WRONG CHART!!!!!!
The last chart is wrong.
Here is the right chart:
The idea of both of these charts is that a simple, repeatable drawing method may be had --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint)
-------
p1, rewritten to condense into a useful size:
think
pattern
object
think
d/a-g - d-s, flipped with p.m. (balance,(count)maturity,direction,(equal-size)opposition,(shape-from-area)exclusion) - emotion (
)
pattern
similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
object
The idea of both of these charts is that a simple, repeatable drawing method may be had --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
shape --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
---------------------------
'nuther:
(trying different categories, for what fits)
body/gut similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
- emotion
and other graphic models
~
think
d/a-g - d-s, flipped with p.m. (balance,(count)maturity,direction,(equal-size)opposition,(shape-from-area)exclusion)
- object
think, in object -- The idea of both of these charts is that a simple, repeatable drawing method may be had --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
shape --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
-------------
p1, another organization of categories, this one further including technical studies into the fold of thinking:
body/gut similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
- emotion
and other graphic models
~
think
d/a-g - d-s, flipped with p.m. (pure-math), which leads to gut/body and then its opposite, emotion :
balance --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
object --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count maturity: (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust -- direction,(equal-size)opposition,(shape-from-area)exclusion -- ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
p1 new:
body/gut similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
- emotion
and other graphic models
~
think
d/a-g - d-s, flipped with p.m. (pure-math), which leads to gut/body and then its opposite, emotion :
balance --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
object --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count maturity: (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust -- direction,(equal-size)opposition,(shape-from-area)exclusion -- ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
storage --
Good one.
"Blink perception" is the intuition of highly evolved skill. 1,2
And trust is (what I call) a social emotion.
If I'd trusted my intuition when I first realized I had it (in trading) eight years ago, I'd be a lot better off now.
-----
bounce off this thread --
the "L" drawing tool from ADVFN streaming charts (free for registered users, and has forex).
-- and from this,
W-,J-,S-,U-shaped charts, from economics and from biology's population growth (which link has formulai)
other free forex(unchecked for these) charting services than advfn: chartfilter.com, incrediblecharts.com .
Was trying to find a charting service that fits what the thread wants,
because I remember using a really good one... Oh well....
Anyway, I've used the L shape for a good while and didn't realize it was standard (if not widely known). I like the 45 in it too, and matching up separated trends to get the 0, 90 and maybe 45.
Also, the S-shaped curve sounds like what I call a tilde, sort of like two momo shapes that are opposite a point and also oppose with concavity and convexity. Related to logarithms.
A Mr. Joe Ross has the J-hook.
W- (and M-) are popular in several ff threads.
An N-, backwards or forwards, already has a name in candlestick charting: Falling or Rising Three Methods. Universally used.
together -- JLMNSUVW . Eight of 'em. May be more.
--------------------
This post suggests cognitive biases. This site, fairly reputable, organizes them into memory, confirmation and anchoring types, as well as a full list of all of them. And, I can easily connect these three into my personal thinking model, and my ptm is now connected to trading in real time (at whatever level of real trades one is capable of.)
Anyway, I've always been frustrated with the long, disorganized list at wikipedia.com, and hope a list of three can be a decent start.
-------------
Most of my writing from here on will be about connecting the wealth of capability of my ptm with trading.
There's no point in describing my ptm (further) in its entirety, as it's kinda dumb-looking as such and difficult to describe how it works except if you look at the picture (the spaceship thingie picture shown much earlier in this thread) in a way that allows it so. Maybe I will later, if only to help get how lots of things works together on it.
Really, though, I've realized over lots of years of testing it that most people have their own internal ptm, if not expressly described as such or as mine (somewhat) is. So I usually say people have their own ptm, or simply thinking model, to use. An example of this deviation is when, here, the thread's author put up a picture about emotions on courage -- a really good one, to boot, something I or others may not have thought of.
----------------------
So anyway, to get started.........
I realize what my last (of lots) margin call was about.
I can now trace it, what with the experience describing gut/body patterns.
I had (ADJUST) a skewed, negative gut feeling about it, eclipsed with (POSITION (new)) an overriding push away, (BALANCE) a high counterbalance, and (COUNT) projection of climbing upward. (EMOTION) Confused version of hautiness/ridicule went with it.
Why I traded with such a body pattern was the neutrality of balance with the adjusted, and then promise having an upward count. The value of negativity was ignored; and, of course, I pushed away with position, feeling more comfortable and thus increasing homeostasis at any cost. Typical, and human.
The last chart is wrong.
Here is the right chart:
The idea of both of these charts is that a simple, repeatable drawing method may be had --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint)
-------
p1, rewritten to condense into a useful size:
think
pattern
object
think
d/a-g - d-s, flipped with p.m. (balance,(count)maturity,direction,(equal-size)opposition,(shape-from-area)exclusion) - emotion (
Attached Image
pattern
similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
object
The idea of both of these charts is that a simple, repeatable drawing method may be had --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
shape --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
---------------------------
'nuther:
(trying different categories, for what fits)
body/gut similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
- emotion
Attached Image
~
think
d/a-g - d-s, flipped with p.m. (balance,(count)maturity,direction,(equal-size)opposition,(shape-from-area)exclusion)
- object
think, in object -- The idea of both of these charts is that a simple, repeatable drawing method may be had --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
shape --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
-------------
p1, another organization of categories, this one further including technical studies into the fold of thinking:
body/gut similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
- emotion
Attached Image
~
think
d/a-g - d-s, flipped with p.m. (pure-math), which leads to gut/body and then its opposite, emotion :
balance --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
object --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count maturity: (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust -- direction,(equal-size)opposition,(shape-from-area)exclusion -- ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
p1 new:
body/gut similarity -- 1D projection; unknown:known -- 2D simple pattern; under/overwhelm 3D decision-weighting pattern transfer; sacrifice/skill 4D decision-movement pattern follow-thru; repeat-force:spoil-truncate var-D movement pattern
- emotion
Attached Image
~
think
d/a-g - d-s, flipped with p.m. (pure-math), which leads to gut/body and then its opposite, emotion :
balance --
balance (1 or 2D, and either a single, 2D, contained shape or an extendable, 1D condensed or flat shape)
momo (a small (or big: fan-developed) area, oft balanced with a similarly-sized one in convex-concave style, as in a tilde)
midline (a big (or small: fan-developed) area, oft balanced with an extendable midpoint.)
