action string for object. object money,sex,pancreas (fat,sugar,protein),talk,locked-in position

gut trace examples, categorized loosely by type (impression,choice,pattern,fit,consistency) and preparation time

impression
directions 1 (Flick gut-trace-level lines on screen, before (semi- )conscious thot on it. Of course, check their veracity pre-trade. Attitude may prevail, w/extra lines -- If so, retrace actions afterward for the last flick line(s).)) cuts off one's healthy ego and its possibly misguided reason for conciliation for the chart's projective truth as one can best perceive it.
loose, view-only intrepretation -- Another version of flick is a loose, view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed, with slippage into slower effectiveness with the looseness of interpretation.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading) at hand and thus producing a stable edge that nevertheless is unlikely to be communicate-able to others. Interpretation is very fast, hold time (due to need in this method to watch chart more, and also due to variable hold and in-trade-drawdown time therein) erratic.

choice
maximizes information, slows down from there with beta-wave description of chart
photo-reading runs through a text speedily, so that the subconscious connects recent thoughts (of any neural plexus) with a place within the text and can later (or now, if action to take has its necessary materials close at hand) be acted upon for great effort-to-effectiveness ratio. Everything's already highly detailed and formatted; selection or reframing of selection toward one's own purpose is the activity.
image streaming pays detailed attention to materials found along the way in the scenes that are one's stream of consciousness, until the (overall group of) scene(s) highlights one especial need for one's leverageable abilities to focus on next. Its speed is a fast that's slowed down and made concrete with detail.

pattern
unusual or nontrading experience applied to trading, of average, relative to usual chart-study time, length of time.
2D gut-line trace is laughingly simple and effectively profitable, streamlining all along the thin line for price that time provides on a chart -- that is, fast at a measured pace the gut trace is and provides. 2D trace is a compromise with exactly what one chose as fittable within the body area (gut line, here) traced. It resembles the concept of flow. Fit with chart's time flow.
3D body and meditation is the shape of that highlighting, focus for each point the chart connects with one's visual, and symbolic (to act upon, if needed, when living through the chart) gut-area, attention. Its speed is a labored interaction with body (slow) and its signals/thought (fast). Such a 3D shape can be idealized as an aspect of the body transferred to the chart, or if used literally as the 3D gut shape attaching thought to the (lines on the) chart, labelled as-is to accept one's own often-contorted self and thought during the study and trade accordingly. The literal one is potentially substantially faster than anything else on the list, since it takes less energy to produce every instance as well as a fast time per instance. The counterweight is reduced opportunity. Creative from physical shape.
regular beta proportions is balanced brain-side - and - ego-level use so that gut trace and chart description match. Average speed.

fit
above average -- needs substantial (chronic or acute) change to environs (nontrading or non-current-trade) to work.
post in an existing forum thread fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Fastest response to other entities in a collective scene with objects. Leverage with object forum's about is rarely big.
injury All of one often-visited and important-to-object (see list) scene reaches a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. Opposite of work scenario, in a sense. Of average speed, except in proportion to how long the injury lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position. Note: Direction is accepted without adjustment, as only the self adjusts to the direction offered. Goes to fit into larger picture, rather than leverage to the current standard, through removal or conditioning of physical shape and thus its effects on (an) object(s). Destructive of physical shape.

consistency
maximizes (chronic or acute) change to environs (nontrading or non-current-trade) to work. Thus, in-trade preferred, unless skilled (similar to 3D) in balancing a transference of pattern from the most-changing nontrade environs to the chart and trade.
1.-10. cycle uses psychological resistances to force the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible TP-SL combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high from attitude and the like. Resistance to a lower, temporarily letting that someone else be the boss on this. The trades are then beta-sensible. extreme -- lots of average flicks (uncomfortable)
work scenario is one's own right and fast semi-conscious interpretation of the chart followed with an elaborate scene that is just as right and unexplained for someone/where else. The real gut-traceable result of the scene -- in this case, a loss -- determines the trade's result, and not one's rightness in interpretation of the chart. Even if the latter is displaced, that is, not a trading scene, then the consistency of the trade down the line will still be fragile at best. ICE with ___ is another example. extreme -- one very short flick, as if from 'loose, view-only intrepretation', but right the first time and then left alone.







LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)









--------------------




p1 new:






VSD exchange positioning; object (in) space; behavior -- personal-space relational, chartable routine, w/action string for object. object money,sex,pancreas (fat,sugar,protein),talk,locked-in position

gut trace examples, categorized loosely by type (impression,choice,pattern,fit,cons istency) and preparation time

impression
directions 1 (Flick gut-trace-to-spike-level lines on screen, before (semi- )conscious thot on it.
loose, view-only interpretation -- view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading); a stable edge, unlikely to be communicate-able to others. Interpretation is very fast

information
alpha-wave-maximizes information, slows down from there with continuous beta-wave description selected areas
photo-reading speeds through a text already highly detailed and formatted; selection or reframing of selection toward one's own purpose is the activity.
image streaming records detailed attention to objects in one's stream of consciousness, then review record for clues to proper choice
post in an existing forum thread exchanges talk, text, drawing or other form of communication, responding with others to a general topic about a concept.
Fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs. Garden (a
continuum is physical motion between between information and expression. purpose of information: Letting go, inclusion, choice. physical motion: Balance, mimicry, reenactment.

body
some unusual or nontrading experience applied to trading, of average, relative to usual chart-study time, length of time.
2D gut-line trace moves mind through chart line's path and inside body's gut line, moving between its viscera as points and in a certain order. Can be another line in body.
3D body and concept does same as 2D except for entire body. Primer of awareness through exercise, stretching, etc., and conceptualization of which approach helps. Link to one's thought is a must.
injury/conditioning a climax with creating of an isolated physical location how one averages for the gut feel one's position in that scene. How long the change lasts and to how big an area in one's life for the scene that the injury summarizes into a truer position, rather than leverage to the current standard noninjured/conditioned area projects through.

consistency
maximizes (chronic or acute) change to environs (nontrading or non-current-trade) to work. Thus, in-trade preferred, unless skilled (similar to 3D) in balancing a transference of pattern from the most-changing nontrade environs to the chart and trade.
1.-10. cycle uses psychological resistances to force the chart studier to keep doing studies until the lot meshes into preferred and overall sensibility for the area's possible win-lose combos. Repeated fast, and thus slow; used in case resistance to flick lines is too high from attitude and the like. Resistance to a lower, temporarily letting that someone else be the boss on this. The trades are then beta-sensible. Another example: The Week, which is also role-dependent, only on an inherently rather than created familiar basis. extreme -- lots of average flicks (uncomfortable)
role scenario is one's own right and fast semi-conscious interpretation of the chart followed with an elaborate scene that is just as right and unexplained for someone/where else. The real gut-traceable result of the scene -- in this case, a loss -- determines the trade's result, and not one's rightness in interpretation of the chart. Even if the latter is displaced, that is, not a trading scene, then the consistency of the trade down the line will still be fragile at best. ICE with ___ is another example. extreme -- one very short flick, as if from 'loose, view-only intrepretation', but right the first time and then left alone.


LIST
count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic)
number
shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde

reverse-string, copy-diff, adjust
-- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)
-- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)

p1 new:






-> Reciprocation (economic) vs. hierarchy (satisfy wants and be efficient). Necessity more an animal-instincts object want. Efficient -- needs measure and strategic access (vs. restriction (ownership; planned obsolescence)) to resource [-based economy]. Mechanization speed; no money incentive (conditioning to want).

VSD positioning, exchange and actions upon object; object -- money,sex,pancreas (fat,sugar,protein),talk,locked-in position
-- consciousness of thought (original information only) chart comparison: truth vs. communication --
directions 1 (Flick gut-trace-to-spike-level lines on screen, before (semi- )conscious thot on it.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading); a stable edge, unlikely to be communicate-able to others. Interpretation is very fast
loose, view-only interpretation -- part ordinary, part flick, to do view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed.
ordinary structuring -- beta-wave, clean feed from right brain to conscious, rule-based, communicative left brain.
-- projected-from information chart comparison: concept vs. environs application (in terms of mind map) --
fmd (fractal moi (moving optical illusion) drawing), or a partial, concept-oriented sketch of a photo w/high fractal percent (nature,)
continuum is physical motion between information and any (including physical conditioning) expression. starters -- information: Letting go, inclusion, choice. physical motion: Balance, mimicry, reenactment.
photo-reading speeds through a text already highly detailed and formatted; selection or reframing of selection toward one's own purpose is the activity.
image streaming records detailed attention to objects in one's stream of consciousness, then review record for clues to proper choice
-- thought thru body-information chart comparison: vertical, horizontal lines thereof and/or within specified area(s) --
2D gut-line trace moves mind through chart line's path and inside body's gut(, other) line, moving between its viscera as points and in a certain order.
3D body and concept does same as 2D except for entire body. Primer of awareness through exercise, stretching, etc., and conceptualization of which approach helps. Link to one's thought is a must.
1D expression: spike (injury,heal) with partial, strong affect on body's actions in environs or layered build (conditioning) for subtle affect on whole body.
-- inter-body chart comparison: reciprocation vs. hierarchy --
post in an existing forum thread exchanges talk, text, drawing or other form of communication, responding with others to a general topic about a concept. Fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs.
1.-10. cycle is a scripted version of role scenario, emphasizing specific steps or degrees of personal space instead of a simple contrast for the rejection / acceptance / change of a non-role reality.
role scenario is high contrast between instancy of timing precision and weight of area, for trade area versus a larger area and as expressed from those who control or share that larger area with their role there. The real gut-traceable result of the scene as reflected in this comparison of -- in the case of work scenario, ICE, a loss, and for The Week, a profit -- determines the trade's result, and not one's rightness in interpretation of the chart.

