Pattern's Chemo-Electric Trading Journal

Ignore -- More of the same.












My impression, though, is that
I just discovered something, from all this slight rewriting.

1. There's resistance anchors --
   0 angle - 1 divergence - 2 opposition - 3 compromise - 4+ series
   -- that may replace line patterns.
2. With pressure (symmetry*size*speed diff) is inequity:
   
   
3. and pressure line(s):
   Record
   logr / trendline / one-logr ellipse / fan / parallel horizontal or vertical lines of fibonacci or similar distance;
   midline / trend centerline / corner / multi-length run / equidistant parallel horizontal or vertical lines;
   ellipse,
   copy proxy (three copies of a pattern, TL on high and low of each, TL's crossed at one point, point taken to a balance point, some TL's useless (a proxy for the others) and others not) ,
   
   w/mixed logr-midline areas
4. pressures take on anchors --
   deform -- stretch, flat, simple, fill, cup
   surround -- news;
   size -- 'starting with small-candle groups '

While 'corner' was valid, I was mixing the drawn lines with the patterns; that is, 'corner' works just as well in a range with trend centerlines and midlines as it does with ...

I guess my problem is relating this in a proper order:

ANCHOR: Find, ,
0 angle, angled trends, 1 divergence (corner, 2 opposition; small X&Y-axis balance; two interlaced series; channel; 3 compromise two, with a third after and in the middle;; >3 series micro-reason traces, calls turn

PRESSURE W/ANCHOR


----------------------

Okay, here it is:

patterns, view-dependent ways to describe

anchor -- 0 angle - 1 divergence - 2 opposition - 3 compromise - 4+ series
align -- logr / trendline / one-logr ellipse / fan / parallel horizontal or vertical lines of fibonacci or similar distance;
midline / trend centerline / corner / multi-length run / equidistant parallel horizontal or vertical lines;
w/mixed logr-midline areas: ellipse,
copy proxy (three copies of a pattern, TL on high and low of each, TL's crossed at one point, point taken to a balance point, some TL's useless (a proxy for the others) and others not)
deformation -- VSA standardized this feature of patterns.
stretch, jump, spike, rebound;
fill, cup, castle, hash;
center, balance, tip, dip, level, flat;
expand, build, combine, catalyze, stack;
contract, simplify, deconstruct, divide, fade, drain.
volatility -- one-candle vs. all other, noting every feature of that one candle, useful with MTF single candles;
small-candle groups vs. large-candle groups;
large vs. small areas, irrespective of size of candles, having a pattern;
one- vs. intermittent-area pattern;
layer of information, old, detached reason within several patterns vs, repeated inside entirety of each pattern vs. basic utility of pattern vs. nearby others
opt'lly here, INTERACTION ff-gut-bb
direction-- symbols . (object), o (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). When I say 'direction', I mean that ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" taken literally is balance, and so on.
opt'lly here, ACTION AREA: Path sketch/auto-do, var. chart-action vs. w/dist. to shape own scenario and scenario meditations: hypnosis, W. Wenger, Ecstatic Postures, Freeze-Frame, mental rehearsal, etc. before start work.


















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I think I'll use r:r as a sounding post for how well I'm doing, and I'll define r:r as TL met vs. in-trade drawdown allowed. This would be the usual; early exit modifies both sides. I'll shoot for at least 1:1, optimal 4:1 (read it in a couple of places).







-----------------------------------------------------
















{a couple of chart examples, new}

patterns, view-dependent ways to describe

anchor -- 0 angle - 1 divergence - 2 opposition - 3 compromise - 4+ series
align -- logr / trendline / one-logr ellipse / fan / parallel horizontal or vertical lines of fibonacci or similar distance;
midline / trend centerline / corner / multi-length run / equidistant parallel horizontal or vertical lines;
w/mixed logr-midline areas: ellipse,
copy proxy (three copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not)
deformation -- VSA standardized this feature of patterns.
stretch, jump, spike, rebound;
center, balance, tip, dip, level, flat;
expand, build, combine, catalyze, stack;
contract, simplify, deconstruct, divide, fade, drain;
fill, cup, castle, hash.
volatility -- one-candle vs. all other, noting every feature of that one candle, useful with MTF single candles;
small-candle groups vs. large-candle groups;
large vs. small areas, irrespective of size of candles, having a pattern;
one- vs. intermittent-area pattern;
layer of information, old, detached reason within several patterns vs, repeated inside entirety of each pattern vs. basic utility of pattern vs. nearby others
opt'lly here, INTERACTION ff-gut-bb
direction-- symbols . (object), o (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). When I say 'direction', I mean that ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" taken literally is balance, and so on.
opt'lly here, ACTION AREA: Path sketch/auto-do, var. chart-action vs. w/dist. to shape own scenario and scenario meditations: hypnosis, W. Wenger, Ecstatic Postures, Freeze-Frame, mental rehearsal, etc. before start work.

{a couple of chart examples, old}

mm

r:r guides how I trade, defined as maximum in-trade drawdown from entry vs. exit from entry, measured only for profits. All losses are MAE, that is, maximum in-trade drawdown from entry vs. exit from entry. Thus, adding all trades' r:r and MAE, as defined just now, gives an ability record in percentiles and can be followed in one's mind, charted and studied.

Ideally, I compare two ranks, which measure reason (=1) to luck (< (good) > (bad) 1):
. how close, from .01 to .1, I got to fully understanding the basic underlying motion of the shortterm-intraday 1' chart, before the trade closed, and how well the trade reflected this
. the distance between the open and the close, divided by the distance between the open and the maximum potential profit, both in pips.

practice --
I try and use all of the pattern languages over several studies, and study several popular symbols, to warm up before any serious trading at whatever level. Or, I'll keep trading gu on simulator until I hit 7-10 trades.

Okay, I'm comfortable with this as a chart study, and attach psych equivalents.

This version of chart study, I shortened the psych description and adjusted one of the volatility items. I split mm between reason -- the usual r:r w/ an implied SL/TP, etc. -- and emotion. The emotion description uses a 'justification', or reason, emotionally speaking, divided into the different levels of the cycle of market emotions. I've already tested this with simulator, and I understood and recovered from a margin call to return to my 7-10 - trade practice sessions.

I've yet to use the psych version of chart study, except once or twice in strictly nontrading situations.

chart study

anchor -- 0 angle - 1 divergence - 2 opposition - 3 compromise - 4+ series
align -- logr / trendline / one-logr ellipse / fan / parallel hz or vertical lines of fibonacci or similar distance;
midline / trend centerline / corner / multi-length run / equidistant parallel hz or vert lines;
w/mixed logr-midline areas: ellipse; a short, horizontal line segment;
copy proxy (three or so copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not)
volatility -- one-candle vs. all other, noting every feature of that one candle, useful with MTF single candles;
small-candle groups vs. large-candle groups;
large vs. small areas, irrespective of size of candles, having a pattern;
overlapping vs. intermittent-area pattern;
layer where reason is: inside (a), entire, several pattern(s) * individual, group
opt'l, volatility indicators or other; usually, I'm a purist, drawing on 1'TF regular candles.[/size]
deformation -- Chart language.
stretch, jump, spike, rebound;
center, balance, tip, dip, level, flat;
expand, build, combine, catalyze, stack;
contract, simplify, deconstruct, divide, fade, drain;
fill, cup, castle, hash.
direction-- symbols . (object), O (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). When I say 'direction', I mean that ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" taken literally is balance, and so on. Direction is in the sense of having tensegrality, a structure, or a grid.

mm

emotion->reason Reason -- 1:1 rr ito range, so that W:L weighs heavily. Emotion is what I track to win.
Trading is the sense of the New; thus, emotion control there is keeping grounded in what, usually already, works:
*After zero losses, I feel unjustified to trade, and my trade stops improving. Facing the uncertain, with reason falling short of the struggle to understand. Defensive. (depression, despondency)
*After a small loss, I feel unjustified on average. Defensive, with some offense. (panic/capitulation/relief/hope)
*At BE, I'm neutral toward trading, and am about as on the defense as on the offense. It's here where I decide whether or not to push on -- I search the middle ground for more control while acknowledging none is absolute. (fear/desperation/optimism)
*After several big losses, I feel justified on average. Offensive, with some defense. (anxiety/denial/thrill/excitement)
*After I lose all, I feel justified no matter what I do, and my trade starts improving. Letting go of the uncontrollable, through one absolute control of helplessness toward the inevitable. Offensive. (euphoria)
This is, in ()'s, one version of the cycle of market emotions, pictured on my member profile.

practice

I try and use all of the pattern languages over several studies, and study several popular symbols, to warm up before any serious trading at whatever level. Or, I'll keep trading gu on simulator until I hit 7-10 trades.

severe difficulties

l.f. is useful, because one can describe any scenario in few variables and then match a solution to its difficulties. l.f. is .+~=_ , with mathematical recontextualizing (. - _ = -~, etc.; custom is to keep the single variable to the right of the =), possible substitutes of O for . and (frame) for _, and weighted combinations such as a ~ in a O with the O > ~ being a . .
A real event sub-contexts layer one l.f. atop the apparent reality's, enabling subversive results after the event.
A meditation has one concrete l.f. A string of memories has a stitched-together l.f. Other actions, such as logic or group, have a different use of l.f.
From this, each meditation has its own, one concrete l.f.:
* hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
* progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time
and so on (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples)).
After defining l.f. for actions, one sorts through its consequences (violent, sexual and/or digestive) for other relations that connect to its concept. Path sketch/auto-do, var. chart-action vs. w/dist. to shape, is one way to approach this. Then, do. Choose actions well: Application to trading can also be severe, whether or not direct.

examples
{a couple of chart examples, old}
{a couple of chart examples, new}

Ignore this post.