A list of shapes, or ways to shape, is below, for this overall method to use as needed --
object --
dot, pivot(s): double/triple bottom/top, Adam&Eve, curve&line balance around dot, condensed (w/shadows or bodies), most candle patterns, horizontal dots as vertical time lines (session,news) to establish simpler shapes of trend from,to,between them
line: reactions to (squeeze,spread,barely,overwhelm, tip; support/resistance), shape of (thru mixed-areas, condensed with,); horizontal ('s/r',round-number,fib retrace,straight short), trend, segment ( line: opp-side hi-lo: pivots; shape copies reversed and flipped)
triangle,logr,wedge;fan(->past;off-PA,no- anchor;line 90d to trend angle->fanline);compromise(any hi->lo->mid)
L.p.4 (w/screen,proxy) (a small set of copies of a midline-able shape with a ray drawn from each of the midlines through an extra point that compromises the set of rays, often with a proxy line sacrificed with the others aligning with bars besides the set's)
rectangle,mid-point/line, midlines-only TL, channel, stack, grid
curve/circle/ellipse, head and shoulders, Gartley and similar, twisted, other multi-line, cup and handle / fighter jet, tilde; logr-curve-midline
count maturity: (fibo,fractal,rhythmic(1,1/4,1/2,1/3,etc.)); number (same-as; precis); series -- rvrs-string,copy-diff,compress-expand
adjust -- direction,(equal-size)opposition,(shape-from-area)exclusion -- ((each other, that w/PA, with,as PA; part, whole, several shape(s); big, small area (thus, replace (group) PA on same level))
storage --
DislikedI think trusting in the "Blink perception" could be all we need.Ignored
"Blink perception" is the intuition of highly evolved skill. 1,2
And trust is (what I call) a social emotion.
If I'd trusted my intuition when I first realized I had it (in trading) eight years ago, I'd be a lot better off now.
-----
bounce off this thread --
the "L" drawing tool from ADVFN streaming charts (free for registered users, and has forex).
-- and from this,
W-,J-,S-,U-shaped charts, from economics and from biology's population growth (which link has formulai)
other free forex(unchecked for these) charting services than advfn: chartfilter.com, incrediblecharts.com .
Was trying to find a charting service that fits what the thread wants,
because I remember using a really good one... Oh well....
Anyway, I've used the L shape for a good while and didn't realize it was standard (if not widely known). I like the 45 in it too, and matching up separated trends to get the 0, 90 and maybe 45.
Also, the S-shaped curve sounds like what I call a tilde, sort of like two momo shapes that are opposite a point and also oppose with concavity and convexity. Related to logarithms.
A Mr. Joe Ross has the J-hook.
W- (and M-) are popular in several ff threads.
An N-, backwards or forwards, already has a name in candlestick charting: Falling or Rising Three Methods. Universally used.
together -- JLMNSUVW . Eight of 'em. May be more.
--------------------
This post suggests cognitive biases. This site, fairly reputable, organizes them into memory, confirmation and anchoring types, as well as a full list of all of them. And, I can easily connect these three into my personal thinking model, and my ptm is now connected to trading in real time (at whatever level of real trades one is capable of.)
Anyway, I've always been frustrated with the long, disorganized list at wikipedia.com, and hope a list of three can be a decent start.
-------------
Most of my writing from here on will be about connecting the wealth of capability of my ptm with trading.
There's no point in describing my ptm (further) in its entirety, as it's kinda dumb-looking as such and difficult to describe how it works except if you look at the picture (the spaceship thingie picture shown much earlier in this thread) in a way that allows it so. Maybe I will later, if only to help get how lots of things works together on it.
Really, though, I've realized over lots of years of testing it that most people have their own internal ptm, if not expressly described as such or as mine (somewhat) is. So I usually say people have their own ptm, or simply thinking model, to use. An example of this deviation is when, here, the thread's author put up a picture about emotions on courage -- a really good one, to boot, something I or others may not have thought of.
----------------------
So anyway, to get started.........
I realize what my last (of lots) margin call was about.
I can now trace it, what with the experience describing gut/body patterns.
I had (ADJUST) a skewed, negative gut feeling about it, eclipsed with (POSITION (new)) an overriding push away, (BALANCE) a high counterbalance, and (COUNT) projection of climbing upward. (EMOTION) Confused version of hautiness/ridicule went with it.
Why I traded with such a body pattern was the neutrality of balance with the adjusted, and then promise having an upward count. The value of negativity was ignored; and, of course, I pushed away with position, feeling more comfortable and thus increasing homeostasis at any cost. Typical, and human.