explicit-memory (versus implicit-memory (market emotion cycle, or rather my own version thereof)) LIST
A count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic); number; shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde
B reverse-string, copy-diff, adjust -- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid); -- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)

implicit-memory list









------------------------------------













p1 titles adjusted:













-> Necessity: Less efficient is a (animal-competitve) want. Efficient -- needs measure and strategic access (vs. restriction (ownership; planned obsolescence)) to resource [-based economy]. speed of either: Mechanization; thus, no money incentive (conditioning to want).

VSD positioning, exchange and actions upon object; object -- money,sex,pancreas (fat,sugar,protein),talk,locked-in position
-- reciprocation --
directions 1 (Flick gut-trace-to-spike-level lines on screen, before (semi- )conscious thot on it.
extended-flick avoids as much ego / left-brain study as possible, going for the rudimentary study (trend angle-and-length; tape( / motion of current-price's-line)-reading); a stable edge, unlikely to be communicate-able to others. Interpretation is very fast
loose, view-only interpretation -- part ordinary, part flick, to do view-only interpretation, that brings more right brain use into the study at cost of stable knowledge of risk:reward. Slightly faster than average speed.
ordinary structuring -- beta-wave, clean feed from right brain to conscious, rule-based, communicative left brain.
-- specifics --
2D gut-line trace moves mind through chart line's path and inside body's gut(, other) line, moving between its viscera as points and in a certain order.
3D body and concept does same as 2D except for entire body. Primer of awareness through exercise, stretching, etc., and conceptualization of which approach helps. Link to one's thought is a must.
1D expression: spike (injury,heal) with partial, strong affect on body's actions in environs or layered build (conditioning) for subtle affect on whole body.
-- hierarchy --
fmd (fractal moi (moving optical illusion) drawing), or a partial, concept-oriented sketch of a photo w/high fractal percent (nature,)
continuum is physical motion between information and any (including physical conditioning) expression. starters -- information: Letting go, inclusion, choice. physical motion: Balance, mimicry, reenactment.
photo-reading speeds through a text already highly detailed and formatted; selection or reframing of selection toward one's own purpose is the activity.
image streaming records detailed attention to objects in one's stream of consciousness, then review record for clues to proper choice
-- representation --
post in an existing forum thread exchanges talk, text, drawing or other form of communication, responding with others to a general topic about a concept. Fits the thread, post, or tone within responded-to post, depending on how much thought or even of physical (on-screen) preparation, one needs.
1.-10. cycle is a scripted version of role scenario, emphasizing specific steps or degrees of personal space instead of a simple contrast for the rejection / acceptance / change of a non-role reality.
role scenario is high contrast between instancy of timing precision and weight of area, for trade area versus a larger area and as expressed from those who control or share that larger area with their role there. The real gut-traceable result of the scene as reflected in this comparison of -- in the case of work scenario, ICE, a loss, and for The Week, a profit -- determines the trade's result, and not one's rightness in interpretation of the chart.

explicit-memory LIST
A count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic); number; shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde
B reverse-string, copy-diff, adjust -- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid); -- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)

implicit-memory (market emotion cycle, or rather my own version thereof) cycle




---------


a rational view: 1







--------------------------











p1 new:

(same ideas, rewritten to condense)










-> Necessity: Less efficient is a (animal-competitve) want. Efficient -- needs measure and strategic access (vs. restriction (ownership; planned obsolescence)) to resource [-based economy]. speed of either: Mechanization; thus, no money incentive (conditioning to want).