Ran out of time, again.

chart study

. anchor -- 0 angle - 1 divergence - 2 opposition - 3 compromise - 4+ series
_ align -- logr / trendline / one-logr ellipse / fan / parallel hz or vertical lines of fibonacci or similar;
midline / trend centerline / corner / multi-length run / equidistant parallel hz or vert lines;
w/mixed logr-midline areas: ellipse; a short, horizontal line segment;
copy proxy (three or so copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not)
~(>quality) deformation -- Chart language.
stretch, jump, spike, rebound;
center, balance, tip, dip, level, flat;
expand, build, combine, catalyze, stack;
contract, simplify, deconstruct, divide, fade, drain;
fill, cup, castle, hash.
~(>quantity) volatility -- one-candle vs. all other, noting every feature of that one candle; use w/MTF single candles;
small-candle groups vs. large-candle groups;
large vs. small areas, irrespective of size of candles, having a pattern;
overlapping vs. intermittent-area pattern;
layer where reason is: inside (a), entire, several pattern(s) times individual, group
opt'l, volatility indicators or other; usually, I'm a purist, drawing on 1'TF regular candles.
->(i.e., catalyst) tensegrity -- symbols . (object), O (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" balance, etc. Tensegrity means symbol-based tensegrality / structure / grid.
l.f. formula, which goes with bbccddeeff, can describe any problem's scenario in few variables and then create a matching formula that solves the problem. l.f. is .+~=_ , with the equals sign having a -> above it, as in a catalyst; with mathematical recontextualizing (. - _ = -~, etc.; custom is to keep the single variable to the right of the =); with possible substitutes of O for . and (frame) for _; and, with weighted combinations such as a ~ in a O with the O > ~ being a . .
A real event sub-contexts layer one l.f. atop the apparent reality's, enabling subversive results after the event. A meditation has one concrete l.f. A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently.

mm

emotional balance Reason -- 1:1 rr ito range, so that W:L, which emotion tracks, weighs heavily. ( "(...)"'s here)
Trading is the sense of the New; thus, emotion control there is keeping grounded in what works:
*After zero losses, I feel unjustified to trade, and my trade stops improving. Facing the uncertain, with reason falling short of the struggle to understand. Defensive. (depression, despondency)
*After a small loss, I feel unjustified on average. Defensive, with some offense. (panic/capitulation/relief/hope)
*At BE, I'm neutral toward trading, and am about as on the defense as on the offense. It's here where I decide whether or not to push on -- I search the middle ground for more control while acknowledging none is absolute. (fear/desperation/optimism)
*After several big losses, I feel justified on average. Offensive, with some defense. (anxiety/denial/thrill/excitement)
*After I lose all, I feel justified no matter what I do, and my trade starts improving. Letting go of the uncontrollable, thru one absolute control of helplessness to the inevitable. Offensive. (euphoria)

practice

I try and use all of the pattern languages over several studies, and study several popular symbols, to warm up before any serious trading at whatever level. Or, I'll keep trading gu on simulator until I hit 7-10 trades. Also, I let loose in my library, exercising through bad trades until I correct them.

examples

{a couple of chart examples, old}
{a couple of chart examples, new}

----------------------------------------

level one

-- action * volatility, or reframe. - One-candle vs. all other, noting its every feature;
- small-candle groups vs. large-candle groups;
- large vs. small areas, irrespective of size of candles, having a pattern;
- overlapping vs. intermittent-area pattern;
- layer where reason is: inside (a), entire, several pattern(s) times individual, group.
* anchor ( 0 angle - 1 divergence - 2 opposition - 3 compromise - 4+ series )
* align w/deform - logr / trendline / one-logr ellipse / fan / parallel hz or vertical lines of fibonacci or similar; stretch, jump, spike, rebound;
- midline/ trend centerline/ corner/ multi-length run/ equidistant parallel hz or vrt lines; center, balance, tip, dip, level, flat;
- w/mixed logr-midline areas: ellipse; a short, horizontal line segment;
copy proxy (three or so copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not);
expand, build, combine, catalyze, stack; contract, simplify, deconstruct, divide, fade, drain; fill, empty, cup, castle, hash.

level two

-- fight-or-flight response Track, adjust bbccddeeff (ff-bb, as noted. Cc, in-brain vsn of ff; and, e/e, or exist-evolu, which brings a concept to perhaps exist or definitely evolve within oneself, and how that imbalances the horizontal level with a body's center of gravity during each (partial) aligning with the concept). Last, dd, 'decision-dominance', which measures the edge of one's, and thus use of any, personal space.
exchanges -- B,c exchange freely, complexly and often, as do e,f; c,e exchange concretely, simply and less often, as do b,e and do c,f; and, c exchanges one way to d grandly, how often likely less only impact evens this perception, as does d to e, the other way usually either perverse and interactively forced through a negative. F,b, already noted, is a linear range, and it is nearly constant. D has the special property of centering all or any of them; thus, f,b , and to a lesser extent, c,e bounds and may bind together the others, while the, or any, other pairs may skew d until or if they offset each other's actions (a special note being d to f thru e needing the simple c-e relation's version of c to work, and visa-versa for d to b). Last, the series bb thru ff, with a(ction) first, as in a-e, and ff begins a corrolary series (thus, my emphasis on series/scenario meditations (Freeze-Frame ('ff') switches heart from one, disturbing scenario to one that offers resolution and then returns to apply it); one could switch between meditations with l.f. to help apply to the chart study).
-- emotion Trading is the sense of the New; thus, emotion control grounds one while reasoning a trade.-> 1 emot'n ea. letter on picture.
*After zero losses, I feel unjustified to trade, and my trade stops improving. Facing the uncertain, with reason falling short of the struggle to understand. Defensive. (depression, despondency)
*After a small loss, I feel unjustified on average. Defensive, with some offense. (panic/capitulation/relief/hope)
*At BE, I'm neutral toward trading, and am about as on the defense as on the offense. It's here where I decide whether or not to push on -- I search the middle ground for more control while acknowledging none is absolute. (fear/desperation/optimism)
*After several big losses, I feel justified on average. Offensive, with some defense. (anxiety/denial/thrill/excitement)
*After I lose all, my trade improves, control rejected before the market. Offensive. (euphoria)

level three

^ chronic trading problems -- ff-created, > w/exp. Meditation can replace ff's view of a-e.
symbols . (object), O (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" balance, etc.
l.f. formula, which goes with bbccddeeff, can describe any problem's scenario in few variables and then create a matching formula that solves the problem. l.f. is .+~=_ , with the equals sign having a -> above it, as in a catalyst; with mathematical recontextualizing (. - _ = -~, etc.; custom is to keep the single variable to the right of the =); with possible substitutes of O for . and (frame) for _; and, with weighted combinations such as a ~ in a O with the O > ~ being a . . align:|;anchor:.;volatility:~:|; deform:~:. .
meditation -- A real event sub-contexts layer one l.f. atop the apparent reality's, enabling subversive results after the event. A meditation has one concrete l.f. A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently.
From this, each meditation has its own, one concrete l.f.:
* hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
* progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time
and so on (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples)).
After defining l.f. for actions, one sorts through its consequences (violent, sexual and/or digestive) for other relations that connect to its concept. Path sketch/auto-do, var. chart-action vs. w/dist. to shape, is one way to approach this. Then, do.

levels four, five

pervasive difficulties that include trading: cl/tm+, sociobiological

Ignore this post.

Well, wait, whatever:

I changed one major thing in the chart study:
The one with one anchor is touch, not divergence; I couldn't use ANY of the anchors efficiently, because of this mistaken approach. Divergence, I moved to logr's deform language.

More unproven, amateurish psych.






























The entire body observes a set of actions, defined with a version of the l.f. formula. Then, each of a series of physical states (bbccddeeff), emotions and/or reason makes a pattern to guide the body in doing a set of actions each scenario necessitates. WHAT IS
A special case is a real event: An extra layer to the noted happens -- As one repeats the noted, each time dealing with another set of actions, one also obtains an inner set of actions that carries through the action series' remaining sets and guides the selection of physical states. The purpose of this extra layer is to measure one's energy for this and other series of sets of actions.
-- action * volatility, or reframe. - One-candle vs. all other, noting its every feature;
- small-candle groups vs. large-candle groups;
- large vs. small areas, irrespective of size of candles, having a pattern;
- overlapping vs. intermittent-area pattern;
- layer where reason is: inside (a), entire, several pattern(s) times individual, group.
* anchor ( 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series )
* align w/deform - logr / trendline / one-logr ellipse / fan / parallel hz or vertical lines of fibonacci or similar; stretch, jump, spike, rebound, diverge;
- midline/ trend centerline/ corner/ multi-length run/ equidistant parallel hz or vrt lines; center, balance, tip, dip, level, flat;
- w/mixed logr-midline areas: ellipse; a short, horizontal line segment;
copy proxy (three or so copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not);
expand, build, combine, catalyze, stack; contract, simplify, deconstruct, divide, fade, drain; fill, empty, cup, castle, hash.
l.f. formula -- symbols . (object), O (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" balance, etc.
l.f. formula, which goes with bbccddeeff, can describe any problem's scenario in few variables and then create a matching formula that solves the problem. l.f. is .+~=_ , with the equals sign having a -> above it, as in a catalyst; with mathematical recontextualizing (. - _ = -~, etc.; custom is to keep the single variable to the right of the =); with possible substitutes of O for . and (frame) for _; and, with weighted combinations such as a ~ in a O with the O > ~ being a . . align:|;anchor:.;volatility:~:|; deform:~:. .
-- scenario short examples: time/control/stop/digest/procreate, viscera; stand/distance/recoil/avoid/study, for one's body to face something.
a detailed example: meditation -- A real event sub-contexts layer one l.f. atop the apparent reality's, enabling subversive results after the event. A meditation has one concrete l.f. A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently. Meditation can replace ff's view of a-e.
From this, each meditation has its own, one concrete l.f.:
* hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
* progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time
and so on (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples)).
After defining l.f. for actions, one sorts through its consequences (violent, sexual and/or digestive) for other relations that connect to its concept. Path sketch/auto-do, var. chart-action vs. w/dist. to shape, is one way to approach this. Then, do.

___________________________________________
--> Re-sort actions into a new scenario, at the same level of inner understanding.WHAT TO DO

-- emotion. Trading is the sense of the New; thus, emotion control grounds one while reasoning a trade.-> 1 emot'n ea. letter on picture.
*After zero losses, I feel unjustified to trade, and my trade stops improving. Facing the uncertain, with reason falling short of the struggle to understand. Defensive. (depression, despondency)
*After a small loss, I feel unjustified on average. Defensive, with some offense. (panic/capitulation/relief/hope)
*At BE, I'm neutral toward trading, and am about as on the defense as on the offense. It's here where I decide whether or not to push on -- I search the middle ground for more control while acknowledging none is absolute. (fear/desperation/optimism)
*After several big losses, I feel justified on average. Offensive, with some defense. (anxiety/denial/thrill/excitement)
*After I lose all, my trade improves, control rejected before the market. Offensive. (euphoria)
-- reason
-- gut/kinaesthetic
fight-or-flight response Track, adjust bbccddeeff Gut instinct is the patternmaker these others copy/version.
* bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
* Cc, in-brain vsn of ff.
* Dd, 'decision-dominance', which measures the edge of one's, and thus use of any, personal space.
* e/e, or exist-evolu, which brings a concept to perhaps exist or definitely evolve within oneself, and how that imbalances the horizontal level with a body's center of gravity during each (partial) aligning with the concept).
* ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) The response is explained well with the body anatomy system Anatomy Trains: AT: Anatomy Trains, a system of aligning muscle/cartilage (and thus, through inference/affect, the rest of the body) along early evolution's most-common and basic motions, system shown through actual cadaver splices and applied to different fields)
exchanges -- B,c exchange freely, complexly and often, as do e,f; c,e exchange concretely, simply and less often, as do b,e and do c,f; and, c exchanges one way to d grandly, how often likely less only impact evens this perception, as does d to e, the other way usually either perverse and interactively forced through a negative.
F,b, already noted, is a linear range, and it is nearly constant. D has the special property of centering all or any of them; thus, f,b , and to a lesser extent, c,e bounds and may bind together the others, while the, or any, other pairs may skew d until or if they offset each other's actions (a special note being d to f thru e needing the simple c-e relation's version of c to work, and visa-versa for d to b).
Last, the series bb thru ff, with a(ction) first, as in a-e, and ff begins a corollary series (thus, my emphasis on series/scenario meditations (Freeze-Frame ('ff') switches heart from one, disturbing scenario to one that offers resolution and then returns to apply it); one could switch between meditations with l.f. to help apply to the chart study).

__________________________________________________________
--> Add extra tensegrity and detail, at the cost of effort to learn.GET IT TOGETHER

pervasive difficulties: cl/tm+, sociobiological. These define process and add detail in a tensegral and a scientifically proven way, respectively.

IGNORE THIS POST.






















It's dump time:





The entire body observes a set of actions, defined with a version of the l.f. formula. Then, each of a series of physical states (bbccddeeff), emotions and/or reason makes a pattern to guide the body in doing a set of actions each scenario necessitates. WHAT IS
A special case is a real event: An extra layer to the noted happens -- As one repeats the noted, each time dealing with another set of actions, one also obtains an inner set of actions that carries through the action series' remaining sets and guides the selection of physical states. The purpose of this extra layer is to measure one's energy for this and other series of sets of actions.
-- action * volatility, or reframe. - One-candle vs. all other, noting its every feature;
- small-candle groups vs. large-candle groups;
- large vs. small areas, irrespective of size of candles, having a pattern;
- overlapping vs. intermittent-area pattern;
- layer where reason is: inside (a), entire, several pattern(s) times individual, group.
* anchor ( 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series )
* align w/deform - logr / trendline / one-logr ellipse / fan / parallel hz or vertical lines of fibonacci or similar; stretch, jump, spike, rebound, diverge;
- midline/ trend centerline/ corner/ multi-length run/ equidistant parallel hz or vrt lines; center, balance, tip, dip, level, flat;
- w/mixed logr-midline areas: ellipse; a short, horizontal line segment;
copy proxy (three or so copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not);
expand, build, combine, catalyze, stack; contract, simplify, deconstruct, divide, fade, drain; fill, empty, cup, castle, hash.
l.f. formula -- symbols . (object), O (role, personal space, etc.), ~ (action path), | (boundary, two-point leverage), or (frame) (artificial/working area). ".|_" excludes an object from an enclosed area, "-><-" (where a vector is a cross between an action path, which has inherent energy, and two matched two-point leverages, which corner that energy), "~" balance, etc.
l.f. formula, which goes with bbccddeeff, can describe any problem's scenario in few variables and then create a matching formula that solves the problem. l.f. is .+~=_ , with the equals sign having a -> above it, as in a catalyst; with mathematical recontextualizing (. - _ = -~, etc.; custom is to keep the single variable to the right of the =); with possible substitutes of O for . and (frame) for _; and, with weighted combinations such as a ~ in a O with the O > ~ being a . . align:|;anchor:.;volatility:~:|; deform:~:. .
-- scenario short examples: time/control/stop/digest/procreate, viscera; stand/distance/recoil/avoid/study, for one's body to face something.
a detailed example: meditation -- A real event sub-contexts layer one l.f. atop the apparent reality's, enabling subversive results after the event. A meditation has one concrete l.f. A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently. Meditation can replace ff's view of a-e.
From this, each meditation has its own, one concrete l.f.:
* hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
* progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time
and so on (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples)).
After defining l.f. for actions, one sorts through its consequences (violent, sexual and/or digestive) for other relations that connect to its concept. Path sketch/auto-do, var. chart-action vs. w/dist. to shape, is one way to approach this. Then, do.

___________________________________________
--> Re-sort actions into a new scenario, at the same level of inner understanding.WHAT TO DO

-- emotion. Trading is the sense of the New; thus, emotion control grounds one while reasoning a trade.-> 1 emot'n ea. letter on picture.
*After zero losses, I feel unjustified to trade, and my trade stops improving. Facing the uncertain, with reason falling short of the struggle to understand. Defensive. (depression, despondency)
*After a small loss, I feel unjustified on average. Defensive, with some offense. (panic/capitulation/relief/hope)
*At BE, I'm neutral toward trading, and am about as on the defense as on the offense. It's here where I decide whether or not to push on -- I search the middle ground for more control while acknowledging none is absolute. (fear/desperation/optimism)
*After several big losses, I feel justified on average. Offensive, with some defense. (anxiety/denial/thrill/excitement)
*After I lose all, my trade improves, control rejected before the market. Offensive. (euphoria)
-- reason
-- gut/kinaesthetic
fight-or-flight response Track, adjust bbccddeeff Attachment Gut instinct is the patternmaker these others copy/version.
* bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
* Cc, in-brain vsn of ff.
* Dd, 'decision-dominance', which measures the edge of one's, and thus use of any, personal space.
* e/e, or exist-evolu, which brings a concept to perhaps exist or definitely evolve within oneself, and how that imbalances the horizontal level with a body's center of gravity during each (partial) aligning with the concept).
* ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) The response is explained well with the body anatomy system Anatomy Trains: AT: Anatomy Trains, a system of aligning muscle/cartilage (and thus, through inference/affect, the rest of the body) along early evolution's most-common and basic motions, system shown through actual cadaver splices and applied to different fields)
exchanges -- B,c exchange freely, complexly and often, as do e,f; c,e exchange concretely, simply and less often, as do b,e and do c,f; and, c exchanges one way to d grandly, how often likely less only impact evens this perception, as does d to e, the other way usually either perverse and interactively forced through a negative.
F,b, already noted, is a linear range, and it is nearly constant. D has the special property of centering all or any of them; thus, f,b , and to a lesser extent, c,e bounds and may bind together the others, while the, or any, other pairs may skew d until or if they offset each other's actions (a special note being d to f thru e needing the simple c-e relation's version of c to work, and visa-versa for d to b).
Last, the series bb thru ff, with a(ction) first, as in a-e, and ff begins a corollary series (thus, my emphasis on series/scenario meditations (Freeze-Frame ('ff') switches heart from one, disturbing scenario to one that offers resolution and then returns to apply it); one could switch between meditations with l.f. to help apply to the chart study).

__________________________________________________________
--> Add extra tensegrity and detail, at the cost of effort to learn.GET IT TOGETHER

pervasive difficulties: cl/tm+, sociobiological. These define process and add detail in a tensegral and a scientifically proven way, respectively.