VSD positioning, exchange and actions upon object; object -- money,sex,pancreas (fat,sugar,protein),talk,locked-in position
-- body --
1D expression: spike (injury,heal) w/partial, strong affect on actions or layered build (conditioning) for subtle affect on whole body.
2D gut-line trace moves mind through chart line's path and inside body's gut(, other) line, orderly moving between its viscera as points.
3D body and concept Awareness through exercise, stretching, etc., of concept for, and/or structure of, chart study.
-- chart --
no-draw -- Amount have, adjust for consciousness' inclusion from (un)clear concept separation of issues. Or, prior area's draw carries.
no-draw: extended-flick avoids left-brain for right-brain study (tape; angle; ). Interpretation fast, time dependence -> average.
unconscious-draw (Draw lines before conscious thot on it. Attitude or left-brain conscious may interfere or bound this flow.
ordinary structuring -- proportion of full share in left brain, correctness from right. Hyper-draw isolates, spanned in-trade loss.
-- reciprocation --
post in an existing forum thread exchanges talk, text, drawing or other form of communication, responding with others to trace the tone on a general topic about a concept. Time to make depends on thought or physical (on-screen) preparation.
1.-10. cycle is a script of specific steps to change, or degrees of personal space to include, a role.
role scenario is high contrast between instancy of timing precision and weight of area, for trade area versus a larger area and as expressed from those who control or share that larger area with their role there. It's peer pressure about a different way to trade, or similar.
-- hierarchy --
alternate-draw fmd (fractal moi (moving optical illusion) drawing), or a partial, concept-oriented sketch of a photo w/high fractal nature
image streaming records detailed attention to objects in one's stream of consciousness, then review record for clues to proper choice
photo-reading speeds thru detailed, formatted text; selection or reframing of selection toward one's own purpose is the activity.
continuum is physical motion between information and any (including physical conditioning) expression. starters -- information: Letting go, inclusion, choice; physical motion: Balance, mimicry, reenactment.

explicit-memory LIST
A count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic); number; shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde
B reverse-string, copy-diff, adjust -- diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid); -- adjust (each other, each other and with PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level)

implicit-memory (market emotion cycle, or rather my own version thereof) cycle











--------------------------------




p1 new:


(rewrote titles and preface so all works together)

















animal-instincts wants conversion of materials to 'object' list: measure someone else's, deal with own
-> Reciprocation (economic) vs. hierarchy (satisfy wants and be efficient). Efficient -- needs measure, strategic access,mechanization(vs. resource restriction(ownership);planned obsolescence)); body necessity vs. animal-instincts want -- money is conditioning to want (thus no $).
'object' -- (animalistic) territory/position,sex,food(pancreas:fat,sugar,protein); (economic) exchange/money,talk not smaller-leverage act
-- materials -- Use materials to make a chart of objects, from which get objects to select from and use, and apply objects pattern to body.
image streaming records detailed attention to objects in one's stream of consciousness, then review record for clues to proper choice
photo-reading speeds thru detailed, formatted text; selection or reframing of selection toward one's own purpose is the activity.
continuum is physical motion between information and any (including physical conditioning) expression. starters -- information: Letting go, inclusion, choice; physical motion: Balance, mimicry, reenactment.
-- chart --
no-draw -- Amount have, adjust for consciousness' inclusion from (un)clear concept separation of issues. Or, prior area's draw carries.
no-draw: extended-flick avoids left-brain for right-brain study (tape; angle; ). Interpretation fast, time dependence -> average.
unconscious-draw (Draw lines before conscious thot on it. Attitude or left-brain conscious may interfere or bound this flow.
ordinary structuring -- proportion of full share in left brain, correctness from right. Hyper-draw isolates, spanned in-trade loss.
-- 'object' --
alternate-draw fmd (fractal moi (moving optical illusion) drawing), or a partial, concept-oriented sketch of a photo w/high fractal nature
post in an existing forum thread exchanges talk, text, drawing or other form of communication, responding with others to trace the tone on a general topic about a concept. Time to make depends on thought or physical (on-screen) preparation.
1.-10. cycle is a script of specific steps to change, or degrees of personal space to include, a role.
role scenario is high contrast between instancy of timing precision and weight of area, for trade area versus a larger area and as expressed from those who control or share that larger area with their role there. It's peer pressure about a different way to trade, or similar.
-- body --
1D expression: spike (injury,heal) w/partial, strong affect on actions or layered build (conditioning) for subtle affect on whole body.
2D gut-line trace moves mind through chart line's path and inside body's gut(, other) line, orderly moving between its viscera as points.
3D body and concept Awareness through exercise, stretching, etc., of concept for, and/or structure of, chart study.
explicit-memory grid
A count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic); number; shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
B reverse-string, copy-diff (diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)),
adjust ((each other, that w/PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level))
implicit-memory (market emotion cycle, or rather my own version thereof) cycle