-------------------------------------



new:






















warmup:

Where I look --
volatility, or reframe. - One-candle vs. all other, noting its every feature;
- small-candle groups vs. large-candle groups;
- large vs. small areas, irrespective of size of candles, having a pattern;
- overlapping vs. intermittent-area pattern;
- layer where reason is: inside (a), entire, several pattern(s) times individual, group.

types of vision (1; further reading, 2, 3,4)--
a. Ambient, source-dependent -- (rapid statistics)/movements/velocity
An example is a positive that could easily turn negative. It depended on small-shape proportioning with pivots getting the only TL's and "areas covered" being the priority. Only, nothing was highlighted nor, once this area was done, TL'ed to from this area's unfound small patterns. So, failure is implied without followthrough in the central issues the method solves.
Similar to this example of this type: Ex.
all negative: Skip repeated patterns and go only on visual perspective of their implied presence with maybe a TL or pattern or two, only fail, and don't leave any tracks or prior visual practice to draw in the repeated patterns to save you from yourself.
b. Structural, source-dependent -- precision/focus
A negative example of what not to do in a method, or perhaps only a variation away from the method to build upon its value, is that of medium-sized shapes that are very close to and fairly aligned with each other, along with skewed discontinous lines, here.
A fourth one, this one getting into the details correctly for a while and then tripping up through focussing on the trees for the forest, that is, the midruns for the pivots.
--failure : integrative agnosia -- ...structure of an object is not, and constituent stuff is, experienced; or, dissociation: both perceived, distinct
c. Ambient, rapid -- fragments/count
Another negative example, this one using offbeat lines within the method, albeit with area-crowding taller shapes, which results in less told on direction. The lines did fine, only I paid too much attention to the shapes' importance to realize where I was overall and thus missed where the lines fit in with the rest of the picture.
d. structural, rapid -- orientation/sound
The range of the method to deal with detail within one's immediate scope: Each example in it divides the cycle itself into 2-3 large pieces; . is the 2-3 temporary types of small shapes, each of which are repeated within a larger cycle; and, where one uses one large shape that is partial or whole and then repeats 2-3 features of its insides.

limits of thought
within self

1. speed Me being too slow or fast to reason correctly.
   ingredients of this:
   -- " _/_/" chemical/brain speed or advancement, such as delta serotonin interaction, theta GABA resilience, alpha acetycholine confrontation, beta dopamine dominance:
   -- +- plus and minus, and <> maturity or more or less;
2. understanding me being imbalanced of thought, confused.
   (angle) ~'ed, being balanced, that is, with an angle or between angles
3. involvement me being shallow of thought, distracted
   -- "--ei->" overwhelmed attention (ei: ecstacy-impulse, a range of being overwhelmed):
   -- . , | anchor or reframe from, logr or midline using the shape; thus, for instance, the first may stumble one and the second block oneself
4. source me following the expressed or implied thought of another about or near my work, the other having less understanding and/or interest in the matter under my concern, and whether or not it is due to the other's greater power or energy in emphasis of their expression
   -- the shared interest of this other individual and oneself, and whether sacrifice should be made for the other
   -- the basic impact of the message the other delivers, that is, how carried away or shaken I am
   -- the doubt, compared to the other's ability to discern one's flaws, one has about one's capabilities at the time, and the rightness of the message varied with how applicable it is for whatever decision I made or am about to make now
5. feed me to ignore, whether on purpose or by accident, the important, in my conclusion, due to the absolute limits of thought in holding information.
   -- "u(c)" lack of conscious awareness, or more generally, ingress or egress, boundaries and affect:
   -- .|_ something being (possibly) outside of the box
   -- |O a nondescript object (dot with contents) with something blocking or about to wrap around it; an imcomplete consideration
   -- `O, that is, a small, simple curve attached to a circle already formed, which is a forced, object-specific overtaking of attention.

central activity: TRADE


REASON1
To anchor,
apply formula.
GUT2
Retrieve pattern.
EMOTION3
Check trade.



1
* anchor ( 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series )
formula: . is logr, ~ is mix, and _ is midline. . + ~ = _ , with the = a catalyst with it toward _ .

long version --
align w/deform - logr / trendline / one-logr ellipse / fan / parallel hz or vertical lines of fibonacci or similar; stretch, jump, spike, rebound, diverge;
- midline/ trend centerline/ corner/ multi-length run/ equidistant parallel hz or vrt lines; center, balance, tip, dip, level, flat;
- w/mixed logr-midline areas: ellipse; a short, horizontal line segment;
copy proxy (three or so copies of a pattern, TL on hi,lo ea., TL's crossed at one point, point taken to a balance point; some TL's useless (a proxy for the others), others not);
expand, build, combine, catalyze, stack; contract, simplify, deconstruct, divide, fade, drain; fill, empty, cup, castle, hash.

2
-- gut/kinaesthetic
fight-or-flight response Track, adjust bbccddeeff

Gut instinct is the patternmaker these others copy/version.
* bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
* Cc, in-brain vsn of ff.
* Dd, 'decision-dominance', which measures the edge of one's, and thus use of any, personal space.
* e/e, or exist-evolu, which brings a concept to perhaps exist or definitely evolve within oneself, and how that imbalances the horizontal level with a body's center of gravity during each (partial) aligning with the concept).
* ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) The response is explained well with the body anatomy system Anatomy Trains: AT: Anatomy Trains, a system of aligning muscle/cartilage (and thus, through inference/affect, the rest of the body) along early evolution's most-common and basic motions, system shown through actual cadaver splices and applied to different fields)
exchanges -- B,c exchange freely, complexly and often, as do e,f; c,e exchange concretely, simply and less often, as do b,e and do c,f; and, c exchanges one way to d grandly, how often likely less only impact evens this perception, as does d to e, the other way usually either perverse and interactively forced through a negative.
F,b, already noted, is a linear range, and it is nearly constant. D has the special property of centering all or any of them; thus, f,b , and to a lesser extent, c,e bounds and may bind together the others, while the, or any, other pairs may skew d until or if they offset each other's actions (a special note being d to f thru e needing the simple c-e relation's version of c to work, and visa-versa for d to b).
Last, the series bb thru ff, with a(ction) first, as in a-e, and ff begins a corollary series (thus, my emphasis on series/scenario meditations (Freeze-Frame ('ff') switches heart from one, disturbing scenario to one that offers resolution and then returns to apply it); one could switch between meditations with l.f. to help apply to the chart study).


3
-- emotion. Trading is the sense of the New; thus, emotion control grounds one while reasoning a trade.-> 1 emot'n ea. letter on picture.
*After zero losses, I feel unjustified to trade, and my trade stops improving. Facing the uncertain, with reason falling short of the struggle to understand. Defensive. (depression, despondency)
*After a small loss, I feel unjustified on average. Defensive, with some offense. (panic/capitulation/relief/hope)
*At BE, I'm neutral toward trading, and am about as on the defense as on the offense. It's here where I decide whether or not to push on -- I search the middle ground for more control while acknowledging none is absolute. (fear/desperation/optimism)
*After several big losses, I feel justified on average. Offensive, with some defense. (anxiety/denial/thrill/excitement)
*After I lose all, my trade improves, control rejected before the market. Offensive. (euphoria)




-----------------------------------------------------------------------------------



The version above is at once too complicated in explanation and too simple in execution.
I want lots of choices, as in reality, and too few explanations, as in worth.


This type of cycle is one where a person may enter at any step, do the cycle in reverse, and leave the cycle at any conclusion along its path.

No, change my mind.

A set path:


1 focus
2 emotion w/deform
3 cc / cutter
4 anchor + formula
5 scenario w/leverage which is applied to a p.m. grouping and any cycle

(post#1: rewrite)



Connected own psych model, explained in bits (wouldn't get interested, rather trying to withhold it to avoid anyone having to look at it ; ) ), with the anchor+formula chart study:

____

-- When I wrote 'neural plexus', I was thinking of visceras'.
And, I've not tried to post a definition for 'landed emotion'. Mostly, it's what flips (makes a negative, helpless thing) one of the spaces in n/c; before it is, of course, emotions, and after it, cultural-language variables (money, family, job, etc.; how much it intersects one's body).
'Meditation trace' is the process of the meditation being continued through it, such as an imagery hypnosis going to several objects that have high emotive value, Image Stream going to dozens of objects that are described in high rational detail, or Continuum going to lots of objects that are chosen for their impact of position, and so on. It runs n/c for that one approach going through cutter etc., carefully limiting physical involvement.
'ff-bb reactants' is whatever shape ff-bb makes of numerous pieces of information.
'anchor' is MTF for pattern, stacking them to make more or better geometric shapes.
The rest are either self-explanatory or defined in the journal.
Most of my problems are that I like to summarize patterns for their one anchor and line them up into a geometric pattern, randomly trade the geometric shapes I find in my scope, and ignore how anchors fit those geometric shapes together. That is, I enjoy the fun part, creating the shapes, more than coldly judging their effectiveness with anchors.




{An example or two follows}

_________



Because I seem to have no place with committed real-money traders except with my now 2 1/2-years-old experience in stocks of a dozen minus two years and a few months of real in forex -- which I've, in my posts, already gone into great detail lots of times both in detail and in general philosophy -- I'm going to post more on what I find interesting in my formula psych method, regardless of whether it's from my trading simulator and thus is likely on the 1'TF from a year or two ago, or talks about the psych terms that are only defined in my journal.
I feel most traders don't understand why what I have is so valuable, regardless of my inability to trade it without going into multiple margin calls several days each week. Yes, sounds absurd, I admit. Now that I ironed out most of the difficulties of the technical chart study I perform, I feel comfortable in presenting it regularly. Please bear with me and feel free to ask any questions, as I try to explain (if it's not self-explanatory) my thinking when placing the lines and my trade.




---------------------


NOTE: I only looked at the chart between the leftmost side and the vertical line, to arrive at the (other) drawn lines.

Another rewrite of my demo chart study.

I gotta have some kind of process to make this worthwhile.
I know anchors are worthwhile, geometric shapes make sense the way I last organized them, and 'deform' divides the chart into the verbal descriptions effectively.
Okay, just read each row as a sentence and then combine the product of each sentence into a conjuncted formula.



(post#1 dump)

-- When I wrote 'neural plexus', I was thinking of visceras'.
And, I've not tried to post a definition for 'landed emotion'. Mostly, it's what flips (makes a negative, helpless thing) one of the spaces in n/c; before it is, of course, emotions, and after it, cultural-language variables (money, family, job, etc.; how much it intersects one's body).
'Meditation trace' is the process of the meditation being continued through it, such as an imagery hypnosis going to several objects that have high emotive value, Image Stream going to dozens of objects that are described in high rational detail, or Continuum going to lots of objects that are chosen for their impact of position, and so on. It runs n/c for that one approach going through cutter etc., carefully limiting physical involvement.
'anchor' is MTF for pattern, stacking them to make more or better geometric shapes.
'ff-bb reactants' is whatever shape ff-bb makes of numerous pieces of information.
I applied deform's categories to the three columns besides the chart-study one, to increase validation of deform through tying it.
The rest are either self-explanatory or defined in the journal.
Most of my problems are that I like to summarize patterns for their one anchor and line them up into a geometric pattern, randomly trade the geometric shapes I find in my scope, and ignore how anchors fit those geometric shapes together. That is, I enjoy the fun part, creating the shapes, more than coldly judging their effectiveness with anchors.




ex. of n/c continuum, a gamma-like physical meditation where one repositions one's body to focus on seemingly random points and done with one concept in mind and to complete (much easier than it sounds):
The problem trade was when I allowed a 26-pip drawdown to happen. It wasn't that it was 26 pips -- that's actually very low for me -- it's that I allowed such a strong move evade my attention. If I was missing such a strong move, what would I do next?
So I traced the price-time line from left to right with my body motions to get into what was going on, broke down the trade before my entry, and arrived at this:

Later, the area continues, with a pitchfork (the midline in the second picture being invalid, I eventually figured) and the earliest Gann Fan completing the picture for another jump:




_________________



(new post#1)














objects, with examples for as many shapes as possible:
1. STATIC OBJECT..
(logr's') trendline (aligning one or more minor logr's) / frame, four-corner frames / midline (may halve)
2. ADJUSTABLE OBJECT..
multi-area logr / ellipse or curve (one ordinary) / trend centerline (may halve, double)
3. MULTIPLES OF AN OBJECT..
fan (one strong logr makes more) / Fibonacci(,) Time Zone / run (a length may halve or multiply)


actions a whole shape does:

1. center, balance
2. expand, build, stack, fill, castle, hash
3. contract, simplify, combine, deconstruct, divide, fade, drain, empty
4. level, stretch, jump, spike, flat, tip
5. dip, cup, rebound, touch

anchor/position for several shapes--
0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series




extra routine, to view chart in an adaptable, effective way


VFD (a visual field diagram --

1. center, emotional, lots of color; middle ring, moving optical illusion, a few basic colors; outer ring, surrounding reaction, black and white.
   "fractal dimensions between 1.3 and 1.5" of picture, which calms more when viewed.)
   
2. Works on
   action within or between rings,
   object acting/ed upon,
   and position's reach for leverage adjoining action and object within the leverage's area of affect.
   
   -- ff-bb reaction, single-variable meditation --
3. bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
   This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
   
4. ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) (works with Anatomy Trains, a system of aligning muscle/cartilage along early evolution's most-common and basic motions)
   
5. rational variable isolation
   'meditation concept' .
   'Meditation trace' ~ is the process of the meditation being continued through it, such as an imagery hypnosis going to several objects that have high emotive value, Image Stream going to dozens of objects that are described in high rational detail, or Continuum going to lots of objects that are chosen for their impact of position, and so on. It runs n/c for that one approach going through cutter etc., carefully limiting physical involvement.
   'meditation formula' _
   A meditation has one concrete l.f. (. object + ~ action = _ position) A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently. Meditation can replace ff's view of a-e.
   From this, each meditation has its own, one concrete l.f.:
   * hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
   * progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time
   and so on (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples)).

Hey, I got a new version of mm within the chart study. Else, a little rearranging and explanation. Psych untouched.

#shapes to study
-- If you pick a derivative/secondary shape, take into account its primary and/or when it turns primary.
Incremental (at least this area is right; watch for unexplained anomalies)
or surround (*best tactic* -- watch for overdependence on structure through impulsive, etc., creation of detail in the structure)
desired-area (which scans okay, then jumps with too little reason),
impulsive (which prefers the focus in a direction over the quality of the reason which'd bring one there)
or random (makes all reasons the same, an average that fails to be precise to read charts and thus renders chart study useless) tactic,
in choosing where to center attention on a shape.

* one (actions) -- Use several just as much, prefer one :
1. center, balance
2. level, stretch, jump, spike, flat, tip
3. contract, simplify, combine, deconstruct, divide, fade, drain, empty
expand, build, stack, fill, complete, castle, hash
dip, cup, rebound, touch, corner
4. blur, blotch, bunch, area, frame
5. row, column, spots, pixelated, series

* several (anchor/position) -- Use one, with another to help choose and the rest implied :
0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series

* lots (drawing object) -- Use one, with a few others to set up :
1. STATIC OBJECT..
(logr's') trendline (aligning one or more minor logr's) / frame, four-corner frames / midline (may halve)
2. ADJUSTABLE OBJECT..
multi-area logr / ellipse or curve (one ordinary) / trend centerline (may halve, double)
3. MULTIPLES OF AN OBJECT..
fan (one strong logr makes more) / Fibonacci(,) Time Zone / run (a length may halve or multiply)


extra routine, to view chart in an adaptable, effective way


a VFD (visual field diagram) for meditations --

1. center, emotional, lots of color; middle ring, moving optical illusion, a few basic colors; outer ring, surrounding reaction, black and white.
   "fractal dimensions between 1.3 and 1.5" of picture, which calms more when viewed.)
   
2. Works on
   action within or between rings,
   object acting/ed upon,
   and position's reach for leverage adjoining action and object within the leverage's area of affect.
   
   -- ff-bb reaction, single-variable meditation --
3. bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
   This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
   
4. ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) (works with Anatomy Trains, a system of aligning muscle/cartilage along early evolution's most-common and basic motions)
   
5. rational variable isolation
   'meditation concept' .
   'Meditation trace' ~ is the process of the meditation being continued through it, such as an imagery hypnosis going to several objects that have high emotive value, Image Stream going to dozens of objects that are described in high rational detail, or Continuum going to lots of objects that are chosen for their impact of position, and so on. It runs n/c for that one approach going through cutter etc., carefully limiting physical involvement.
   'meditation formula' _
   A meditation has one concrete l.f. (. object + ~ action = _ position) A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently. Meditation can replace ff's view of a-e.
   From this, each meditation has its own, one concrete l.f.:
   * hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
   * progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time
   and so on (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples)).

And, I still like this to sort through everyday nontrading beta life:
cog logic
{yeah, see post#1}










__________________________






At the risk of sounding lame, I like this picture to render me thru trades:

For instance, I could say
"In my room in front of my computer,
I am here
studying the screen, typing in words, and drawing lines
to render the price-time line tradeable."
-- That's each level --
environment : outer ring / layer
trader : middle ring / layer
drawing (and posting) devices : inmost ring / the object itself
price-time line and its motion : centerpoint of the inmost ring / object itself
-- in the picture.





-----------------

It's time to dump and run.
First up: Sentenciousness and distractions.

Alright. Revision --

chart shapes

* one (actions (formerly, 'deform')) -- Use several just as much, prefer one :
1. center, balance
2. level, stretch, jump, spike, flat, tip
3. contract, simplify, combine, deconstruct, divide, fade, drain, empty
expand, build, stack, fill, complete, castle, hash
dip, cup, rebound, touch, corner, deviation, push/pull, relax/tense
4. blur, blotch, bunch, area, frame
5. row, column, spots, pixelated, series

* several (anchor/position) -- Use one, with another to help choose and the rest implied :
0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series

* lots (drawing object) -- Use one, with a few others to set up :
1. STATIC OBJECT..
(logr's') trendline (aligning one or more minor logr's) / frame, four-corner frames / midline (may halve)
2. ADJUSTABLE OBJECT..
multi-area logr / ellipse or curve (one ordinary) / trend centerline (may halve, double)
3. MULTIPLES OF AN OBJECT..
fan (one strong logr makes more) / Fibonacci(,) Time Zone / run (a length may halve or multiply)

#shapes to study
-- If you pick a derivative/secondary shape, take into account its primary and/or when it turns primary.
The trade VFD is some about making the chart study to find a trade to enter
and most about watching the trade after it's entered.
Incremental (at least this area is right; watch for unexplained anomalies)
or surround (*best tactic* -- watch for overdependence on structure through impulsive, etc., creation of detail in the structure)
desired-area (which scans okay, then jumps with too little reason),
impulsive (which prefers the focus in a direction over the quality of the reason which'd bring one there)
or random (makes all reasons the same, an average that fails to be precise to read charts and thus renders chart study useless) tactic,
in choosing where to center attention on a shape.

For instance, I could say
"In my room in front of my computer,
I am here
studying the screen, typing in words, and drawing lines
to render the price-time line tradeable."
-- That's each level --
environment : outer ring / layer
trader : middle ring / layer
drawing (and posting) devices : inmost ring / the object itself
price-time line and its motion : centerpoint of the inmost ring / object itself
-- in the picture.


The best thing you can do for yourself is to keep up with anchor 0: angles on a larger scale of the 1'TF.





extra routine, to view chart in an adaptable, effective way


a VFD (visual field diagram) for meditations --

1. outer ring of picture above

   center, emotional, lots of color; middle ring, moving optical illusion, a few basic colors; outer ring, surrounding reaction, black and white.
   "fractal dimensions between 1.3 and 1.5" of picture, which calms more when viewed.)

2. middle ring of picture above A

   bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
   This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
   

3. middle ring of picture above B

   ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) (works with Anatomy Trains, a system of aligning muscle/cartilage along early evolution's most-common and basic motions)
   
   ff-bb relates well with the meditation process, that of discharging or otherwise dealing with ff-bb routines (a bodily (eye; breath; cartilage: trigger-point path; gut: patterns; spine: a step in ff response; heart (HeartMath's interactive computer program)) auto-exchange nonwave resolution into wave; W. Wenger (Image Stream, etc.); continuum (the exercise that cripples and artists use); (sports) rehearsal; Freeze-Frame; Ecstatic Postures; Extreme Spirituality (the book and its examples))
   
   

4. inner ring of picture above

   (center point) 'Meditation trace' ~ is the process of the meditation being continued through it, such as an imagery hypnosis going to several objects that have high emotive value, Image Stream going to dozens of objects that are described in high rational detail, or Continuum going to lots of objects that are chosen for their impact of position, and so on. It runs n/c for that one approach going through cutter etc., carefully limiting physical involvement.
   (inner ring only) 'meditation formula' _
   A meditation has one concrete l.f. (. object + ~ action = _ position) A string of memories has a stitched-together l.f. Other actions, such as logic or group, l.f. differently. Meditation can replace ff's view of a-e.
   From this, each meditation has its own, one concrete l.f.:
   * hypnosis, scenario -- .'s + (1/2 |: (logr) + 1/2 (frame)) = ~ (action)
   * progressive relaxation -- |-~=., that is, lie on ground minus motion of one body part at a time.

chart shapes

-- If you pick a derivative/secondary shape, consider the primary or derivative as a primary later. Watchword is anchor 0: angles -- If you ain't got this, you ain't got nuthin'.

* one (actions (formerly, 'deform')) -- Use several just as much, prefer one:
1. center, balance
2. level, stretch, jump, spike, flat, tip
3. contract, simplify, combine, deconstruct, divide, fade, drain, empty
expand, build, stack, fill, complete, castle, hash
dip, cup, rebound, touch, corner, deviation, push/pull, relax/tense
4. blur, blotch, bunch, area, frame
5. row, column, spots, pixelated, series

* several (anchor/position) -- Use one, with another to help choose and the rest implied:
0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series

* lots (drawing object) -- Use one, with a few others to set up :
1. STATIC OBJECT..
(logr's') trendline (aligning one or more minor logr's) / frame, four-corner frames / midline (may halve)
2. ADJUSTABLE OBJECT..
multi-area logr / ellipse or curve (one ordinary) / trend centerline (may halve, double)
3. MULTIPLES OF AN OBJECT..
fan (one strong logr makes more) / Fibonacci(,) Time Zone / run (a length may halve or multiply)

body shapes

ff: "theory states that animals react to threats with a general discharge of the sympathetic nervous system, priming the animal for fighting or fleeing. This response was later recognized as the first stage of a general adaptation syndrome that regulates stress responses among vertebrates and other organisms." (source) (works with Anatomy Trains, a system of aligning muscle/cartilage along early evolution's most-common and basic motions; thus, the somatosensory strip)

Cutter is in the same family as gut intuition (as a body pattern one then uses as a cognitive map; anchors on the body's cog), cc (same, only in the brain only), and so on.


bb: "The broaden-and-build theory of positive emotions suggests that positive emotions (viz. enjoyment/happiness/joy, and perhaps interest/anticipation) broaden one's awareness and encourage novel, varied, and exploratory thoughts and actions. Over time, this broadened behavioral repertoire builds skills and resources. For example, curiosity about a landscape becomes valuable navigational knowledge; pleasant interactions with a stranger become a supportive friendship; aimless physical play becomes exercise and physical excellence.
This is in contrast to negative emotions, which prompt narrow survival-oriented behaviors. For example, the negative emotion of anxiety leads to the specific fight-or-flight response for immediate survival." (source)
Because bb has no experimentally-shown physiological basis, and it's more practical to show limits to bb as the source defines it, I will use a modified version of the concept, in that bb, or 'b', -like chemicals (that feed the rest of the definition of bb) limit within culture and other like-entity environments or, less so, a cultural-symbol impression of an unlike-entity environment.
Also, cc+bb ~,-> cb (or bc) connect since cc is a smaller, workable ff that's near cutter.

I've kept the same chart study for over a week. It's the psychology I keep changing; use of one simple theme explained ad infinitum may anchor such a habit.

Logical series of actions is missing from my trading, so I'll work to instill this.

The psychology, in a few pictures, that I came up with:


This stuff makes sense, at least to me; only, it's way too involved for a 25" psych study, the upper limit of how much time I have to devote to the subject while writing a trade that lasts only 5'!!!!

Cut 'n' dump time --


(a shortened version)



Note that I changed some of the labels around to reflect current science, or at least that which is found here.


-------------------------------------------------------

(new post#1)

chart shapes

-- derivative/secondary shape: Do w/primary or is derivative and primary later. Watchword anchor 0: angles.
* one (actions (formerly, 'deform')) -- Use several just as much, prefer one:
1. center, balance
2. level, stretch, jump, spike, flat, tip
3. dip, cup, rebound, touch, corner, deviation, push/pull, relax/tense
contract, simplify, combine, deconstruct, divide, fade, drain, empty
expand, build, stack, fill, complete, castle, hash
4. blur, blotch, bunch, area, frame
5. row, column, spots, pixelated, series

* several (anchor/position) -- Use one, with another to help choose and the rest implied:
0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series

* lots (drawing object) -- Use one, with a few others to set up :
1. STATIC OBJECT..
(logr's') trendline (aligning one or more minor logr's) / frame, four-corner frames / midline (may halve)
2. ADJUSTABLE OBJECT..
multi-area logr / ellipse or curve (one ordinary) / trend centerline (may halve, double)
3. MULTIPLES OF AN OBJECT..
fan (one strong logr makes more) / Fibonacci(,) Time Zone / run (a length may halve or multiply)
.,bb









---------------------------


another:







Start anew each trade:
anchor 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series
shape split, level, logr, bend, curve

Attached Image

projection static, adjustable, multiple

Attached Image

.,bb



-----------------------------------------------




another:






Start anew each trade's lines, decide in rough % the reliability of one's definitions of trade areas, and follow the trade so deal with the more dubious areas::
anchor 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series:
anchor 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series
shape split, level, logr, bend, curve
polygonal estimate static, adjustable, multiple

in trading
Contained, something overwhelms or one is impulsive about it when one encounters it;
multiple encounters taken together, one fights or flees.
Faced for what it is, one wants to fight it in anger or flee from it in fear;
this position held, one is impulsive or overwhelmed.
Gather one's own reaction to each part or a singular reaction to a feature of several parts, and add or subtract it from the normal energy expenditure doing one's position's task in the current environment.


















---------------------------------------------------



another:











trading procedure

1. Start anew each trade's lines,
2. decide in rough % the reliability of one's definitions of trade areas,
3. and follow the trade so deal with the more dubious areas by exiting at least partially when momentum brings price close to TP:

drawing rules

1. anchor 0 angle - 1 touch - 2 opposition - 3 compromise - 4+ series
2. shape split, level, logr, bend, curve
   Attached Image

   
3. polygonal estimate static, adjustable, multiple

loss prevention due to psychological fault

 

1. Gather one's such interactions to each part or a singular reaction to a feature of several parts:
   Contained, something overwhelms or one is impulsive about it when one encounters it;
   multiple encounters taken together, one fights or flees.
   Faced for what it is, one wants to fight it in anger or flee from it in fear;
   this position held, one is impulsive or overwhelmed.
2. Add or subtract it from the normal energy expenditure doing one's position's task in the current environment.

(post#1 rewrite)

Psych was the only thing I changed (besides changing 'touch' to 'balance', since 'touch' is a bend type).
The psych is a little wild, so make of it whatever you will.























Attachment
each stop on the path:

1. xy axes (x) Facing anything, fight or flee;
   position held, overwhelm or make impulsive.
   (y) Contained, overwhelm or make impulsive;
   multiple encounters, fight or flee.
   
2. chart areas Reason,% each area; run thru, decide entry/exit.
3. anchor 0 angle - 1 balance - 2 opposition - 3 compromise - 4+ series
4. shape logr, split, bend, curve, fill
   Attached Image

   
5. polygonal estimate static, adjustable, multiple

____________________________________



(another version)











1,2 grid:

1. xy axes (x) Face (anything possible): ff (fight or flight response). with Hold: i/o (overwhelm or make impulsive). (y) Contain: i/o. with Break (multiple encounters,) : ff.
   
2. chart areas Overwhelm goes thru one's content layers (politeness, trash program, ) made for any one cultural variable designed to react to a near-constant overwhelm stimulus (another entity with absolute interactive control (absorbs attention, limits reactions to environs to typical impulses,) in certain settings), and impulse is first to set one into a particular layer.
   Fight or flight is both more holistic and more drastic.
   Reason,% each area; run thru, decide entry/exit.

3,4 tensegrity:

1. anchor 0 angle - 1 balance - 2 opposition - 3 compromise - 4+ series
2. shape logr, split, bend, curve, fill
   Attached Image

   
   each static, adjustable, multiple

5 position:

_____________________________________________




(yeah, another)










Most cultural variable (money, family, job, shopping, war, etc.) are low-ffbb cycle, and thus go more with the intrinsic emotion cycle.
High, low (depression vs. ecstacy); before, after (anger, fear); higher and before (greed), lower and after but not at lowest yet (capitulation, desperation); and so on.
emotion

Those that absorb attention and limits reactions to environs the most, are high - ffbb cycle.
ex's: cross point, opposition, shadow,group,adaptive (all imaginable in a karate hand-to-hand combat scenario);
shadow-watch, snipe / path-cross / pounce, etc., with a sheep dog and its flock) turns on and off the existence of a contained space.
ffbb ( 0 angle - 1 balance - 2 opposition - 3 compromise - 4+ series ) * ( logr, split, bend, curve, fill )
face:ff(hold->i/o);contain:i/o(break->ff)

projection from anchors in shape(s): static, adjustable or multiple, @ ranked in relative w/others for each time and absolute over all times it applies

Ignore this post.










Another rewrite of post#1, my method.
Changes -- Dropped extraneous info, added some connections within the method, and kept the extra picture on emotions; that is, lean and well-connected:











ffbb {0 angle - 1 balance - 2 opposition - 3 compromise - 4+ series}, the polygons static, adjustable or multiple: bend (1 angle,balance -- grid,), fill (3 angle, compromise -- line,), curve (5 balance,series -- ellipse,), logr (5 angle,balance,series -- Gann Fan, triangle,), split (6 balance,opposition, compromise -- midline,). Positions.
emotion Values.



---------------------------------




another:

 

1. attention cycle ff/relax narrows as -y -> object (x). Held, ff/relax -> i/o-bb. i/o - bb widens as +y <- (that is, away from) object (x). Let go, i/o-bb -> ff/relax.
2. cycle: shapes symp~para: ff(->.)>relax(|->) x, i/o(->|)<bb(.->) y
3. shapes . : Where y crosses x, variant upon the shape, or position, into +-y distance at x as x progresses without changing relatively
   | : Para can recall old (+-x) positions at x in symp. and project/compare
4. shapes: projection Anchors 0 angle,1 balance,2 opposition,3 compromise,4+ series
   and polygons static, adjustable or multiple,
   typical shapes along the xy axes are
   Attached Image

   
   :
   bend (1 angle,balance -- grid,), fill (3 angle, compromise -- line,), curve (5 balance,series -- ellipse ,), logr (5 angle,balance,series -- Gann Fan, triangle,), split (6 balance,opposition, compromise -- midline,)
5. cycle modification
   Attached Image

   

__________________________________________







Okay, I wanted to combine anchors with the market emotion cycle, because they fit together fairly well; and, I thought shapes and thus their projections, which in the picture I drew reminds me of human posture stages, can also fit in somehow.
Too, I want to keep including ff+, because of its close relation to gut intuition; however, it seems redundant, and I would use it only as exercise.

Use ff+ as exercise to replicate one's trades, as follows with gut intuition traces of ff, etc.

The pattern of oscilation, looking like a wave, the one you have here and there, i think thats about it. Its the most imporant, most fundamental thing to understand. Its exactly everywhere in price, its like particles, the closer you look the more of them there is, its what price IS. Just like the string in string theory, price is simply a fluctuation that looks like that shape: The strings in string theory is just a little wobly shape that doesnt really weigh anything, its just a bit of movement.

So, its pretty much a matter of choosing timeframe: The instrument of how we perceive it, and then it will become what we perceive and we cant tell what we perceive apart from what there is to perceive in the first place.

I choose M1, 10 sec and 30 sec is to small movements to beat spread and besides i dont think us smalltimers can get good enough brokers with good enough latency, if we dont push em 100.000 USD, and i aint got that lying around right now so thats not going to happen.

In my view it think you should concentrate on the oscilation pattern, the others are just too complicated and you only see them afterwards, at least in my experience. Besides in 3-4 candles (minutes in this example) which is most if not all of my time i ever give a damn about what price is, you dont have time to make out much of a shape, at least not if it has more then 3 corners.

Im working on CCI since its the only thing i can find fast enough, that and a bit of bollys/envelopes sort of thinking. I used to be heavily into only bollys/envelopes, well distances from MAs and such, but all the logic i need is not in only that. Well i should say i use Fibonacci numbers for MAs, as well as some other stuff im not so sure about. Watch for example MA 9 crossing over 115 and/or 233, i look at it on E/U M1, see what i see?

Anyway, we can discuss further here or on the thread i found you on, either way doesnt matter to me.

Yaed,

Thank you for visiting my thread.

The purpose of much of the thread is to use trading indicators that serve as psychological adjustors at the same time as they read the chart, or as close to this as possible.
It's a bit far fetched, perhaps. I try not to take it too seriously, and keep erasing or 'dumping' what isn't also practical.
I have had several experiences that tell me the endeavor is worthwhile, such as recording my own fight-or-flight response as a gut intuition that represents the next chart pattern, or un/semi-consciously worked through a social difficulty with others through how I read the chart. A third, and popular, example is the market emotion cycle.

Also, thanks to you and others for putting up with the incessant rewrites of my method.
I dropped MA's and their various indicators, after I began some original stuff. Early on, I found stock-specific candle patterns in '04, from which I got okay results; then, I returned to drawing and indicators, searching for something solid.
Finally, I began on original applications of trendlines a few years ago.
Embedded in the method you see is some fairly solid material to position drawing tools.

Anyhow, yes, the market emotion cycle is something I should stay with; however, as popularly written, it's too much about how someone trades and too little about chart study. I hope to change this, at least a little.

Your thread on scalping is interesting, and I follow it avidly and learn from it. My own 1'TF-only holds will likely vary in a range just above scalping, to take advantage of the time frame's greater number of moves while not being able to hang around the computer all the time.

Best of trading to you.

another step.....................

















































Usually, there is a range between a full trace and an anchor-dependent study:

1. Complex, fast cog traces, which seem to happen little in life, work well to get the pattern after a small area's chart study: Path lots of anchors to various fight-or-flight response cartilage/muscles. Complete integration of shape with self.
2. The selected body position, that is, one body shape, may be used, whereupon a projection is drawn upon it.
3. Partial dissociation of shape with self with past objects one has interacted with and thus (unconsciously) recall a certain ff+ shape within about.
4. after the (projectable) anchor may be emphasized to fill the void with variant states to ff ( ff(->.), relax(|->), involvement with shape, i/o(->|), or bb(.->) )
5. The anchor itself may be emphasized with an emotion (market emotion cycle).

--------------------------------------------------






another:

(downtime: Divide chart study's anchor+shape with Anatomy Trains and refine pattern recognition.)

1. Complex, fast traces from cog, which seem to happen little in life, work well to get the pattern after a small area's chart study: Path lots of anchors to various fight-or-flight response cartilage/muscles. Complete integration of shape with self.
2. anchor+shape fills over a greater space/time, the distance filled with variant states to ff ( ff(->.), relax(|->), involvement with shape, i/o(->|), or bb(.->) )
3. Alternate (body or other), past (objects) and/or multiple (scenario / problem-solving) interpretation simplified into the anchor+shape.
4. Partial dissociation or inclusion of anchor+shape within self and chart, and then unconsciously change study's reading or include unnoted material to trade with.
5. The anchor is with an emotion (market emotion cycle), shape tacked on.

-----------------------

revision:

Choose one (opt'l: Divide, recombine anchor+shape with Anatomy Trains (improves pattern recognition)):
A. 1 speed Complex, fast traces from cog, which seem to happen little in life, work well to get a small area's next: Path lots of anchors to various fight-or-flight response cartilage/muscles. Complete integration of shape with self, anchor tacked on.
A. 2 anaer size, aer endur. anchor+shape fills over a greater space/time, the distance filled with variant states to ff (ff(->.), relax(|->), involvement with shape, i/o(->|), or bb(.->) )
A. 3 balance Alternate (body or other), past (objects) and/or multiple (scenario / problem-solving) interpretation simplified into the anchor+shape.
B. Partial dissociation or inclusion of anchor+shape within self and chart, and then unconsciously change study's reading or include unnoted material to trade with.
C. The anchor is with an emotion (market emotion cycle), shape tacked on.

I consider fight stage to ecstacy / depression to be maybe in median terms 6o pips on E/U for a big oscilation. takes about hmm maybe 35 minutes as a median from fight stage to definite end of ecstacy or depression. A complete big oscilation i seldom see, such as the oscilation you have there. But of course thats a i dont know...Euclidean/Pythagorean/Platonic idea of an oscilation more then it is price incarnate itself.

A small oscilation from fight to ecstacy / depression end i would say is 6 minutes, depends on how strong a confirmation you want to call it the end. And the hwole cycle about 12 minutes.

The case could be made that there are small oscilations within the bigger ones, but i would say that their geometrical shape is more akin to little bumps.

The 0 line is always tilted of course, either way. Moving S/R from below/above, EAs not being able to present their orders fast enough, or just ones that are ment to do it slower flattens either the lower part of the oscilation for a price increase and the upper part for a decrease. This can easily be seen by using what i would maybe call fast midfibos, put MA something like 20, 22, 24, 26 and so on up till maybe 34 or 39 depending on what you are interested in seeing on chart and that pretty much shows in visual terms what i mean here.

I dont know if you delved into people like Linuxtroll, 4XQ, Rohule and a bunch of others using rainbow MAs/guppy MAs. If not they rely on retraces to established trends, meaning a getting back to the larger picture of the oscilation from a slight deviation of maybe 15 pips or something like that. They prey mostly on definite, quite slow oscilations that perhaps has depression/ecstacy even further then 60 pips away from fight stage. I find their approach interesting, yet not quite with such consictency and clear terms of entry as i prefer. I have tried their sort of approach but i find that if aiming for 5+trades/day the accuracy is not that pleasant, and there are problems such as distance to such things as the 1440 MA seem to matter in a quite discretionary way perhaps, so that they hwole retrace thing dont seem to function well if price is relatively close distance to such areas as the 1440 MA exponential. I never got down to figuring out if there is a particular gravitational pull or a specific distance to MA 1440 that upsets those sorts of entry, seeing as i had other things on my plate that had a good proven accuracy, i did not move further into the guppy/rainbow sort of entried. But i incorporated it into my understanding.

To make descent statistics i want more trades rather then less of course, and 10 a day on average, not trading G8 days and things like that is very much possible. 15-30 is maybe within range of the normal day. I maxed out at 40 on one day 3 weeks ago. But i changed things quite radically since then. Meditation probably helps, coffee does not

But then again i often need the coffee, i often find myself working 7 days a week for about 60 hours a week. I work mostly 7 to 17 London time + most times my wife is at her work too, and she often works weekends and such. Most of my friends moved away post graduation, one went insane, one went to war, one moved to my hometown and such, but i have a lot of em in my hometown not far from here and i go there often. Right now its a good thing that they dont live here, i think it would have a detrimental effect to my trading accuracy, not to mention my time for analysis.

I did use the center of gravity earlier, but seeing as how it is dependent on present data to present itself, its very hard to backtest it. There is of course a version that doesnt repaint, but it just works like an envelope or some such thing. Right now actually i see very definte decrease we are soon at depression stage. It ticked my senses and i made a deal, however unused to seeing or whatnot, had to close at +0.8 profit, but any profit is better then loss right?

Im not so inclined that i should try to trade the oscilations themselves, of course there can be a systematic try to do so, succesfull or not in the end only depends on pure tenacity i think. There must be a quite a large room for variation and such, not being so picky about 15 pips this way or that, and such. I havent got used to that sort of thinking yet, but i think i could.

I regard the entries and exit as a result of the extent to which we understand the idea of price. That may seem strange and perhaps lead to even stranger conclusions, but its a simplified background sort of way to how i think.

Another idea i utilize is that if i cant systematically understand something and explain how to trade it, i dont trade it, might seem self evident, but its not quite so: If something is seen that does not fit into theory, the theory is 1) not sufficient 2) not sufficient to trade what is seen. I assume a perfect understanding of price is at least in theory possible, meaning such an understanding would result in always being in profit on open trades. I infer this idea from observation: A systematic function that is proven, however complex or however much help hypothesis (ad hoc) that must be used, and however much risk, and however many positions to be used is operating inside to totality of the existence of the idea we call price. That was a long almost Kantian sentence, i have to read that a couple of times and see if thats really what i mean... Yes that is what i mean.

Which means in essens that every closed trade yeilding profit, is in connection with the idea of price. There are this and that to ponder and say at this stage, some things attributed to Plato in a very indescent manner, some things that people like PD Ouspensky might have to say about it and such, but in essens: The fourth dimension. No calm down dont be raving around about it, its just a concept meaning non time dependent, non space dependent, non individual, non specific, transcending geometry sort of being.

I dont know if i told you but i exclusively trade E/U so everything i say is more or less specific to that.

Thanks for responding.

0-4+ is types of anchors. Used in chart study, anchors connect to shapes, to which one draws projection lines. Used in this psychology, anchors connect directly to the market emotion chart and indirectly to ff and its related versions, as per the list.
I'm not using a cover language, such as calling one leg of a cycle as going from 'depression' to 'ecstacy'; that's silly, to me. Rather, I may think about these two emotions to subconsciously balance my body in acceptance of how I determined or may determine the chart study.
I was using cog as a psychology term. To continue the emotions example, above: Once I thought of how ecstacy-depression works in my body and correlated it to anger-fear, I was able to balance my body's cog and stay in balance with how the chart was also staying in balance with its various angles -- thus, using gut intuition.
Quality over quantity, for me. You must practice mm a lot better than I, to be able to make all those trades and keep going. All I'm doing is a demo trade simulator, and keep losing them; this, in addition to my past lost real $, keeps me going on the psychology bit.
Body's cog, not chart's. I've used the nonpainting cog, too, though. I favored the Keltner Channel, at first, over at Tradestation half a dozen years ago. There's some good moves from it, and I believe it's what may have first turned me toward use of logr's.
You seem to be saying:
Cycles to take care of time, with a centerpoint at one's understanding of price.
Okay.
I try to adjoin how I think about the chart trades with a trading simulator's: Continuous moves where patterns cooperatively and/or consecutively influence the next price at some time.
HG... Yeah, the perfect interpretation of chart is there; a discretionary trader, being human, can only hope to get so much of the chart.
one angle on this:
Too theoretical -- A tiny amount of $ for a smalltime trader means nothing to most trading charts.
another:
Psychological -- Your position in trading is to fit in with the winners in trading. Insufficient to me, only whatever works for you... Me, I can't trust myself that much.
You ought to try reading Miltonian prose, now that's tough; probably not as logical as Kant, tho.
Ouspensky, from reading at wikipedia, was a Renaissance man. The article there noted 'the Fourth Way', which was a little interesting; 'apperception' is more interesting a concept, and if I can, I'll incorporate it.



May dump all my last post, have no idea. Glad you could use it, somehow.
Best of trading to you.

(new picture)




















my method

ways to trade it
A. 1 n,r speed Complex, fast traces from cog, which seem to happen little in life, work well to get a small area's next: Path lots of anchors to various fight-or-flight response cartilage/muscles. Complete integration of shape with self, anchor tacked on.
A. 2 n size, r endur. anchor+shape fills over more space/time, the distance filled with variant states to ff (ff(->.), relax(|->), involvement with shape, i/o(->|), or bb(.->) )
A. 3 balance Alternate (body or other), past (objects) and/or multiple (scenario / problem-solving) interpretation simplified into the anchor+shape.
B. Partial dissociation or inclusion of anchor+shape within self and chart, and then unconsciously change study's reading or include unnoted material to trade with.
C. The anchor is with an emotion (market emotion cycle), shape tacked on.
















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I was looking for a solvent way to reproduce ease of use in the shape side of angles.
I found this (the #s which angle, not an order):




If I do a series of one anchor type, then it's easier to find the angle of that same anchor type, simplifying the overall process.

I've been losing about every demo simulator trade for weeks (okay, longer), blaming it on trying to get my current trading method to work smoothly.
I think its development is such that posting a few charts to work on will help progress their study further.


The second trade was awfully weak, if a step above most of my trades in a while.





The method's slightly revised, too, putting subtle 'strings' to attach various ingredients of the proposed method ever closer.



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(revised method)








my method

ways to trade it
A. 1 MOTION, pure Complex, fast traces from cog, which seem to happen little in life, work well to get a small area's next: Path lots of anchors to various fight-or-flight response cartilage/muscles. Complete integration of shape with self, anchor tacked on.
A. 2 MOTION, mixed anchor+shape fills over more space/time, the distance filled with variant states to ff (ff(->.), relax(|->), involvement with shape, i/o(->|), or bb(.->) )
A. 3 MOTION, minor Alternate (body or other), past (objects) and/or multiple (scenario / problem-solving) interpretation simplified into the anchor+shape, to find and borrow the core cc that any of the scenario's ff's derive from to get the most powerful anchor within oneself.
B. motion and MATCHING Partial dissociation or inclusion of anchor+shape within self and chart, and then unconsciously change study's reading or include unnoted material to trade with. negative use: Often, a negative, attacking person will project their negative image of you as an alternate activity you must then fight against, breaking up your effort to trade.
C. MATCHING The anchor is with an emotion (market emotion cycle), shape tacked on. note: Someone/thing may personify half an anchored emotion set, forcing you to defend the other half and often causing you to lose position at that for another set level. (negative: Push you from a balanced 2 set that is positive and even-minded (x axis ((where consistency is (and thus a fast loss is their goal) : ) time)), into 1 ecstacy - 0 depression negative balance (y axis ((get you to pay too high) price)), repeating the positive others negatively to remove positive thoughts they may've missed and impersonating the negative others so you act negative toward trading.)



Hey, don't leave! I got a joke.
Money anchors the junk we exchange for with others to keep on living and doing stuff:
0 Ya know, my finances are nothin' but a MESS
1 sometimes, tho, I get a bunch of it at once (tend to waste it all (Anything can happen! )....
2 Then, after I compromise my principles and look for a job sucessfully in the System, regular cash begins to trickle in;
3 and, once I compete to get a REAL job and even corner the market, I can proVIDE with security.
4+ Finally, all I want is for that $ to keep rollin' in -- No worries, Mahn.
So guess what I did? I rearranged the market emotions with the anchors to reflect this.









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(partial rewrite: new picture (includes more-realistic examples))

Ignore this post:

Only another rewrite.















my method

states of mind and their dangers
A. MOTION Complex, fast traces from cog, which seem to happen little in life, work well to get a small area's next: Path lots of anchors to various fight-or-flight response cartilage/muscles.
B. MOTION, mixed pattern understanding fills over more space/time, the distance filled with variant states to ff (ff(->.), relax(|->), involvement with shape, i/o(->|), or bb(.->) )
C. MOTION, minor Alternate (body or other), past (objects) and/or multiple (scenario / problem-solving) interpretation simplified into one body position of ff, as in a level of understanding about the chart.
D. single motion and lots of MATCHING Partial dissociation or inclusion of anchor within self and chart -- see inset to emotion, in picture --, an extra environs interfering w/one's ability to direct one's actions,
and then unconsciously change study's reading or include unnoted material to trade with. negative use: Often, a negative, attacking person will project their negative image of you as an alternate activity you must then fight against, breaking up your effort to trade. to save one's trade position, one needs a fast reaction with a sharp, single gut reaction.
E. MATCHING Immersed in an environs w/o the ability or desire to leave, the anchor is with an emotion* (market emotion cycle) or other multiple waves that carry and defy gut reaction.
note: Someone/thing may personify half an anchored emotion set, forcing you to defend the other half and often causing you to lose position at that for another set level.
(negative: Push you from a balanced 2 set that is positive and even-minded (x axis ((where consistency is (and thus a fast loss is their goal) : ) time)), into 1 ecstacy - 0 depression negative balance (y axis ((get you to pay too high) price)), repeating the positive others negatively to remove positive thoughts they may've missed and impersonating the negative others so you act negative toward trading.)

* Money anchors the junk we exchange for with others to keep on living and doing stuff:
0 Ya know, my finances are nothin' but a MESS
1 sometimes, tho, I get a bunch of it at once (tend to waste it all (Anything can happen! )....
2 Then, after I compromise my principles and look for a job sucessfully in the System, regular cash begins to trickle in;
3 and, once I compete to get a REAL job and even corner the market, I can proVIDE with security.
4+ Finally, all I want is for that $ to keep rollin' in -- No worries, Mahn.
So guess what I did? I rearranged the market emotions with the anchors to reflect this.

I don't mind sharing my method, by definition.
When it gets to mm, though, I WANT My slice. for









-- Note that I excluded explanation of the chart perspectives' origins, except for the emotion chart.
They are, and ignore if you will, since the states of mind will probably serve well enough:

(chart perspectives The point's less to do all this stuff, as to do any stuff to make oneself aware of what each one of these types of charts do. (The posture (1) *emotion (3) one may be fun, tho.)
1 simple motion (small inset, above) that centers itself at (0,0) cog 2 trading method 3 (large inset, above) 4 the lh-cd etc. one 5 a personality-type of viscera one I read once (pineal night/day, parathyroid lead, .... strong, pancreas eats, (doesn't), s.. eros, liver travels.)









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Sometimes demos here look useful. Check 'derived polygons', 'Stock Price Simulation Using Stable Random Variables', and 'The Law of the Iterated Logarithm in Probability Theory'.