--------------------









control of own vs. measure of chart's animalistic wants, that is, of logr-midline:




history that confirmed my need to prefer midline -- wrong, since logr had less space but more pips











-------------------------










p1 new:


(ordered action again)









instructions for a trade on animal-instinct wants: want or need the object; measure someone else's, deal with own
-> Reciprocation (economic) vs. hierarchy (satisfy wants and be efficient). Efficient -- needs measure, strategic access,mechanization(vs. resource restriction(ownership);planned obsolescence)); body necessity vs. animal-instincts want -- money is conditioning to want (thus no $).
'object' -- (animalistic) territory/position,sex,food(pancreas:fat,sugar,protein); (economic) exchange/money,talk not smaller-leverage act
1. materials (if primarily,simply used: looks like studied area on chart)
image streaming records detailed attention to objects in one's stream of consciousness, then review record for clues to proper choice
photo-reading speeds thru detailed, formatted text; selection or reframing of selection toward one's own purpose is the activity.
2. 'object' ((if primarily,simply used: shapes how much time (frame) and how well time spent on trade)
alternate-draw fmd (fractal moi (moving optical illusion) drawing), or a partial, concept-oriented sketch of a photo w/high fractal nature
post in an existing forum thread exchanges talk, text, drawing or other form of communication, responding with others to trace the tone on a general topic about a concept. Time to make depends on thought or physical (on-screen) preparation.
1.-10. cycle is a script of specific steps to change, or degrees of personal space to include, a role.
role scenario is high contrast between instancy of timing precision and weight of area, as expressed from those who control or share that larger area with their role there. It's peer pressure about a different way to trade, or similar; pressure can reenforce a role's position.
3. body (if primarily,simply used: chart drawing (and its feel(literal) or underlying concept is like concept of (kinaesthetic thought involved))
1D expression: spike (injury,heal) w/partial, strong affect on actions or layered build (conditioning) for subtle affect on whole body.
2D gut-line trace moves mind through chart line's path and inside body's gut(, other) line, orderly moving between its viscera as points.
3D body and concept Awareness through exercise, stretching, etc., of concept for, and/or structure of, chart study.
4D continuum is physical motion between information and any (including physical conditioning) expression. starters -- information: Letting go, inclusion, choice; physical motion: Balance, mimicry.
4. chart (if primarily,simply used: how and how well to draw on chart)
no-draw -- Amount have, adjust for consciousness' inclusion from (un)clear concept separation of issues. Or, prior area's draw carries.
no-draw: extended-flick avoids left-brain for right-brain study (tape; angle; ). Interpretation fast, time dependence -> average.
unconscious-draw (Draw lines before conscious thot on it. Attitude or left-brain conscious may interfere or bound this flow.
ordinary structuring -- proportion of full share in left brain, correctness from right. Hyper-draw isolates, spanned in-trade loss.
explicit-memory grid
A count (fibo,fractal,whole(1/4,1/2,1/3,etc.))/rhythmic); number (blurred -- same-as; summary); shape --
dot, pivot(s: double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns
line: thru mixed-areas, condensed with, straight short, support/resistance (squeeze,spread,barely,overwhelm, tip)
triangle, logr, wedge, fan; compromise (hi then lo then mid of any shapes)),
L.p.4 (with screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
B reverse-string, copy-diff (diff concrete (l.p.5), abstract (L:M, that is, Gann Fan vs. grid)),
adjust ((each other, that w/PA, with PA; part, whole, several shape(s); big, small area (thus, replace (a grouping of) PA on same level))
implicit-memory cycle (own version of market emotion cycle): is unconscious memory, applies to habit, most present in 2.<->3.




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results, finally: I was able to use the meditations naturally.
After studying the chart to no avail and then jumping between photos in several books, I was able to conclude with one photo.
I drew onto the chart trend lines matching those on a photo of a rock I found in a book (here, 5th edition, p.112, lr photo)-- yes, I'm familiar with all of my picture books -- and, yes, I used the photo to project my second (not the first) trade, recognizing the lower right (picture upside down, to reduce/neutralize content recognition) "shadow". Cool, huh? Well, I think so. And people say intuitive drawing is for Member's Lounge. Hah!

-- I don't have a scanner up and running right now, maybe later. Charts, with the sketch lines in first one: